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Grand GCD Gathering during the Baltimore Comic-Con in September

Make your plans now to attend the Grand GCD Gathering during the Baltimore Comic-Con on September 25-27, 2015 at the Baltimore Convention Center in Downtown Baltimore, Maryland. This will be an historic meeting, where more of us will meet face-to-face than ever before. Come by and visit our booth we will have at the show! More Information to come!


GCD Comics Timeline


Kōsuke Fujishima (Japanese: 藤島 康介 Hepburn: Fujishima Kōsuke, born July 7, 1964) is a Japanese manga artist.

Born in Chiba, Japan, he first came to public attention as an editor of Puff magazine, his first job after completing high school. Fujishima originally intended to be a draftsman, but took the editorial role after failing to get a drafting apprenticeship. He later became assistant to manga artist Tatsuya Egawa in the production of the Making Be Free! manga, and in 1986 began his first original manga series You're Under Arrest. His second manga series Oh My Goddess!, also translated as Ah! My Goddess, is extremely popular and has made Fujishima a household name in Japan. In addition, he is also well known as the character designer for several games in the Tales RPG video game series and Sakura Wars.

He is known for his love of automobiles and motorcycles, and several of his series and their characters reflect this, such as in éX-Driver and Oh My Goddess!

from https://en.wikipedia.org/wiki/K%C5%8Dsuke_Fujishima

Kosuke Fujishima in the Grand Comics Database:
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Burt Ward (born July 6, 1945) is an American television actor and activist. He is best known for his portrayal of Robin in the television series Batman (1966–68) and its theatrical feature film.

At the age of 19, Ward auditioned for the part of Robin. Unlike the series' lead, Adam West, Ward was required to do some dangerous stunt work. He was told that this was because his costume revealed more of his face, making it impractical for all of his stunt scenes to be performed by a stuntman. Later he also discovered that he was being paid the minimum wage allowed by the Screen Actors Guild, and his stunt double was paid per stunt, so having Ward perform his own stunts was a cost saving strategy. He would see the emergency room dozens of times during his time as Robin.

During the first months of shooting, Ward was paid $350 per week. By the series' end, he was earning up to $600 a week. The series only lasted two and a half seasons, for a total of 120 episodes; according to Ward in an interview, this was because of the high cost of production. It was still high in the ratings, but ABC was losing a great deal of money. Later, NBC offered to pick it up for a fourth season, but the offer was withdrawn after learning that the sets had been destroyed.

Adam West and Burt Ward recreated their TV roles of Batman and Robin in the 20th Century Fox film Batman: The Movie released on July 30, 1966. They have been reunited many times at conventions and TV reunion specials.

In 1985, DC Comics named Ward as one of the honorees in the company's 50th anniversary publication Fifty Who Made DC Great for his work on the Batman series.

from https://en.wikipedia.org/wiki/Burt_Ward

Batman '66 in the Grand Comics Database:
http://www.comics.org/series/75494/covers/

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Noel Van Horn (born July 6, 1968) is a comics artist and writer born in the United States and living in Canada. He does mainly Disney comics starring Mickey Mouse. He is the son of William Van Horn, a comics artist as well.

Inspired by his father's work as an animator when Noel was a child, he wanted to become an artist as well. In 1992, Van Horn met Byron Erickson and Bob Foster, editors of Egmont, the Danish publisher of Disney comics. Van Horn wanted to draw Bucky Bug comics, but the Egmont editors were in search for Mickey Mouse comics artists. He accepted this offer and started an 18 month-long training period. Van Horn was instructed to form Mickey's character vividly and to give him an American touch. Van Horn finally joined Egmont in 1993. Today Van Horn is a freelancing full-time artist at Egmont.

Van Horn's work is inspired by the American comics artist Floyd Gottfredson, but also by his father. Noel and William Van Horn have a similar style, but while Noel uses characters from the Mickey Mouse universe, his father has specialized in the Scrooge McDuck universe. Almost all of Noel Van Horn's comics feature Mickey Mouse, but also Goofy makes many appearances. Noel wrote a single Donald Duck comic drawn by his father, To Bee Or Not To Bee, which was first published in 1998. In 2007, the first and only comic starring Bucky Bug drawn by Noel Van Horn was published on the occasion of this character's 75th anniversary. Van Horn's works are mainly published in European Disney comic books, especially in the Scandinavian countries, Germany, and Poland.

from https://en.wikipedia.org/wiki/Noel_Van_Horn

Noel Van Horn in the Grand Comics Database:
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Frank Giacoia (July 6, 1924 - February 4, 1988) was an American comic book artist known primarily as an inker. He sometimes worked under the name Frank Ray, and to a lesser extent Phil Zupa, and the single moniker Espoia (the latter used for collaborations with fellow inker Mike Esposito).

In 1941, Giacoia joined the New York City comic-book packager Eisner & Iger, the studio of Golden Age greats Will Eisner and Jerry Iger. His early works include crime for Ace Comics, horror for Avon Comics, and a multitude of characters for National Publications (the primary company that evolved into DC Comics) including the Flash and Batman.

Other companies for which Giacoia did art during the 1940s and 1950s include Crestwood, Dell Comics, Eastern Color, Fawcett, Harvey Comics, Lev Gleason Publications and Timely Comics, the 1940s predecessor of Marvel Comics. For Timely's USA Comics #1 (Aug. 1941), he penciled the debut of the feature "Jack Frost", inked by friend and high-school classmate Carmine Infantino — the latter's first art for comics.

During the 1960s Silver Age of comic books, Giacoia became best known as a Marvel Comics inker, particularly on Captain America stories penciled by the character's co-creator, industry legend Jack Kirby. One of the company's preeminent names, he worked on virtually every title at one time or another.

Giacoia also worked on the newspaper comic strip The Amazing Spider-Man (based on the same-name Marvel comic-book series) from 1978–1981, as well as on the strips Flash Gordon, The Incredible Hulk, Johnny Reb and Billy Yank, Sherlock Holmes and Thorne McBride.

from https://en.wikipedia.org/wiki/Frank_Giacoia

Frank Giacoia in the Grand Comics Database:
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John Lindley Byrne (born July 6, 1950) is a British-born American comic-book writer and artist. Since the mid-1970s, Byrne has worked on many major American superheroes. Byrne's better-known work has been on Marvel Comics’ X-Men and Fantastic Four and the 1986 relaunch of DC Comics’ Superman franchise, the first issue of which featured comics' first variant cover. Coming into the comics profession exclusively as a penciler, Byrne began co-plotting the X-Men comics during his tenure on them, and launched his writing career in earnest with Fantastic Four (where he started inking his own pencils). During the 1990s he produced a number of creator-owned works, including Next Men and Danger Unlimited. He scripted the first issues of Mike Mignola's Hellboy series and produced a number of Star Trek comics for IDW Publishing.

Byrne joined writer Chris Claremont beginning with The X-Men #108 (Dec. 1977). Their work together, along with inker Terry Austin, on such classic story arcs as the "Proteus", "Dark Phoenix Saga", and "Days of Future Past" would make them both fan favorites.

Byrne’s post-X-Men body of work at Marvel includes his five-year run on Fantastic Four (#232–295, July 1981-October 1986), which is generally considered a "second golden age" for the title.

Near the end of his time at Marvel, Byrne was hired by DC Comics to revamp its flagship character Superman. This was part of a company-wide restructuring of the history of the DC Universe and all of its characters following the limited series Crisis on Infinite Earths.

from https://en.wikipedia.org/wiki/John_Byrne_(comics)

John Byrne in the Grand Comics Database:
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50 Years Ago This Month: Thor and Hercules do battle in the pages of Journey Into Mystery Annual #1 (http://www.comics.org/issue/18842/), cover by Jack Kirby and Sol Brodsky!

Journey Into Mystery in the Grand Comics Database:
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Floyd Buford Yates (July 5, 1921 – March 26, 2001), better known as Bill Yates, was a cartoonist who drew gag cartoons and comic strips before assuming the position of comic strip editor for King Features Syndicate in 1978.

Moving to New York in 1950, he edited Dell Publishing's cartoon magazines (1000 Jokes, Ballyhoo, For Laughing Out Loud) and Dell's paperback cartoon collections, such as Forever Funny (1956). His comic strip about an absent-minded professor, Professor Phumble, was carried by King Features from 1960 to 1978. In addition to work on Little Iodine, Yates also did the strip Benjy with Jim Berry from 1973 to 1975. In addition to work in advertising and twice-weekly editorial cartoons for the Westport News in Connecticut, Yates also illustrated books and comic books, such as Charlton's Ronald McDonald (1970–71).

When Sylvan Byck retired from King Features Syndicate in 1978, Yates took over the position of comics editor. In 1986, he began collaborating with Morrie Brickman on the political strip, the small society (written lower-case as a satiric nod toward Lyndon Johnson's "Great Society"). The strip carried the signatures of both Brickman and Yates until 1989. It then became a solo effort by Yates, who continued it until 1989. When Gordon Bess, the writer of Redeye (with art by Mel Casson) became ill in May 1988, Yates took over the scripting of that strip about Chief Redeye and his lunatic Chickiepan Indian tribe.

from https://en.wikipedia.org/wiki/Bill_Yates

Bill Yates in the Grand Comics Database:
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William Boyd "Bill" Watterson II (born July 5, 1958) is an American artist and the author of the comic strip Calvin and Hobbes, which was syndicated from 1985 to 1995. Watterson stopped drawing Calvin and Hobbes at the end of 1995 with a short statement to newspaper editors and his readers that he felt he had achieved all he could in the medium. Watterson is known for his views on licensing and comic syndication and his move back into private life after drawing Calvin and Hobbes came to a close.

Watterson has said he works for personal fulfillment. As he told the graduating class of 1990 at Kenyon College, "It's surprising how hard we'll work when the work is done just for ourselves." Calvin and Hobbes was first published on November 18, 1985. In Calvin and Hobbes Tenth Anniversary Book, he wrote that his influences included Charles Schulz for Peanuts; Walt Kelly for Pogo and George Herriman for Krazy Kat. Watterson's style also reflects the influence of Winsor McCay's Little Nemo in Slumberland.

Like many artists, Watterson incorporated elements of his life, interests, beliefs and values into his work—for example, memories of his own father's speeches about "building character", and his views on merchandising and corporations. Watterson's cat, Sprite, inspired the personality and physical features of Hobbes.

Watterson spent much of his career trying to change the climate of newspaper comics. He believed that the artistic value of comics was being undermined, and that the space they occupied in newspapers continually decreased, subject to arbitrary whims of shortsighted publishers. Furthermore, he opined that art should not be judged by the medium for which it is created (i.e., there is no "high" art or "low" art—just art).

from https://en.wikipedia.org/wiki/Bill_Watterson

Bill Watterson in the Grand Comics Database:
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Sheldon "Shel" Dorf (July 5, 1933 – November 3, 2009) was an American comic-strip letterer and freelance artist and the founder of the San Diego Comic-Con International. Dorf lettered the Steve Canyon comic strip for the last 12 to 14 years of the strip's run.

Dorf's first three-day San Diego comics convention, the Golden State Comic-Con, was held at the U. S. Grant Hotel from August 1–3, 1970. It would eventually grow into the San Diego Comic-Con International. The con moved in subsequent years before settling into the San Diego Convention center in 1991.

Dorf would also contribute interviews to the comics press and movie collector magazines and his conversations with Milton Caniff and Mort Walker have both been collected in the University Press of Mississippi's Milton Caniff: Conversations and Mort Walker: Conversations respectively. His interview with Wally Wood for The Buyer's Guide for Comic Fandom was reprinted in Comic Book Artist #14 (July 2001). In 1984 Dorf began compilation and editing of the Dick Tracy comic strips in comic book format for Blackthorne Publishing, proudly publishing ninety-nine issues and collecting the material again in twenty-four collections. Chester Gould's daughter, Jean Gould O'Connell credits Dorf with bringing "Tracy out to another generation." Comics historian Mark Evanier said Caniff "honored Shel by making him into a character. It was a well-meaning football player named "Thud Shelley" who appeared a few times in the Canyon strip. Jack Kirby also made Shel into a character ... a father figure named Himon who appeared in Mister Miracle. Dorf received an Inkpot Award at the 1975 San Diego Comic-Con.

from https://en.wikipedia.org/wiki/Shel_Dorf

Shel Dorf in the Grand Comics Database:
http://www.comics.org/search/advanced/process/?target=issue_cover&method...

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The Grand Comics Database Project (GCD) is a volunteer project with the goal of documenting and indexing all comics for the free use of scholars, historians, researchers, and fans.
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