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We're a nonprofit, Internet-based organization of international volunteers dedicated to building a database covering all printed comics throughout the world, and we're glad you're here! Give our search form a try, or take a look at the menu to the left to see how you can help us improve the site.

500,000 covers uploaded!

Cover Image

The 500,000th cover was uploaded in October to the GCD!

Check out the cover which is from the issue Boom! Studios Halloween Fright Fest.

New Search Technology!

Our new search technology is now the default search option in the search box, while all others are still supported. This search behaves similar to a google or bing search, it searches the content of most of our data and allows easy combination of different search terms in the different data fields. By adding other relevant search terms one can then easily filter down the results. Also sorting by several criteria is possible.

The easiest way to find a specific issue should now be the third option 'Series Name & Issue #', where you enter the series name followed by the issue number, e.g. X-Men 12.

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GCD Comics Timeline

Frank Hampson (21 December 1918 – 8 July 1985) was a British illustrator, best known as the creator and artist of Dan Dare and other characters in the boys' comic, the Eagle, to which he contributed from 1950 to 1961. He wrote and drew Dan Dare's Venus and Red Moon stories, plus a complete storyline for Operation Saturn. However, Hampson drew only part of the Saturn story and his script was altered when he passed the strip to assistants.

In 1949, in collaboration with Christian vicar Rev. Marcus Morris, he devised a new children's magazine, the Eagle, which Morris took to the Hulton Press. In April the following year, a revised version of the Eagle hit the bookstalls. Its most popular strip was Hampson's creation Dan Dare, Pilot of the Future.

Hampson devised other strip cartoon ideas, which he intended to offer to the Eagle. Partly through his own mismanagement, Longacre Press accused him of breach of contract. He was forced to resign, his new strips were impounded, and he rarely drew for comics again. The remainder of Hampson's life was spent working as a freelance commercial artist for various publications including Ladybird Books.

Hampson was voted Prestigioso Maestro at an international convention of strip cartoon and animated film artists held at Lucca, Tuscany in 1975. A jury of his peers gave him a Yellow Kid Award and declared him to be the best writer and artist of strip cartoons since the end of the Second World War. In 1978 he graduated from the Open University. He celebrated by drawing a Dan Dare strip for the University's internal magazine. The punch line of the script involved the University getting an application from Dare's nemesis The Mekon.

from https://en.wikipedia.org/wiki/Frank_Hampson

Frank Hampson in the Grand Comics Database:

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Ben Oda (December 21, 1915 - November 1984) was a Japanese-American letterer for comic books and comic strips.

During World War II, Oda was a paratrooper. Entering the comics industry after WWII, some of his earliest lettering was for Hillman Periodicals' Airboy and Real Clue Crime Stories, which connected him with the Simon & Kirby team. In the 1950s, his lettering appeared in the EC Comics edited by Harvey Kurtzman. He also contributed to DC Comics and many titles from other publishers.

Comic strips lettered by Oda include Apartment 3-G, Big Ben Bolt, Dondi, The Dropouts, Flash Gordon, Johnny Hazard, Little Orphan Annie, Miss Peach, On Stage, The Phantom, Prince Valiant, Rip Kirby, The Spirit and Steve Canyon.

Odaballoon, created by Oda's family, is a tribute freeware typeface in his lettering style.

from https://en.wikipedia.org/wiki/Ben_Oda

Ben Oda in the Grand Comics Database:

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50 Years Ago This Month: Santa delivers presents to some lucky gearhead on the cover of Drag Comics #10 (http://www.comics.org/issue/210871/)!

Drag Comics in the Grand Comics Database:

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Mack White (born December 20, 1952 in Mineral Wells, Texas) is a comics writer and artist who lives in Austin, Texas.

White began creating and self-publishing comics in the 1980s. His first professionally published story was "El Bandito Muerto" which appeared in Rip Off Comix in 1990. Throughout the 1990s, he contributed to a number of comics anthologies (most notably Zero Zero, Buzz and Snake Eyes), magazines (Details, Heavy Metal, Boing Boing, and others), and newspapers (Austin Chronicle and Austin American-Statesman). His books include: The Mutant Book of the Dead (Starhead Comics, 1994); Villa of the Mysteries (a limited series published by Fantagraphics, 1996–98); and The Bush Junta (Fantagraphics, 2004), a political comics anthology which he co-edited with Gary Groth. White's artwork has also been featured in a number of art shows, particularly the Comics on the Verge show which was presented by the Yerba Buena Arts Center in 2003 and later toured galleries and universities throughout the United States.

from https://en.wikipedia.org/wiki/Mack_White

Mack White in the Grand Comics Database:

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Bob de Moor is the pen name of Robert Frans Marie De Moor (20 December 1925 – 26 August 1992), a Belgian comics creator. Chiefly noted as an artist, he is considered an early master of the Ligne claire style. He wrote and drew several comics series on his own, but also collaborated with Hergé on several volumes of The Adventures of Tintin. He completed the unfinished story Professor Sató's Three Formulae, Volume 2: Mortimer vs. Mortimer of the Blake and Mortimer series, after the death of the author Edgar P. Jacobs.

Bob de Moor started drawing with pencil at three or four. Living in a port town, he developed a strong interest for drawing sailing ships which carried into his professional career with his Cori series and other work. Following studies at the Antwerp Academy of Fine Arts, De Moor started his career at the Afim animations studios. His first album was written in 1944 for "De Kleine Zondagsvriend".

Beginning in March 1951, starting with Destination Moon, he began a collaboration with Hergé on Tintin albums and Tintin-related material which included extensive work on sketch studies, backgrounds, layout, and ultimately animated films.

His co-worker Jacques Martin is quoted as saying that de Moor had an extraordinary facility to adapt himself to the style of others. This manifested in a seamless integration with Hergé's style, as well as in him being asked on occasion to complete the work of other artists.

from https://en.wikipedia.org/wiki/Bob_de_Moor

Bob de Moor in the Grand Comics Database:

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Dave Simons (December 20, 1954 - June 9, 2009) was an American comic book artist known for his work on Conan, Ghost Rider, Red Sonja, and Spider-Man for Marvel Comics and Forgotten Realms for DC Comics. He is also known for commercial storyboard and games artwork work on The Secret Files of the Spy Dogs and Greyhawk Ruins.

Dave Simons grew up in New York City and always wanted to be a comic book artist. "I always wanted to do comics since I was about eight years old ... so I started making a point of drawing something every day. I figured if I just kept doing that, then eventually I'd get better at it."

After a stint in the Coast Guard, and a chance series of meetings with Frank Robbins, Simons elected to undertake formal training to be an artist. As part of his education Simons attended the now legendary art workshops run by Marvel Comics artist John Buscema. It was while attending these classes that he became friends with future comic book artists Ken Landgraf and Armando Gil.

It was through Landgraf that Simons produced his first published work, which consisted of mainly commercial illustrations and the occasional soft-core pornographic comic book.

Approaching then-Marvel editor Rick Marschall at a convention in the late 1970s, Simons was able to get his samples seen and assessed. At the time Marschall was overseeing the Curtis Magazines line for Marvel, and Simons was duly assigned the duty of inking the first issue of the Howard the Duck magazine. After submitting the story Simons was assigned a fill-in Falcon story, which he inked with the assistance of Gil over Sal Buscemas pencils. This marked his first professional work for Marvel and in mainstream comic books.

from https://en.wikipedia.org/wiki/Dave_Simons

Dave Simons in the Grand Comics Database:

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A Christmas Carol is a novella by Charles Dickens. It was first published in London by Chapman & Hall on 19 December 1843. The novella met with instant success and critical acclaim. Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation into a gentler, kindlier man after visitations by the ghost of his former business partner Jacob Marley and the Ghosts of Christmases Past, Present and Yet to Come.

The book was written at a time when the British were examining and exploring Christmas traditions from the past as well as new customs such as Christmas cards and Christmas trees. Carol singing took a new lease on life during this time. Dickens' sources for the tale appear to be many and varied, but are, principally, the humiliating experiences of his childhood, his sympathy for the poor, and various Christmas stories and fairy tales.

Dickens' Carol was one of the greatest influences in rejuvenating the old Christmas traditions of England, but, while it brings to the reader images of light, joy, warmth and life, it also brings strong and unforgettable images of darkness, despair, coldness, sadness, and death. Scrooge himself is the embodiment of winter, and, just as winter is followed by spring and the renewal of life, so too is Scrooge's cold, pinched heart restored to the innocent goodwill he had known in his childhood and youth. A Christmas Carol remains popular—having never been out of print—and has been adapted many times to film, stage, opera, and other media.

from https://en.wikipedia.org/wiki/A_Christmas_Carol

A Christmas Carol in the Grand Comics Database:

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Thimble Theatre was created by King Features Syndicate cartoonist E.C. Segar, and was his third published strip. The strip first appeared in the New York Journal, a newspaper operated by King Features owner William Randolph Hearst, on December 19, 1919 before later expanding into more papers. In its early years, the strip featured characters acting out various stories and scenarios in theatrical style (hence the strip's name).

Thimble Theatre's first main characters/actors were the thin Olive Oyl and her boyfriend, Harold Hamgravy. After the strip moved away from its initial focus, it settled into a comedy-adventure style featuring Olive, Ham Gravy, and Olive's enterprising brother, Castor Oyl. Olive's parents, Cole and Nana Oyl, also made frequent appearances.

Popeye first appeared in the strip on January 17, 1929 as a minor character. He was initially hired by Castor Oyl and Ham to crew a ship for a voyage to Dice Island, the location of a casino owned by the crooked gambler Fadewell. Castor intended to break the bank at the casino using the unbeatable good luck conferred by stroking the hairs on the head of Bernice the Whiffle Hen. Weeks later, on the trip back, Popeye was shot many times by Jack Snork, a stooge of Fadewell's, but survived by rubbing Bernice's head. After the adventure, Popeye left the strip, but due to reader reaction, he was quickly brought back.

from https://en.wikipedia.org/wiki/Popeye#Thimble_Theatre_and_Popeye_comic_strips

Thimble Theater in the Grand Comics Database:

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25 Years Ago This Month: Walter Simonson commences his run on the Fantastic Four with issue #334 (http://www.comics.org/issue/47468/)! For issues 334-336, Simonson scripted while Rich Buckler and Ron Lim provided the interior pencil art. Starting with #337, Simonson assumed interior art duties on the book. Issue #337 was, probably not coincidentally, the same issue number he started as writer/artist of Thor.

Fantastic Four in the Grand Comics Database:

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Peter B. Gillis (born December 19, 1952) is an American comic book writer best known for his work at Marvel Comics and First Comics in the mid-1980s, including the series Strikeforce: Morituri and the digitally drawn comic series Shatter.

Gillis' first work in the comics industry was as a freelance writer for Marvel Comics, where he worked on such titles as Captain America, Marvel Two-In-One, and Super-Villain Team-Up from 1978 to 1980. The irregular publishing frequency of the final issues of Super-Villain Team-Up was due to a legal maneuver to prevent DC Comics from trademarking the term "supervillain". Gillis then worked as an editor for the Florida-based publisher New Media Publishing; he left that position in June 1981.

Gillis is best known for the digital comic Shatter (1985–1988) and First Comics' Warp (1983–1985). Gillis co-created Strikeforce: Morituri (1986–1988) with artist Brent Anderson. Gillis wrote the entire runs of Micronauts: The New Voyages (1984–1986) and Strange Tales vol. 2 (1987–1988); other Marvel work included numerous issues of What If (1980–1984), The Defenders (1984–1986), The Eternals vol. 2 (1985–1986), Doctor Strange vol. 2 #76–81 (1986–1987) and Doctor Strange, Sorcerer Supreme #1–4 (1988–1989).

His creations for other companies include Blaze Barlow and the Eternity Command and the Black Flame for First; and the gonzo post-holocaust comedy Gammarauders (a tie-in to the Gamma World role-playing game) for DC Comics' short-lived TSR Games line. For DC Comics, he also wrote the science-fiction miniseries Tailgunner Jo with art by Tom Artis.

Gillis returned to comics in 2010 when he wrote the six-issue comic adaptation of Peter S. Beagle's The Last Unicorn for IDW Publishing.

from https://en.wikipedia.org/wiki/Peter_B._Gillis

Peter Gillis in the Grand Comics Database:

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1,000,000 issues!

On Monday, August 25th, Mexican indexer Ruben Cortes added the monumental one millionth issue to the database. It is the second issue of John Constantine Hellblazer from publisher Editorial Televisa. As we have two hundred thousand issues indexed, there is still plenty for us to do!

New GCD Logo

We have a new logo to help mark our 20th Anniversary! It is our first major design change since 1999 and will be seen on our t-shirts and convention gear throughout the year. We would like to thank Brian Saner Lamken for submitting his winning design and HippieBoy Design for applying those finishing touches. We hope you like it as much as we do!

1 million English stories

While our international content is steadily growing, we reached for English language stories an even big number: 1 million story sequences!

100,000 Norwegian stories

Norwegian is the second language to reach 100,000 stories!

Take a look at our international statistics to see what else the GCD's been up to.

How to help ?

There are several ways in which you can help us to improve our site and its content.
  • You can provide missing data, update existing data, or upload cover scans. Just register an account with us, and you can start contributing.
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The Grand Comics Database Project (GCD) is a volunteer project with the goal of documenting and indexing all comics for the free use of scholars, historians, researchers, and fans.
The GCD acknowledges that the all-encompassing research nature of the project may result in the posting of cover scans for comics with images that some may find objectionable.
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The Grand Comics Database Team
Comics Calendar
7,961 publishers
5,311 brands
4,186 indicia publishers
81,393 series
1,037,053 issues
38,985 variant issues
208,798 issue indexes
507,674 covers
1,390,486 stories