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50,000 German covers uploaded!
The 50,000th cover of a German language cover was uploaded in January to the GCD!
Check out the cover which is from the issue Lasso #573.
New Search Technology!Our new search technology is now the default search option in the search box, while all others are still supported. This search behaves similar to a google or bing search, it searches the content of most of our data and allows easy combination of different search terms in the different data fields. By adding other relevant search terms one can then easily filter down the results. Also sorting by several criteria is possible.
The easiest way to find a specific issue should now be the third option 'Series Name & Issue #', where you enter the series name followed by the issue number, e.g. X-Men 12.
GCD Comics Timeline
Vincent also painted The Thanos Quest, several graphic novels, posters, trading cards, covers and advertising while working for Marvel. Other titles he has contributed to include X-Factor, Thor, Speedball, X-Men Adventures, Nick Fury Agent Of S.H.I.E.L.D., Hellraiser, and many others.
He has also done work on Fish Police for Time Warner Books, and illustrated Robotech, Fish Police, and Grendel for Comico. He has also done work for First Comics, Dark Horse Comics, and Windsor-Smith Studios.
Although he still does occasional comic related work with longtime friend and collaborator Kevin Conrad, Vincent retired from comics in 1997, becoming a web and graphic designer for a national entertainment retailer and then an art director for an Albany, NY advertising agency. He also owns and operates a Wine and Spirits store called The Vineyard Wines & Spirits in Schenectady NY.
Tom Vincent in the Grand Comics Database:
Stefan Petrucha has been a tech writer, an educational writer, a public relations writer and an editor for trade journals.
Stefan Petrucha in the Grand Comics Database:
Phillips began his career in British comics working with John Smith on New Statesmen and Straitgate, as well as Pat Mills on Third World War both at Crisis. He was part of the British Invasion, getting work on Hellblazer before returning to the UK. There he most notably worked on Devlin Waugh for the Judge Dredd Megazine but also provided the art on a number of series for 2000 AD including Judge Dredd.
He returned to the American comic book industry in 2000 when he inked Scene of the Crime written by Ed Brubaker, a writer he would collaborate with a number of times over the following years. He moved on to Wildstorm for a long run on WildC.A.T.s with Joe Casey before teaming up Brubaker on Sleeper.
Phillips went over to Marvel Comics in 2005 where he joined Brubaker on Criminal at the Marvel imprint Icon and he also became the main artist on the first two instalments of the Marvel Zombies series with Robert Kirkman.
Recent work includes Incognito, another series with Brubaker at Icon and a US reprint of 7 Psychopaths at Boom! Studios.
Sean Phillips in the Grand Comics Database:
Starkings' lettering style was originally inspired by British comic strip letterers Bill Nuttall and Tom Frame. Starkings' UK career began with lettering jobs in 2000 AD's Future Shocks and various strips in Warrior. From there he moved to Marvel UK where he lettered Zoids in Spider-Man Weekly and Transformers before becoming an editor for the company in the late 1980s. However by the beginning of the 1990s he devoted himself exclusively to lettering, finding work in the much larger comic book industry in the United States.
In 1992 Starkings founded Comicraft, a studio which trains and employs letterers and designers and provides "Unique Design and Fine Lettering" services for comic books from many different publishers. In the mid-1990s Comicraft, online as comicbookfonts.com began to sell their Font designs as software applications through their Active Images publishing company.
Originally Starkings had intended that the advertisements for these fonts would feature Marvel and DC Comics' characters, however when he failed to receive the authorisation to do that, Starkings created his own character to illustrate the ads – Hip Flask an anthropomorphic hippopotamus "Information Agent". Hip Flask has since graduated to his own series of comic books, published by Active Images. In 2006 Image Comics launched an ongoing prequel series to Hip Flask, Elephantmen, written by Starkings and illustrated by Justin Norman, Tom Scioli, Henry Flint, Chris Bachalo and Chris Burnham.
Richard Starkings in the Grand Comics Database:
Miller grew up a comics fan, with a letter he wrote to Marvel Comics being published in The Cat #3 (April 1973). His first published work was at Western Publishing's Gold Key Comics imprint, gotten at the recommendation of comics artist Neal Adams, to whom a fledgling Miller, after moving to New York City, had shown samples and received much critique and occasional informal lessons. Though no published credits appear, he is tentatively credited with the three-page story "Royal Feast" in the licensed TV-series comic book The Twilight Zone #84 (June 1978), by an unknown writer, and is credited with the five-page "Endless Cloud", also by an unknown writer, in the following issue (July 1978). By the time of the latter, Miller had his first confirmed credit in writer Wyatt Gwyon's six-page "Deliver Me From D-Day", inked by Danny Bulanadi, in Weird War Tales #64 (June 1978).
Frank Miller in the Grand Comics Database:
In May 1984, Laird and Kevin Eastman self-published the first black & white issue of Teenage Mutant Ninja Turtles, at an initial print run of 3000 copies for the forty-page oversized comic. It was largely funded by a loan from Eastman's uncle, Quentin (the experience of which had a profund impact on Laird, and led indirectly to his later work with the Xeric Foundation), and published by the duo's Mirage Studios, a name chosen because "there wasn’t an actual studio, only kitchen tables and couches with lap boards." That first issue received a number of subsequent printings over the next few years, as the Turtles phenomenon began to take off.
Laird and Eastman's creations went on to become a popular cultural phenomenon, forcing both of them to take regular sabbaticals from the comic to deal with the day to day pressures of running what had become a multimedia franchise. Eastman sold his share of the franchise, with the exception of a small continuing income participation, to Laird and the Mirage Group on June 1, 2000. On March 1, 2008, Laird and Mirage bought out Eastman's remaining rights and interest and the two went their separate ways. Concerning Eastman's departure, Laird stated his belief that Eastman "was just tired of it." On October 19, 2009, Laird sold the franchise to Viacom/Nickelodeon, but still retains the rights to create and publish up to eighteen black-and-white comics based on the franchise per year.
Peter Laird in the Grand Comics Database:
Leialoha's professional career began in 1975 with the early independent comic book Star*Reach, drawing the five-page story "Wooden Ships on the Water", adapted by writer Mike Friedrich from the song by Crosby, Stills, and Kantner, in issue #3 (Sept. 1975). He continued to contribute to Star*Reach and the same publisher's Quack for four years.
Leialoha freelanced as a regular contributor to Marvel from 1976 to 1988, working on such series as Warlock, Star Wars, Spider-Woman, the Spider-Man title Marvel Team-Up, the Firestar limited series, New Mutants and Howard the Duck. He and writer J. M. DeMatteis co-created "Greenberg the Vampire" in Bizarre Adventures #29 (Dec. 1981).
In the 1990s, Leialoha began working at DC on Batman and other characters; at Harris Comics on Vampirella; and at Claypool Comics on Soulsearchers and Company. He inked part of the World's End story arc in Neil Gaiman's The Sandman series. The following decade, he became the regular inker on most of the issues (through 2013) of the DC/Vertigo series Fables, penciled by Mark Buckingham, for which they won the Eisner Award for "Best Penciller/Inker Team" in 2007.
He lives in San Francisco with his partner, comics artist Trina Robbins.
Writer Larry Hama named G.I. Joe character Edward Leialoha (code name Torpedo) after Steve Leialoha.
Steve Leialoha in the Grand Comics Database:
For decades, millions in India took the political temperature of their country by looking at R.K. Laxman's daily cartoon, published each morning on the cover of The Times of India. His cartoons were so popular that even those politicians skewered by Laxman were honored to have caught his attention. Laxman died Monday. He was 94.
Pep Comics is the name of an American comic book anthology series published by the Archie Comics predecessor MLJ Magazines Inc. (commonly known as MLJ Comics) during the 1930s and 1940s period known as the Golden Age of Comic Books. The title continued under the Archie Comics imprint for a total of 411 issues until March 1987.
Pep Comics was the comics title that introduced the superhero character The Shield, the first of the super-patriotic heroes with a costume based on a national flag (pre-dating Captain America by over a year), The Comet, who was the first superhero to die, and Archie Andrews, who eventually became the main focus of the company's extensive range of publications.
Pep Comics in the Grand Comics Database:
At age 16, Feiffer began as an assistant to writer-artist Eisner, whose comic strip The Spirit appeared in a seven-page insert in Sunday newspaper comics sections.
in 1947, when Feiffer asked for a raise, Eisner instead gave him his own page in The Spirit section, where the 18-year-old Feiffer wrote and drew his first comic strip, Clifford (1949–51), published in six newspapers.
Feiffer's strips ran for 42 years in The Village Voice, first under the title Sick Sick Sick, briefly as Feiffer's Fables and finally as simply Feiffer. Initially influenced by UPA and William Steig, the strip debuted October 24, 1956, and 14 months later, Feiffer had a bestseller when McGraw-Hill collected the Village Voice strips as Sick Sick Sick: A Guide to Non-Confident Living (published January 1, 1958). Beginning April 1959, Feiffer was distributed nationally by the Hall Syndicate, initially in The Boston Globe, Minneapolis Star Tribune, Newark Star-Ledger and Long Island Press.
His strips, cartoons and illustrations have also appeared in the Los Angeles Times, The New Yorker, Esquire, Playboy and The Nation. He was commissioned in 1997 by The New York Times to create its first op-ed page comic strip, which ran monthly until 2000.
In 1961, he was the recipient of a George Polk Awards for his cartoons. In 1986, he won the Pulitzer Prize for his editorial cartooning in The Village Voice. In 2004, he was inducted into the Comic Book Hall of Fame and that same year he received the National Cartoonists Society's Milton Caniff Lifetime Achievement Award.
Jules Feiffer in the Grand Comics Database:
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