Welcome to the Grand Comics Database!
We're a nonprofit, Internet-based organization of international volunteers dedicated to building a database covering all printed comics throughout the world, and we're glad you're here! Give our search form a try, or take a look at the menu to the left to see how you can help us improve the site.
On Monday, August 25th, Mexican indexer Ruben Cortes added the monumental one millionth issue to the database. It is the second issue of John Constantine Hellblazer from publisher Editorial Televisa. As we have two hundred thousand issues indexed, there is still plenty for us to do!
The next milestone? The soon to be reached 500,000th cover scan!
New Search Technology!Our new search technology is now the default search option in the search box, while all others are still supported. This search behaves similar to a google or bing search, it searches the content of most of our data and allows easy combination of different search terms in the different data fields. By adding other relevant search terms one can then easily filter down the results. Also sorting by several criteria is possible.
The easiest way to find a specific issue should now be the second option 'Series #', where you enter the series name followed by the issue number, e.g. X-Men 12.
GCD Convention SceneThe GCD has been celebrating our 20th Anniversary with comic convention appearances. Join our volunteers at the Baltimore Comic-Con Baltimore, MD (5-7 September).
We also have members wearing their t-shirts and handing out flyers at a few more shows across the US and Europe. Check out our Facebook Events Page for a full list, and let us know which show we will see you at.
475,000 covers uploaded!
Check out the cover which is from Una Criada Estupenda #15 (Editorial Novaro, 1968 Series), a series from Mexico.
Take a look at our international statistics to see what else the GCD's been up to.
GCD Comics Timeline
Ortiz joined Warren Publishing in 1974 due to his connections with the Valencia studio of Selecciones Illustrada. He would remain with Warren until 1983 and drew more stories for that company (approximately 120) than any other artist. His work included the series Apocalypse, Night of the Jackass and Coffin in Eerie, as well as Pantha in Vampirella and numerous stand alone stories. Ortiz would also draw Vampirella herself in issues 35 and 36 that title. He won the award for 'Best All Around Artist' at Warren in 1974.
Following this period in the U.S. comics industry making horror comics, he returned to Spain and formed a lasting and fertile working partnership with Antonio Segura in 1981, initiated by the serial publication of Hombre, a post-apocalyptic saga, in the magazine Cimoc.
By 1983, Ortiz and Segura joined with several other artists including Leopold Sánchez, Manfred Sommer and Jordi Bernet, to form the short-lived publishing house Metropol with the artists' interest in mind, responsible for three comics magazines, Metropol, Mocambo and KO cómics.
During the 1980s Ortiz also produced work for a number of British publications including The Tower King and The House of Daemon for Eagle and The Thirteenth Floor for Scream!. He then moved over to 2000 AD in 1984 where he contributed to a number of stories with most work on Rogue Trooper.
José Ortiz in the Grand Comics Databse:
In a Paris Review interview, Ray Bradbury said of Burroughs that "Edgar Rice Burroughs never would have looked upon himself as a social mover and shaker with social obligations. But as it turns out — and I love to say it because it upsets everyone terribly — Burroughs is probably the most influential writer in the entire history of the world." Bradbury continued that "By giving romance and adventure to a whole generation of boys, Burroughs caused them to go out and decide to become special."
Edgar Rice Burroughs in the Grand Comics Database:
Kriminal is an Italian comics series featuring an eponymous fictional character, created in 1964 by Magnus and Max Bunker, the authors of Alan Ford, Maxmagnus and Satanik.
Kriminal is an English master thief, Anthony Logan, who dresses in black and yellow costume with a fearsome skull face for his adventures. The character was directly inspired by the contemporary (and more successful) Diabolik, with whom he shares the ability to use masks that allow him to assume any identity. In the earliest adventures, Kriminal was a near sadistic killer fighting for revenge against the criminals who had pushed his father to commit suicide. Having also lost his mother and sister, Logan spent his youth in a reformatory, from which he managed to escape, intent to pursue vengeance.
Kriminal has a female companion, Lola Hudson, who was once the wife of Scotland Yard Inspector Patrick Milton, his main enemy. Gradually over time, Kriminal's most extreme villainous features were toned down, and in the later stories he assumed more positive and heroic connotations.
The series was also notable as one of first to employ continuity in Italian comic books, as any new story would begin exactly at the point the previous had ended, and the characters' lives continually evolved (in contrast to Diabolik). Logan himself married and had a child, who soon died.
The series ended in November 1974 after 419 issues.
Due to the violence and the proto-erotic scenes in the comic book (as well as in Satanik), Bunker and Raviola had problems with Italian censorship. Bunker was prosecuted several times, but never condemned. The panels depicting semi-nude girls were often censored by the publisher itself.
Kriminal in the Grand Comics Database:
In 1939, pulp-magazine publisher Martin Goodman expanded into the newly emerging comic book field by buying content from comics packager Funnies, Inc.. His first effort, Marvel Comics #1 (cover-dated Oct. 1939), from his company Timely Publications, featured the first appearances of writer-artist Carl Burgos' android superhero, the Human Torch, and Paul Gustavson's costumed detective the Angel. As well, it contained the first generally available appearance of Bill Everett's mutant anti-hero Namor the Sub-Mariner.
Also included was Al Anders' Western hero the Masked Raider; the jungle lord Ka-Zar the Great with Ben Thompson adapting over the first five issues the story "King of Fang and Claw" by Bob Byrd; the non-continuing-character story "Jungle Terror," featuring an adventurer named Ken Masters, written by Tohm Dixon; "Now I'll Tell One", five single-panel, black-and-white gag cartoons by Fred Schwab, on the inside front cover; and a two-page prose story by Ray Gill, "Burning Rubber", about auto racing. A painted cover by veteran science fiction pulp artist Frank R. Paul featured the Human Torch, looking much different than in the interior story.
That initial comic quickly sold out 80,000 copies, prompting Goodman to produce a second printing, cover-dated November 1939 and identical except for a black bar in the inside-front-cover indicia over the October date, and the November date added at the end. That sold approximately 800,000 copies. With a hit on his hands, Goodman began assembling an in-house staff, hiring Funnies, Inc. writer-artist Joe Simon as editor. Simon brought along his collaborator, artist Jack Kirby, followed by artist Syd Shores.
Marvel Comics #1 in the Grand Comics Database:
During the superhero revival of the 1960s, Archie Comics published an eight-issue series, The Shadow (Aug. 1964 - Sept. 1965), under the company's Mighty Comics imprint. In the first issue (http://www.comics.org/issue/18521/cover/4/), The Shadow depicted was loosely based on the radio version, but with blond hair. In issue #2 (http://www.comics.org/issue/18581/cover/4/), the character was transformed into a campy, heavily muscled, green and blue costume-wearing superhero by writer Robert Bernstein (Jerry Siegel) and artist John Rosenberger.
Steranko formed Supergraphics where he published the magazine Comixscene (later retitled Mediascene, and finally Prevue). Bruzenak assisted Steranko on the first fifty issues of Comixscene/Prevue, as well as other concurrent projects, such as Marvel's official fan magazine, FOOM (Bruzenak was the associate editor); the comic book adaptation of the film Outland; and various paperback covers and posters. Bruzenak worked for Steranko for almost thirteen years.
Bruzenak eventually left Steranko's employ to embark on a freelance lettering career, landing the letterer job with Chaykin's American Flagg!.
Bruzenak's work on that title was more typography than simple lettering. The comic featured signage, multiple typefaces, robot type, and a mixture of formal type with balloon type for special effects. Bruzenak's lettering was so integral to the book, it virtually became a character of its own. Readers took notice — as did editors for other companies — and Bruzenak soon became the industry's first "celebrity letterer," getting more offers for jobs than he was able to take on — even with his famous non-stop work ethic.
In the 90s, Bruzenak worked steadily, often pairing with Michael T. Gilbert on his Mr. Monster comics, but his work was never as much in demand as it was during his mid-80s heyday.
Ken Bruzenak in the Grand Comics Database:
The Monster has also been the subject of many comic book adaptations, ranging from the ridiculous (a 1960s series portraying The Monster as a superhero), to more straightforward interpretations of Shelley's work.
from https://en.wikipedia.org/wiki/Mary_Shelley and https://en.wikipedia.org/wiki/Frankenstein_in_popular_culture#Comics
Frankenstein in the Grand Comics Database:
New GCD LogoWe have a new logo to help mark our 20th Anniversary! It is our first major design change since 1999 and will be seen on our t-shirts and convention gear throughout the year. We would like to thank Brian Saner Lamken for submitting his winning design and HippieBoy Design for applying those finishing touches. We hope you like it as much as we do!
1 million English storiesWhile our international content is steadily growing, we reached for English language stories an even big number: 1 million story sequences!
100,000 Norwegian storiesNorwegian is the second language to reach 100,000 stories!
Take a look at our international statistics to see what else the GCD's been up to.
How to help ?There are several ways in which you can help us to improve our site and its content.
- You can provide missing data, update existing data, or upload cover scans. Just register an account with us, and you can start contributing.
- Donate for our ongoing costs, e.g. the server infrastructure. We are a non-profit organization and any funds will be used for our goal of documenting and indexing all comics.
- We need volunteer web designers and programmers! Please contact the
gcd-tech group or visit our technical documentation if you
can help with any of these roles:
- Python / Django programming
- Elasticsearch search server together with Haystack
- Web Services API
- Database Performance (MySQL)
- Tales of Suspense (1959 series) #3 (Marvel)
- Commando (1961 series) #1731 (D.C. Thomson)
- The Survivors (1987 series) #1 (Burnside)
- Sable (1988 series) #17 (First)
- Jim Butcher's The Dresden Files: War Cry (2014 series) #3 (Dynamite Entertainment)
4,022 indicia publishers
36,531 variant issues
202,194 issue indexes