Welcome to the Grand Comics Database!
We're a nonprofit, Internet-based organization of international volunteers dedicated to building a database covering all printed comics throughout the world, and we're glad you're here! Give our search form a try, or take a look at the menu to the left to see how you can help us improve the site.
New GCD LogoWe have a new logo to help mark our 20th Anniversary! It is our first major design change since 1999 and will be seen on our t-shirts and convention gear throughout the year. We would like to thank Brian Saner Lamken for submitting his winning design and HippieBoy Design for applying those finishing touches. We hope you like it as much as we do!
Beta Search Capabilty!We have a new search capability in beta right now, and we need your help to run it through its paces. This cool new feature searches the different data objects at the same time and allows easier combination of different search terms. We already identified (and starting working through) some aspects that are not quite behaving as we would like, but we still need to hear from you. Please use on of the contact points on the left or join our mailing lists to share your comments, ask questions or provide suggestions. We can't do this without volunteers like you.
GCD Convention SceneJoin us as we celebrate our 20th Anniversary at several comic conventions. Volunteers will be running GCD booths at the following shows:
- AwesomeCon Washington, DC (18-20 April)
- Heroes Convention Charlotte, NC (20-22 June)
- Baltimore Comic-Con Baltimore, MD (5-7 September)
- with more to be confirmed
GCD Comics Timeline
In October 1997, the graphic novel Le sursis was released, followed by volume 2 in September 1999, Le vol du Corbeau in 2002 and its second volume in 2005; all of which were published by Dupuis.
Jean-Pierre Gibrat in the Grand Comics Database:
In 1979, DC and Marvel agreed to co-publish a crossover series involving the two teams, to be written by Gerry Conway and drawn by George Pérez. The plot of the original crossover was a time travel story involving Marvel's Kang the Conqueror and DC's Lord of Time. Writer/editor Roy Thomas was hired to script the book based on Conway's plot and, although work had begun on the series in 1981 (Pérez had penciled 21 pages by mid-1983) and it was scheduled for publication in May 1983, editorial disputes - reportedly instigated by Marvel Editor-In-Chief Jim Shooter - prevented the story from being completed.
An agreement was reached between the two companies in 2002 with a new story to be written by Kurt Busiek and drawn by George Pérez. In a joint panel at WonderCon 2000, Busiek (then writer of the Avengers title) and Mark Waid (then writer of the JLA title) stated they had nearly come to an agreement to begin the crossover within the regular issues of the respective titles but the two companies could not come to a business arrangement. When the series was approved, however, Waid was unavailable due to an exclusive commitment with company CrossGen, and Busiek became the sole writer on the project. Perez also had an exclusive commitment with CrossGen, but had had a clause written into his contract allowing him to do the series if and when it was approved.
The series was reprinted by DC Comics in 2004 as a two-volume collector's edition hardcover (which included for the first time the original 1983 Pérez penciled pages), and then re-released as a trade paperback in November 2008.
As of present, it is the last crossover between DC and Marvel.
Charlie Chan is a fictive U.S. Chinese detective created by Earl Derr Biggers. Loosely basing Chan on Honolulu detective Chang Apana, Biggers conceived of the benevolent and heroic Chan as an alternative to Yellow Peril stereotypes, villains like Fu Manchu. Chan is a detective for the Honolulu police though many stories feature Chan traveling the world as he investigates mysteries and solves crimes.
Interpretations of Chan by twenty-first century critics are split, especially regarding his ethnicity. Positive assessors of Chan argue that he is portrayed as intelligent, heroic, benevolent and honorable — in contrast to the adverse depictions of evil or conniving Chinese people then current in print and on screen. Others state that Chan, despite his good qualities, reinforces certain East Asian stereotypes, such as an alleged incapacity to speak fluent English and the possession of an overly tradition-bound and subservient nature. The Chan films of the 1930s and 1940s were shown successfully in China where the character was popular and respected and not seen as sinophobic.
A Charlie Chan comic strip, drawn by Alfred Andriola, was distributed by the McNaught Syndicate beginning October 24, 1938. Andriola was chosen by Biggers to draw the character. Following the Japanese attack on Pearl Harbor, the strip was dropped in May 1942.
Over decades, other Charlie Chan comic books have been published: Joe Simon and Jack Kirby created Prize Comics' Charlie Chan (1948) which ran for five issues. It was followed by a Charlton Comics title (four issues, 1955). DC Comics published The New Adventures of Charlie Chan, a 1958 tie-in with the TV series; the DC series lasted for six issues. Dell Comics did the title for two issues in 1965. In the 1970s, Gold Key Comics published a short-lived series of Chan comics based on the Hanna-Barbera animated series.
Lois Lane in the Grand Comics Database:
DeBeck drew with a scratchy line, and his characters had giant feet and bulbous noses—what is traditionally called a "big-foot" style. His strips often reflected his love of sports. The first awards of the National Cartoonists Society, beginning in 1946, were the Billy DeBeck Memorial Awards (or the Barney Awards).
Barney Google in the Grand Comics Database:
As Sutton recalled his breaking into Marvel, editor-in-chief Stan Lee "looked at the stuff that I had brought in, [which was] stuff that I had done in the service for Stars and Stripes in Tokyo. I think he was rather impressed by the fact that I had actually done a daily comic strip for two years. He didn’t get many people who had done that. ... He just reached over and he pulled off this huge pile of blank paper. And he said, 'OK, do me a couple of Westerns and I'll see you next week. Have fun.' I remember that very well. 'Have fun.'"
Sutton soon developed a trademark frantic, cartoony style that, when juxtaposed on dramatic narratives, gave his work a vibrant, quirky dynamism. That distinctive style helped establish the popular supernatural character Vampirella from her first story, "Vampirella of Draculona", written by Forrest J. Ackerman, with costume design by artist Trina Robbins, in Vampirella #1 (Sept. 1969). Later, with writer Archie Goodwin, Sutton helped transition Vampi from cheeky horror hostess to serious dramatic character in the 21-page story "Who Serves the Cause of Chaos?" in issue #8 (Nov. 1970, reprinted in color in Harris Comics' 1995 Vampirella Classics series).
Tom Sutton in the Grand Comics Database:
During the 1950s he became an "honorary" member of the "Group of Venice" that consisted of expatriate Italian artists such as Hugo Pratt, Ido Pavone, Horacio Lalia, Faustinelli and Ongaro. Other honorary members were Francisco Solano López, Carlo Cruz and Arturo Perez del Castillo. With Hugo Pratt, he started the Pan-American School of Art in Buenos Aires.
Alberto Breccia in the Grand Comics Database:
1 million English storiesWhile our international content is steadily growing, we reached for English language stories an even big number: 1 million story sequences!
100,000 Norwegian storiesNorwegian is the second language to reach 100,000 stories!
Take a look at our international statistics to see what else the GCD's been up to.
New Features for BrandsWe recently deployed changes in our handling of brands. Like before we store for each issue which emblem of a brand is used. New is the grouping of different emblems together into one brand group. For example, see the brand group for DC, which collects all the different emblems used over time by DC.
Publisher's Age GuidelinesAt the same time we also introduced a new field recording any age designations or ratings that are supplied by the publisher on a comic.
450,000 covers uploaded!
Check out the cover which is from Pocket Chiller Library #9 (Thorpe & Porter, 1971 Series), a series from the United Kingdom.
Take a look at our international statistics to see what else the GCD's been up to.
How to help ?There are several ways in which you can help us to improve our site and its content.
- You can provide missing data, update existing data, or upload cover scans. Just register an account with us, and you can start contributing.
- Donate for our ongoing costs, e.g. the server infrastructure. We are a non-profit organization and any funds will be used for our goal of documenting and indexing all comics.
- We need volunteer web designers and programmers! Please contact the
gcd-tech group or visit our technical documentation if you
can help with any of these roles:
- Python / Django programming
- Elasticsearch search server together with Haystack
- Web Services API
- Database Performance (MySQL)
3,792 indicia publishers
32,683 variant issues
195,835 issue indexes