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We're a nonprofit, Internet-based organization of international volunteers dedicated to building a database covering all printed comics throughout the world, and we're glad you're here! Give our search form a try, or take a look at the menu to the left to see how you can help us improve the site.

500,000 covers uploaded!

Cover Image

The 500,000th cover was uploaded in October to the GCD!

Check out the cover which is from the issue Boom! Studios Halloween Fright Fest.

New Search Technology!

Our new search technology is now the default search option in the search box, while all others are still supported. This search behaves similar to a google or bing search, it searches the content of most of our data and allows easy combination of different search terms in the different data fields. By adding other relevant search terms one can then easily filter down the results. Also sorting by several criteria is possible.

The easiest way to find a specific issue should now be the third option 'Series Name & Issue #', where you enter the series name followed by the issue number, e.g. X-Men 12.

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GCD Comics Timeline

Paul Murry (November 25, 1911 – August 4, 1989) was an American cartoonist and comics artist. He is best known for his Disney comics, which appeared in Dell Comics and Gold Key Comics from 1946 to 1984.

Like many Disney comic book artists Murry started his career working at the Walt Disney Studios. During his time there he was an assistant to legendary animator Fred Moore. In the 1940s, Murry worked on Disney newspaper strips, including the Sunday Uncle Remus and His Tales of Brer Rabbit strip from the first installment on October 14, 1945 through July 14, 1946. After leaving the studio in 1946 he began to work for Western Publishing doing stories featuring the Disney characters. Dell Four Color No. 129 (1946) featuring three Uncle Remus stories penciled by Murry was the first comic book containing his artwork.

He is best known for his rendition of Mickey Mouse and associated characters. This includes serials starring Mickey and Goofy in Walt Disney's Comics and Stories and Mickey Mouse Magazine. Many of these serials were written by Carl Fallberg. Murry's first published Mickey Mouse story was "Mickey Mouse and the Monster Whale," in Vacation Parade #1 (July 1950). Murry also drew such characters as Donald Duck, Uncle Scrooge, Brer Rabbit, The Sleuth, and others. The Phantom Blot and Super Goof comic books contained many Murry stories.

Besides Disney, Murry also drew Woody Woodpecker comics, the Buck O'Rue comic strip (written by Dick Huemer), and gag cartoons.

from http://en.wikipedia.org/wiki/Paul_Murry

Paul Murry in the Grand Comics Database:

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Vittorio Leonardo, born in Italy in 1938, is a colorist of some famous Franco-Belgian comics series. He worked for Spirou magazine and founded the Studio Leonardo, which continued his work.

Vittorio Leonardo was born in Italy. He left his motherland to Belgium in 1947. After various graphic experiences (charcoal, models, oil paintings), Vittorio Leonardo finally dedicated himself to the comic strip. He met Morris and kept in touch with him.

With the help of Morris, but also Franquin, Peyo and Remacle, Leonardo created the comics series Barbotine which allowed him to be hired by Spirou magazine. He took over Hultrasson and cereated Superdog and Bardolino. He also wrote some scenarios, among them Boule et Bill. Hired by Morris' Lucky Productions, he is entrusting the drawing of some Rantanplan albums, published each week in Télé Star from 1993. He specially contributed to the albums Bêtisier 3, Bêtisier 5, Les Cerveaux, Bêtisier 4, and Le Grand Voyage, written by Bob de Groot.

The Studio Leonardo colors a large part of the comics series published in Spirou. They use computer systems developed by Vittorio Leonardo and his son, Jourdan. Their colleagues Studio Cerise, also working for Spirou, mainly color manually.

from http://en.wikipedia.org/wiki/Vittorio_Leonardo

Vittorio Leonardo in the Grand Comics Database:

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Christopher S. "Chris" Claremont (born November 25, 1950) is a British-born American comic book writer and novelist, known for his 16-year (1975–1991) stint on Uncanny X-Men, far longer than any other writer, during which he is credited with developing strong female characters, and with introducing complex literary themes into superhero narratives, turning the once underachieving comic into one of Marvel’s most popular series.

During his tenure at Marvel, Claremont co-created numerous important X-Men characters, such as Rogue, Psylocke, Shadowcat, Phoenix, Mystique, Lady Mastermind, Emma Frost, Siryn, Jubilee, Rachel Summers, Madelyne Pryor, Sabretooth, Strong Guy, Mister Sinister, Captain Britain and Gambit. Claremont scripted many classic stories, including "The Dark Phoenix Saga" and "Days of Future Past", on which he collaborated with John Byrne. He developed the character of Wolverine into a fan favorite. X-Men #1, the 1991 spinoff series premiere that Claremont co-wrote with Jim Lee, remains the best-selling comic book of all time, according to Guinness World Records.

Claremont's career began in 1969, as a college undergraduate, when he was hired as a gofer/editorial assistant at Marvel Comics, during which time he received a plot assist credit for X-Men #59, written by Roy Thomas (August 1969). Thomas later assigned Claremont his first professional scripting assignment, on Daredevil #102 (August 1973). In 1974, as an entry into regular comics writing, Claremont was given the fledgling title Iron Fist, which teamed him with John Byrne, their second collaboration after Marvel Premiere.

from http://en.wikipedia.org/wiki/Chris_Claremont

Chris Claremont in the Grand Comics Database:

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Jean-Pierre Dionnet (born November 25, 1947) is a French cartoonist and TV presenter. He has also worked as an author (in Les Humanoïdes Associés), journalist, editor, producer/distributor of films and blogger.

He was the co-founder of the comics magazine Métal Hurlant in 1974. His works include Exterminateur 17, with art by Enki Bilal.

Jean-Pierre Dionnet was born November 25, 1947 in Paris, and at that time there was still ration, so he spent the first five years in the Creuse. Until the year of 1968, he had continued without ever being able to catch up on his high school education, and he had only one goal at that time. His goal in life was to enter the world of comics. In the meantime of becoming a comic artist, he was a broker on the weekend, and he was also a bookstore clerk in the first rendition of Futuropolis. In the year of 1968, Jean-Pierre Dionnet was between the newspaper "Driver," where he wrote scripts for Solé, Got, Druillet, Moebius, Goetzinger, and Bilal.

from http://en.wikipedia.org/wiki/Jean-Pierre_Dionnet

Jean-Pierre Dionnet in the Grand Comics Database:

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50 Years Ago This Month: Warren Publishing publishes Monster World #1 (http://www.comics.org/issue/18763/), edited by Forrest J. Ackerman whose birthday is today!

Warren magazines in the Grand Comics Database:

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Horacio Altuna (born November 24, 1941) is an Argentine comics artist.

Altuna was born in Córdoba. He began working in the comics world in 1965 for the publisher Editorial Columbia. His first characters were Titan, a Superman-like superhero, Kabul de Bengala (1971, written by Héctor Germán Oesterheld and Armando Fernández among others), Big Norman, Hilario Corvalán and others.

From 1973 to 1976, Altuna collaborated with Fleetway, Ediciones Record, Charlton Comics, Playboy and the French Les Humanoïdes Associés.

In July 1975, in the daily newspaper El Clarín, Altuna with writer Carlos Trillo created the journalist character Hugo Chávez, better known as El loco Chavez, one of the Argentine's most popular comics strips. Also with Trillo, Altuna drew the series Charlie Moon and Las puertitas del señor López.

In 1982, Altuna moved to Sitges in Spain, drawing stories for the Editorial Toutain and short erotic stories for Playboy. Since February 2005, he has contributed the comic strip Familia Tipo in the newspaper El Periódico.

from http://en.wikipedia.org/wiki/Horacio_Altuna

Horacio Altuna in the Grand Comics Database:

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Forrest J Ackerman (born Forrest James Ackerman; November 24, 1916 – December 4, 2008) was an American collector of science fiction books and movie memorabilia and a science fiction fan. He was, for over seven decades, one of science fiction's staunchest spokesmen and promoters.

Ackerman was a Los Angeles, California-based magazine editor, science fiction writer and literary agent, a founder of science fiction fandom, a leading expert on science fiction and fantasy films, and possibly the world's most avid collector of genre books and movie memorabilia. He was the editor and principal writer of the American magazine Famous Monsters of Filmland, as well as an actor, from the 1950s into the 1980s, and appears in at least two documentaries related to this period in popular culture: Director Michael R. MacDonald, and writer, Ian Johnston's Famous Monster: Forrest J Ackerman, which premiered at the Egyptian Theatre in March, 2009, during the Forrest J Ackerman Tribute, writer and filmmaker Jason V Brock's The Ackermonster Chronicles!, (a 2012 documentary about Ackerman) and Charles Beaumont: The Life of Twilight Zone's Magic Man, about the late author Charles Beaumont, a former client of The Ackerman Agency.

Also called "Forry," "The Ackermonster," "4e" and "4SJ," Ackerman was central to the formation, organization, and spread of science fiction fandom, and a key figure in the wider cultural perception of science fiction as a literary, art and film genre. Famous for his word play and neologisms, he coined the genre nickname "sci-fi". In 1953, he was voted "#1 Fan Personality" by the members of the World Science Fiction Society, a unique Hugo Award never granted to anyone else.

from http://en.wikipedia.org/wiki/Forrest_J_Ackerman

Famous Monsters of Filmland in the Grand Comics Database:

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Gasoline Alley is a comic strip created by Frank King and currently distributed by Tribune Media Services. First published November 24, 1918, it is the second longest running comic strip in the US (after The Katzenjammer Kids) and has received critical accolades for its influential innovations. In addition to inventive color and page design concepts, King introduced real-time continuity to comic strips by showing his characters as they grew to maturity and aged over generations.

The strip originated on the Chicago Tribune's black-and-white Sunday page. One corner introduced King's Gasoline Alley, where characters Walt, Doc, Avery, and Bill held weekly conversations about automobiles. This panel slowly gained recognition, and the daily comic strip began August 24, 1919 in the New York Daily News.

The strip is still published in newspapers in the 21st century. Walt Wallet is now well over a century old (114, as of January 5, 2014), while Skeezix has become a nonagenarian. Walt Wallet appeared as a guest at Blondie and Dagwood's anniversary party, and on Gasoline Alley's 90th anniversary Blondie, Beetle Bailey, Dennis the Menace, and Snuffy Smith each acknowledged the Gasoline Alley anniversary in their dialogue. Snuffy Smith presented a character crossover with Walt in the doorway of Snuffy's house where he was being welcomed and invited in by Snuffy. In May 2013 at the Cartoon retirement home Walt is at a dinner when Maggie's (of Bringing Up Father) pearl broach is stolen; Fearless Fosdick is his usual incompetent self trying to catch the thief; cameos include "retired" cartoons such as Lil' Abner; Smokey Stover; Pogo and Albert. There is even the appearance of an active cartoon character, Rex Morgan M.D.

from http://en.wikipedia.org/wiki/Gasoline_Alley

Gasoline Alley in the Grand Comics Database:

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25 Years Ago This Month: Jim Steranko provides a pulp-inspired cover painting for Now Comics' The Green Hornet #1 (http://www.comics.org/issue/46991/)!

In 1989, NOW Comics introduced a line of Green Hornet comics, initially written by Ron Fortier and illustrated by Jeff Butler. It attempted to reconcile the different versions of the character into a multigenerational epic. This took into account the character's ancestral connection to The Lone Ranger, though due to the legal separation of the two properties, his mask covered his entire face (as in the Republic serials) and he could not be called by name. In this interpretation, the Britt of the radio series had fought crime as the Hornet in the 1930s and 1940s before retiring. In NOW's first story, in Green Hornet #1 (November 1989), set in 1945, the nationality of the original Kato (named in this comic series Ikano Kato) is given as Japanese, but because of the American policy regarding the Japanese minority during World War II, Reid referred to Kato as Filipino in order to prevent Kato's being sent to an American internment camp.

from http://en.wikipedia.org/wiki/Green_Hornet#NOW_Comics

The Green Hornet in the Grand Comics Database:

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1,000,000 issues!

On Monday, August 25th, Mexican indexer Ruben Cortes added the monumental one millionth issue to the database. It is the second issue of John Constantine Hellblazer from publisher Editorial Televisa. As we have two hundred thousand issues indexed, there is still plenty for us to do!

New GCD Logo

We have a new logo to help mark our 20th Anniversary! It is our first major design change since 1999 and will be seen on our t-shirts and convention gear throughout the year. We would like to thank Brian Saner Lamken for submitting his winning design and HippieBoy Design for applying those finishing touches. We hope you like it as much as we do!

1 million English stories

While our international content is steadily growing, we reached for English language stories an even big number: 1 million story sequences!

100,000 Norwegian stories

Norwegian is the second language to reach 100,000 stories!

Take a look at our international statistics to see what else the GCD's been up to.

How to help ?

There are several ways in which you can help us to improve our site and its content.
  • You can provide missing data, update existing data, or upload cover scans. Just register an account with us, and you can start contributing.
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The Grand Comics Database Project (GCD) is a volunteer project with the goal of documenting and indexing all comics for the free use of scholars, historians, researchers, and fans.
The GCD acknowledges that the all-encompassing research nature of the project may result in the posting of cover scans for comics with images that some may find objectionable.
Viewer discretion is advised.
The Grand Comics Database Team
Comics Calendar
7,917 publishers
5,288 brands
4,150 indicia publishers
80,958 series
1,029,952 issues
38,459 variant issues
207,018 issue indexes
504,341 covers
1,378,586 stories