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Grand GCD Gathering during the Baltimore Comic-Con in September

Make your plans now to attend the Grand GCD Gathering during the Baltimore Comic-Con on September 25-27, 2015 at the Baltimore Convention Center in Downtown Baltimore, Maryland. This will be an historic meeting, where more of us will meet face-to-face than ever before. Come by and visit our booth we will have at the show! More Information to come!


GCD Comics Timeline


Shawn McManus (born June 30, 1958) is an American artist who has worked extensively over three decades for DC Comics and other companies, notably for DC's Vertigo imprint.

McManus entered the comics field in the early 1980s with work for Heavy Metal and DC Comics. He drew the Green Arrow backup feature in Detective Comics in 1983-1984. McManus gained wider attention when he illustrated two issues of The Saga of the Swamp Thing written by Alan Moore.

McManus worked with writer Todd Klein on Omega Men, creating Zirral and other characters for that series. He has drawn issues of Doctor Fate and Batman: Legends of the Dark Knight. He collaborated with Neil Gaiman on the "Fables & Reflections" and "A Game of You" story arcs in The Sandman. McManus' other Sandman credits include The Sandman Presents: Taller Tales and a pair of limited series about the witch Thessaly written by Bill Willingham. McManus' artwork for Marvel Comics includes Peter Parker: Spider-Man Annual '97 and Daredevil #351.
McManus has contributed to titles from a variety of other publishers, including Atomeka Press (A1), Dark Horse Comics (Cheval Noir), Exhibit A Press (Wolff & Byrd: Counselors of the Macabre), First Comics (Grimjack), Image Comics (Supreme), Malibu Comics (The Man Called A-X), and DC Comics' Paradox Press (The Big Book Of Freaks). He worked on Leah Moore and John Reppion's Wild Girl (Wildstorm, 2004–2005) with J. H. Williams III. In 2007, he did a eight-issue run on Aquaman: Sword of Atlantis and an issue of The Creeper for DC.

He illustrated Cinderella: From Fabletown with Love in 2010 and Cinderella: Fables Are Forever the following year. He was one of several artists to contribute to the Fairest in All the Land graphic novel.

from https://en.wikipedia.org/wiki/Shawn_McManus

Shawn McManus in the Grand Comics Database:
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Christopher James Priest (born James Christopher Owsley June 30, 1961) is a writer of comic books who is at times credited simply as Priest. He changed his name legally circa 1993.

Priest (as "Jim Owsley") broke into the comics business as a Marvel Comics intern in 1978. He made his professional debut as a writer in 1982 at the age of 21. He joined Marvel's editorial staff shortly thereafter, working as assistant editor for Larry Hama on the Conan titles. Starting in 1985, Owsley was for several years the editor of the Spider-Man comic books. Professional and personal disagreements eventually led to his removal as editor and his leaving Marvel. Owsley later edited several titles of DC Comics' Impact Comics imprint.

As writer, Owsley/Priest had runs on such series as Power Man and Iron Fist, Conan the Barbarian, The Ray, Steel, Deadpool, and Black Panther vol. 3. He co-created the series Quantum and Woody, Xero, and The Crew, among others.
In 1993, he became part of the group of writers and artists that launched Milestone Media, a comic book publisher affiliated with DC Comics. He contributed to the development of the original Milestone story bible and designed the company logo.

from https://en.wikipedia.org/wi…/Christopher_Priest_%28comics%29

Christopher Priest in the Grand Comics Database:
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Michael Whelan (born June 29, 1950) is an American artist of imaginative realism. For more than 30 years he worked as an illustrator specializing in science fiction and fantasy cover art. Since the mid-1990s he has pursued a fine art career, selling non-commissioned paintings through galleries in the United States and through his website.

The Science Fiction Hall of Fame inducted Whelan in June 2009, the first living artist so honored. According to his Hall of Fame citation, "Michael Whelan is one of the most important contemporary science fiction and fantasy artists, and certainly the most popular. His work was a dominant force in the transition of genre book covers away from the surrealism introduced in the 1950s and 1960s back to realism."

His paintings have appeared on the covers of more than 350 books and magazines, including many Stephen King novels, most of the Del Rey editions of Anne McCaffrey's Dragonriders of Pern series, Piers Anthony's Incarnations of Immortality series, the Del Rey edition of Edgar Rice Burroughs' Mars series, Melanie Rawn's Dragon Prince and Dragon Star series, the Del Rey editions of H.P. Lovecraft's short story collections, the DAW editions of Michael Moorcock's Elric books, numerous DAW editions of C. J. Cherryh's work, many of Robert A. Heinlein's novels including Friday and The Cat Who Walks Through Walls, the Ace editions of H. Beam Piper's Fuzzy novels, and Tad Williams's Memory, Sorrow, and Thorn, Otherland, and Shadowmarch series. Whelan provided covers and interior illustrations for Stephen King's The Gunslinger and The Dark Tower, the first and last of his Dark Tower books.

from https://en.wikipedia.org/wiki/Michael_Whelan

Michael Whelan in the Grand Comics Database:
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Bo Hampton (born 1954 in United States) is a noted comic book and cartoon artist.

He graduated from the School of Visual Arts, New York City. He drew, wrote and painted comics and graphic novels for 15 years, always with a bent toward realism that was fairly uncommon in the medium. Some art highlights from that period include Viking Glory a 96 page graphic novel for DC Comics, Legend of Sleepy Hollow for Tundra publishing and Verdilak a horror story co-written and painted for NBM publishing.

Hampton spent a year as a professor at Savannah College of Art and Design, helping to develop the original incarnation of their Sequential Arts program before moving into the realms of storyboarding animated shows and TV commercials. He was behind one of the most popular UK adverts of all times - Smash means Mash.

He has worked on Extreme Ghostbusters for SONY (TV and Full length video feature) as well as Superman (Warner Bros.) and Batman animation for Cartoon Network spot. He has done live storyboard work for commercial clients including Papa John's Pizza, Bellsouth, Coca-cola, Motorola and many more. Ad agencies that use his work regularly include McCann-Erickson Washington, D.C., Pearson McMahon Fletcher and England, Indianapolis, Fricks-Firestone Atlanta and over 40 more all over the U.S.

from https://en.wikipedia.org/wiki/Bo_Hampton

Bo Hampton in the Grand Comics Database:
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Keno Don Hugo Rosa, known simply as Don Rosa (born June 29, 1951), is an American comic book writer and illustrator known for his stories about Scrooge McDuck, Donald Duck and other Disney characters. Many of his stories are built on characters and locations created by Carl Barks, including the story that brought him to fame as a modern Disney artist — the Harvey Award-nominated comic, The Son of the Sun.

He is often considered a "successor" of sorts to Barks and is highly regarded by fans of Disney comics for his work illustrating the Duck universe. He has created about 90 stories between 1987 and 2006. In 1995 he won the Eisner Award for "Best Serialized Story" for his 12-chapter work The Life and Times of Scrooge McDuck.

In 1986, he discovered a Gladstone Publishing comic book. This was the first American comic book that contained Disney characters since the 1970s. Since early childhood Don Rosa had been fascinated by Carl Barks' stories about Donald Duck and Scrooge McDuck. Artist Carl Barks was an especially big idol for him and would remain so for the rest of his career. He immediately called the editor, Byron Erickson, and told him that he was the only American who was born to write and draw one Scrooge McDuck adventure. Byron agreed to let him send a story, and Don Rosa started drawing his first Duck story, The Son of the Sun, the very next day.

The Son of the Sun was a success and Rosa's very first professional comic story was nominated for a Harvey Award "Best Story of the Year".

from https://en.wikipedia.org/wiki/Don_Rosa

Don Rosa in the Grand Comics Database:
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Mike Richardson (born June 29, 1950) is an American film producer and the founder of Dark Horse Comics, a comic book publication company based in Milwaukie, Oregon.

Richardson is the current president of Dark Horse Comics, a comics publishing company he founded in 1986. Richardson is also the president of Dark Horse Entertainment, a subsidiary company which has developed and produced numerous projects for film and television based on Dark Horse properties or licensed properties. In addition, he owns the retail chain and website Things From Another World, and has written numerous graphic novels and comics series, including The Secret, Living with the Dead, and Cut as well as co-authoring two non-fiction books: Comics Between the Panels and Blast Off! (comic).

from https://en.wikipedia.org/wiki/Mike_Richardson_(publisher)

Mike Richardson in the Grand Comics Database:
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Philippe Druillet (French: [dʁɥijɛ]; born June 28, 1944) is a French comics artist and creator, and an innovator in visual design.

His first book appeared in 1966, entitled Le Mystère des abîmes (The Mystery of the Abyss). It introduced his recurring hero Lone Sloane and played on science-fiction themes partially inspired by his favourite writers, H. P. Lovecraft and A.E. van Vogt. Later Druillet created book covers for republications of Lovecraft's work, as well as numerous movie posters.

After becoming a regular contributor to the comics magazine Pilote in 1970, Druillet's Lone Sloane saga grew steadily more flamboyant, as he pursued innovations including bold page designs and computer-generated images. His backdrops of gigantic structures inspired by Art Nouveau, Indian temples and Gothic cathedrals earned him the nickname of "space architect". Six tales about Sloane's exploits were collected in Les six voyages de Lone Sloane in 1972, hailed by many as his masterpiece, and Sloane was again the hero of the graphic novel Délirius (1973), written by Jacques Lob. In 1973, Druillet also produced the Moorcock's Elric-inspired Yragaël for Pilote, and Vuzz for the magazine Phénix.

In 1975 Druillet joined Jean-Pierre Dionnet, Bernard Farkas and Moebius to form the publishing house Les Humanoïdes Associés, and the magazine Métal Hurlant. This was to be a vehicle for his finest stories, and showcased a steady evolution in his graphical skills. His series Lone Sloane and Vuzz continued, and other stories of this period include La Nuit, and Nosferatu. In 1980 Druillet produced Salammbô, a comic-book trilogy based upon Flaubert's proto-heroic fantasy novel Salammbô.

from https://en.wikipedia.org/wiki/Philippe_Druillet

Philippe Druillet in the Grand Comics Database:
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Michael "Mike" W. Royer (born 1941, Lebanon, Oregon) is a comic book artist and inker, best known for his work with pencilers Russ Manning and Jack Kirby. In later life Royer became a freelance product designer and character artist for The Walt Disney Company.

Mike Royer came to southern California in spring 1965 to pursue a career in comics art. He became an assistant to artist Russ Manning on Gold Key's Magnus, Robot Fighter comic book, beginning with issue #12 (Jan. 1966), and Tarzan, beginning with issue #158 (June 1966).

While continuing to work primarily for Gold Key, Royer began freelancing for Warren Publishing's line of black-and-white horror-comics magazines.

Royer inked the covers of writer-penciler Jack Kirby's the Forever People #2 and #5 (May and Nov. 1971), and The New Gods #5 (Nov. 1971) early works in comic maestro Kirby's "Fourth World" narrative at DC Comics, where Kirby had recently ensconced himself following a storied decade at Marvel Comics. He became Kirby's primary inker at DC, working on those titles and fellow Fourth World series Mister Miracle, as well as on the preexisting sister series, Superman's Pal Jimmy Olsen. He additionally inked Kirby's next two DC series, The Demon and Kamandi, The Last Boy on Earth, and, among other Kirby projects, inked the extant war comics feature "The Losers" in several issues of Our Fighting Forces in 1975.

Royer also lettered and inked the last six months of Russ Manning's Tarzan Sunday-newspaper comic strip and, in the late 1970s, the first four months of Manning's daily and Sunday Star Wars comic strips.

from https://en.wikipedia.org/wiki/Mike_Royer_%28comics%29

Mike Royer in the Grand Comics Database:
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Adrienne Roy (http://www.comics.org/credit/name/Adrienne%20Roy/sort/chrono/) (June 28, 1953 – December 14, 2010) was a comic book color artist who worked mostly for DC Comics. She was largely responsible for coloring the Batman line - (Batman and Detective Comics) throughout the 1980s and early 1990s.

Roy attended an art school in Wayne, New Jersey, where she studied painting techniques. Her first contact with comics was through collecting Marvel Comics' Tomb of Dracula, The Sub-Mariner and Conan the Barbarian. Roy's first work as a comics colorist was assisting her husband Anthony Tollin, who worked for DC Comics at the times. But it was long-time colorist Jack Adler who would give her the first job at DC: the cover of DC Special Series #8 (featuring the Batman, Deadman and Sgt. Rock team-up). Adler and Sol Harrison (who was also a colorist) were considered by Roy herself as her mentors and both trained her on coloring during the first years at DC.

Roy was also responsible for the coloring on many other titles during that time period: The New Teen Titans, Warlord, Weird War Tales and Madame Xanadu. Nevertheless, she is predominantly known for her work on the Batman books: Batman, Detective Comics, Batman: Shadow of the Bat, Batman: Gotham Knights, and Robin.

When computerized colors arrived to comics, the assignments to classic colorists decreased a lot. By 2000 Roy was largely out of work, despite training herself on the computer. Roy spent her last days battling cancer. Roy finally died in Austin, Texas, at age 57 on December 14, 2010.

from http://en.wikipedia.org/wiki/Adrienne_Roy

Adrienne Roy in the Grand Comics Database:
http://www.comics.org/search/advanced/process/?target=cover&method=icont...

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The Grand Comics Database Project (GCD) is a volunteer project with the goal of documenting and indexing all comics for the free use of scholars, historians, researchers, and fans.
The GCD acknowledges that the all-encompassing research nature of the project may result in the posting of cover scans for comics with images that some may find objectionable.
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