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Grand GCD Gathering during the Baltimore Comic-Con in September

Make your plans now to attend the Grand GCD Gathering during the Baltimore Comic-Con on September 25-27, 2015 at the Baltimore Convention Center in Downtown Baltimore, Maryland. This will be an historic meeting, where more of us will meet face-to-face than ever before. Come by and visit our booth we will have at the show! More Information to come!


GCD Comics Timeline


Carmine Michael Infantino (May 24, 1925 – April 4, 2013) was an American comic book artist and editor who was a major force in the Silver Age of Comic Books. He was inducted into comics' Will Eisner Award Hall of Fame in 2000.

In 1956, DC editor Julius Schwartz assigned writer Robert Kanigher and artist Infantino to the company's first attempt at reviving superheroes: an updated version of the Flash that would appear in issue #4 (Oct. 1956) of the try-out series Showcase. Infantino designed the now-classic red uniform with yellow detail (reminiscent of the original Fawcett Captain Marvel), striving to keep the costume as streamlined as possible, and he drew on his design abilities to create a new visual language to depict the Flash's speed, using both vertical and horizontal motion lines to make the figure a red and yellow blur. The eventual success of the new, science-fiction-oriented Flash heralded the wholesale return of superheroes, and the beginning of what fans and historians call the Silver Age of comics.

Infantino drew "Flash of Two Worlds," a landmark story published in The Flash #123 (Sept. 1961) that introduced Earth-Two, and more generally the concept of the multiverse, to DC Comics.

With Gardner Fox, Infantino co-created Barbara Gordon as a new version of Batgirl in Detective Comics #359 (Jan. 1967). Writer Arnold Drake and Infantino created the supernatural superhero Deadman in Strange Adventures #205 (Oct. 1967).

Infantino was made DC's publisher in early 1971. In January 1976, Warner Communications replaced Infantino with magazine publisher Jenette Kahn, a person new to the comics field. Infantino returned to drawing freelance.

from https://en.wikipedia.org/wiki/Carmine_Infantino

Carmine Infantino in the Grand Comics Database:
http://www.comics.org/search/advanced/process/?target=cover&method=icont...

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Alfred James Andriola (May 24, 1912 - March 29, 1983) was an American cartoonist best known for the comic strip Kerry Drake, for which he received the National Cartoonists Society's Silver T-square Award in 1970 and their Reuben Award in 1971. His work sometimes appeared under the pseudonym Alfred James.

Andriola studied at Cooper Union and Columbia University, intending to becoming a writer. Instead, following a fan letter he wrote to Milton Caniff, he became his assistant, working with him on Terry and the Pirates and Scorchy Smith.

His first strip was Charlie Chan (1938–1942), an adaptation of the popular detective novels for the McNaught Syndicate. For five months in 1943 he drew a minor superhero, Captain Triumph, for Quality Comics' Crack Comics.

For a year he drew the strip Dan Dunn with writer Allen Saunders. Dunn ended on October 3, 1943, and the next day their Kerry Drake debuted. Originally a district attorney's investigator, Drake became a municipal police officer when Sandy Burns, his secretary and fiancee, was murdered by Trinket and Bulldozer. As both a DA's man and a city cop, he battled a series of flamboyant villains, including Bottleneck, Mother Whistler and No-Face. It gradually became a soap opera strip focusing on Drake's home life with his wife Mindy and their quadruplets, as Drake's younger brother Lefty, a private eye, took over more of the adventure plots. Andriola was assisted (and ghosted) by artists Fran Matera, Jerry Robinson and Sururi Gumen, the last of whom shared credit with Andriola starting in 1976. Using the pseudonym Alfred James, he collaborated with Mel Casson on the strip It's Me, Dilly from 1957 to 1960. Kerry Drake was canceled after Andriola died in 1983.

from https://en.wikipedia.org/wiki/Alfred_Andriola

Alfred Andriola in the Grand Comics Database:
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25 Years Ago This Month: Green Lantern: Emerald Dawn concludes with issue #6 (http://www.comics.org/issue/47895/), cover by Mark Bright and Klaus Jansen!

Green Lantern: Emerald Dawn in the Grand Comics Database:
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50 Years Ago This Month: Batman battles the living beast bomb in Detective Comics #339 (http://www.comics.org/issue/19176/), cover by Carmine Infantino and Joe Giella!

Detective Comics in the Grand Comics Databse:
http://www.comics.org/series/87/covers/?page=7

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John Bolton (born 23 May 1951 in London, England) is a British comic book artist and illustrator most known for his dense, painted style, which often verges on photorealism. He was one of the first British artists to come to work in the American comics industry, a phenomenon which took root in the late 1980s and has since become standard practice.

His first works in Great Britain were for magazines like Look In (alongside other British talents such as Arthur Ranson, Angus P. Allan and Jim Baikie), The House of Hammer and Warrior (edited by Dez Skinn).

In 1981 Marvel Comics' editor Ralph Macchio noticed his work and called him to work for an adaptation of Kull of Valusia for Epic Comics. After illustrating two Kull stories, Bolton began working on the historical-fantasy character Marada, written by Chris Claremont (author of X-Men). This was published by Epic Illustrated one year later.

After another fantasy series, Black Dragon (1985), the duo Claremont & Bolton produced some short stories about X-Men's lives for X-Men Classic. This represented the first introduction of Bolton to the world of superheroes. In this period Bolton worked on covers for Eclipse and Pacific, and on the graphic novel Someplace Strange, written by Ann Nocenti (1988).

From 1989 Bolton devoted himself to horror, his favourite genre. Apart from a great number of covers for Dark Horse Comics and adaptations of horror movies, the main work of this period is his collaboration with writer Clive Barker.

In 1990 Bolton worked on the first episode of The Books of Magic for DC Comics, written by Neil Gaiman. The physical appearance of the protagonist, Timothy Hunter, is that of Bolton's eldest son.

from https://en.wikipedia.org/wiki/John_Bolton_(illustrator)

John Bolton in the Grand Comics Database:
http://www.comics.org/search/advanced/process/?target=cover&method=icont...

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Mike Deodato (born 23 May 1963 in Campina Grande, Paraíba, Brazil), sometimes credited as Mike Deodato Jr., is the professional pseudonym of Brazilian comic book artist Deodato Taumaturgo Borges Filho.

One of Deodato's first works was a 1993 photo-realistic comic book adaptation of the television series Beauty and the Beast published by Innovation Publishing. Deodato became famous in the North American comic book industry for his work with writer William Messner-Loebs on Wonder Woman. After his Wonder Woman project he had a short stint as the penciller of The Mighty Thor, where he worked with writer Warren Ellis, and later drew Glory for Rob Liefeld's Extreme Studios at Image Comics and Maximum Press.

While his style in the mid-90s was highly reminiscent of Jim Lee, he has recently changed to a more simplified, photo-realistic and sometimes moody style. His first work with this new artistic identity was The Incredible Hulk, written by Bruce Jones. Since then, he has worked on the Doctor Strange spin-off Witches and became the regular penciller of The Amazing Spider-Man and The New Avengers. Deodato then took over as regular penciller for the Marvel title Thunderbolts with issue 110, once again collaborating with Warren Ellis. Deodato then became the regular artist for the Dark Avengers ongoing series which came out of the conclusion of Secret Invasion. With writer Ed Brubaker, he launched the ongoing series Secret Avengers in May 2010, before returning to New Avengers.

from https://en.wikipedia.org/wiki/Mike_Deodato

Mike Deodato in the Grand Comics Database:
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George Baker (May 22, 1915 – May 7, 1975) was a cartoonist who became prominent during World War II as the creator of the popular comic strip, The Sad Sack.

He moved to California to pursue a minor league baseball career. Instead, he was hired by Walt Disney in 1937, and assisted in the production of the studio's full-length animated features, including Pinocchio, Fantasia, Dumbo and Bambi.

Five months prior to Pearl Harbor, Baker was drafted (June 1941) into the United States Army. He expected that the Army Classification System would have no use for his artistic experience. To his surprise, he was assigned to Fort Monmouth for basic training and to create animation for Signal Corps training films.

Baker won a cartoon contest, sponsored by the "Defense Recreation Committee", and received a portable typewriter as first prize. Life magazine printed some of his submissions, and he was hired by Yank, the Army Weekly, where he adapted his drawings of the misadventures of an army recruit into The Sad Sack. Drawn in pantomime, the strip became the magazine's most popular feature, as measured by the fan mail from servicemen who identified with the luckless private. In an official document, General George C. Marshall praised Sad Sack as a morale-booster for World War II troops.

At the end of the war, the U.S. Army created an advertising campaign with the phrase: "Don't be a Sad Sack, re-enlist in the Regular Army". Discharged from military service, Baker transformed the Sad Sack army cartoon into a syndicated comic strip and a comic book series aimed at younger readers.

While Baker gave the job of writing the comic narrative to others, he continued to illustrate the Sad Sack comic book covers until the time of his death.

from https://en.wikipedia.org/wiki/George_Baker_(cartoonist)

George Baker in the Grand Comics Database:
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Raymond Leblanc (May 22, 1915– March 21, 2008) was a Belgian comic book publisher and film producer, best known for publishing works such as The Adventures of Tintin by Hergé and Blake and Mortimer by Edgar P. Jacobs. He debuted, published, and promoted many of the most famous Franco-Belgian comics. Leblanc created Le Lombard publishing, Tintin magazine, PubliArt advertising agency, and Belvision Studios.

Raymond Leblanc was a resistance fighter during the Second World War in the Mouvement National Royaliste (MNR) group. When the war ended in 1944, Leblanc established his publishing house Le Lombard. Years later after Leblanc's retirement, he detailed in an interview the beginnings of the Tintin legacy. On the subject of creating a new magazine for young people, he said, "We thought this was an interesting idea, and started looking for a name. We ended up eventually with Tintin, Hergé’s comic book hero. Literally everyone knew that character at that moment."

The years 1954 and 1956 saw Leblanc launching two other creative ventures: the advertising agency PubliArt, a publicity division of Le Lombard using comics characters in its projects, and Belvision Studios, which produced short and full-length animated films for television and cinema. Belvision rose to become a major animation studio, producing such works as Hergé's Adventures of Tintin, Pinocchio in Outer Space, Tintin and the Temple of the Sun, Tintin and the Lake of Sharks, and Les Voyages de Gulliver.

He received the Alph-Art d'Honneur prize in 2003 at the 30th annual Angoulême International Comics Festival, in Angoulême, France, for his contribution to the Franco-Belgian comics industry.

from https://en.wikipedia.org/wiki/Raymond_Leblanc

Raymond Leblanc in the Grand Comics Database:
http://www.comics.org/search/advanced/process/?target=issue_cover&method...

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Georges Prosper Remi (22 May 1907 – 3 March 1983), known by the pen name Hergé, was a Belgian comics writer and artist. His best known and most substantial work is the 23 completed comic books in The Adventures of Tintin series, which he wrote and illustrated from 1929 until his death in 1983.

Initially producing illustrations for Belgian Scouting magazines, in 1927 he began working for the conservative newspaper Le XXe Siècle, where he adopted the pen name "Hergé", based upon the French pronunciation of "RG", his initials reversed. It was here, in 1929, that he began serialising the first of the Adventures of Tintin, Tintin in the Land of the Soviets.

The notable qualities of the Tintin stories include their vivid humanism, a realistic feel produced by meticulous and wide ranging research, and Hergé's ligne claire drawing style. Adult readers enjoy the many satirical references to the history and politics of the 20th century. The Blue Lotus, for example, was inspired by the Mukden incident that resulted in the Japanese invasion of Manchuria. King Ottokar's Sceptre could be read against the background of Hitler's Anschluss or in the context of the struggle between the Romanian Iron Guard and the King of Romania, Carol II; whilst later albums such as The Calculus Affair depict the Cold War. Hergé has become one of the most famous Belgians worldwide and Tintin is still an international success.

Hergé is a prominent national hero in his native country, to the extent where he has been described as the actual "personification of Belgium". His work remains a strong influence on comics, particularly in Europe. He was inducted into the Comic Book Hall of Fame in 2003.

from https://en.wikipedia.org/wiki/Herg%C3%A9

Hergé in the Grand Comics Database:
http://www.comics.org/search/advanced/process/?target=cover&method=icont...

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Sir Arthur Ignatius Conan Doyle KStJ, DL (22 May 1859 – 7 July 1930) was a Scottish writer and physician, most noted for his fictional stories about the detective Sherlock Holmes, which are generally considered milestones in the field of crime fiction.

He is also known for writing the fictional adventures of a second character he invented, Professor Challenger, and for popularising the mystery of the Mary Celeste. He was a prolific writer whose other works include fantasy and science fiction stories, plays, romances, poetry, non-fiction and historical novels.

from https://en.wikipedia.org/wiki/Arthur_Conan_Doyle

Arthur Conan Doyle in the Grand Comics Database:
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The Grand Comics Database Project (GCD) is a volunteer project with the goal of documenting and indexing all comics for the free use of scholars, historians, researchers, and fans.
The GCD acknowledges that the all-encompassing research nature of the project may result in the posting of cover scans for comics with images that some may find objectionable.
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