Welcome to the Grand Comics Database!
We're a nonprofit, Internet-based organization of international volunteers dedicated to building a database covering all printed comics throughout the world, and we're glad you're here! Give our search form a try, or take a look at the menu to the left to see how you can help us improve the site.
New GCD LogoWe have a new logo to help mark our 20th Anniversary! It is our first major design change since 1999 and will be seen on our t-shirts and convention gear throughout the year. We would like to thank Brian Saner Lamken for submitting his winning design and HippieBoy Design for applying those finishing touches. We hope you like it as much as we do!
Beta Search Capabilty!We have a new search capability in beta right now, and we need your help to run it through its paces. This cool new feature searches the different data objects at the same time and allows easier combination of different search terms. We already identified (and starting working through) some aspects that are not quite behaving as we would like, but we still need to hear from you. Please use on of the contact points on the left or join our mailing lists to share your comments, ask questions or provide suggestions. We can't do this without volunteers like you.
GCD Convention SceneJoin us as we celebrate our 20th Anniversary at several comic conventions. Volunteers will be running GCD booths at the following shows:
- AwesomeCon Washington, DC (18-20 April)
- Heroes Convention Charlotte, NC (20-22 June)
- Baltimore Comic-Con Baltimore, MD (5-7 September)
- with more to be confirmed
GCD Comics Timeline
Initially, Dargaud published novels for women. In 1948, they started Line, a "magazine for elegant women", as well as a French edition of the Belgian Tintin magazine.
In 1960, Dargaud bought the weekly Pilote magazine from René Goscinny, Albert Uderzo, and Jean-Michel Charlier, and the same year they published their first albums. Goscinny continued as editor of the magazine, and Charlier was album editor for a period.
In 1974, Dargaud wanted to diversify, and Pilote became a monthly magazine, and spawned another two monthly magazines. The new magazines were Lucky Luke Mensuel (a Western themed magazine around the series Lucky Luke) and Achille Talon Magazine (a humor based magazine around the series Achille Talon). However, both of them were unable to sustain a readership and folded within a year. The comics from these two magazines were put back into Pilote.
In 1988, Dargaud was acquired by Média-Participations.
Dargaud in the Grand Comics Database:
At the age of 17 he started working at the Toonder studios as volunteer. In the beginning he helped with the drawing projects of Tom Poes (1962–1963) and Panda (1961–1968). In 1968 his own comic appeared in the comic magazine Pep.
In 1964 Dick Matena started working as a freelancer, in the beginning mainly for the Toonder studios. He drew his own comic Polletje Pluim. For Pep he drew De Argonautjes (1968–1973) and Ridder Roodhart (1969–1971). He wrote scenarios for the Macaroni's (1971–1975) and Blook (1972–1973). During the period he worked for the cartoon magazine Eppo, he wrote four scenarios for the comic Storm (1978–1980) and under his pseudonym Dick Richards eight scenarios for the comic De Partners (1976–1984), drawn by Carry Brugman. In 1977 Matena drew his first realistic comic Virl.
From 1982 until 1984 he lived in Spain and worked for Selleciones Illustrades. For the comic magazine Titanic, he created two starship stories. After his move to Belgium he created the comics De laatste dagen van Adgar Allan Poe, Gauguin en Van Gogh and Mozart & Casanova.
On stories of Martin Lodewijk Dick Matena drew three spin-off comics of Storm (Don Lawrence). He used his pseudonym John Kelly at first; the last comic is published with his own name. The series of these Storm albums are called Kronieken van de Tussentijd. In 1997 he started again with the comic Tom Poes. Two stories were published in the Dutch vesion of the magazine Donald Duck.
Matena draws comics of classical Dutch literary books. For one of these comics he won the Bronzen Adhemar award.
Dick Matena in the Grand Comics Database:
Barney Google and Snuffy Smith, originally Barney Google, is an American comic strip created by cartoonist Billy DeBeck. Since its debut on June 17, 1919, the strip has gained a huge international readership, appearing in 900 newspapers in 21 countries. The initial appeal of the strip led to its adaptation to film, animation, popular song and television. It added several terms and phrases to the English language and inspired the 1923 hit tune "Barney Google (with the Goo-Goo-Googly Eyes)" with lyrics by Billy Rose, as well as the 1923 record, "Come On, Spark Plug!"
Barney Google himself, once the star of the strip and a very popular character in his own right, has been almost entirely phased out of the feature. Since 1954, his appearances have been rare, and from a period between 1997 and 2012, he wasn't seen in the strip at all. Since 2012, he has been seen more often, making several week long appearances. Snuffy Smith, who was introduced in 1934, is now the comic strip's central character. Nevertheless, the feature is still titled Barney Google and Snuffy Smith.
from http://en.wikipedia.org/wiki/Barney_Google_and_Snuffy_Smith http://ow.ly/i/5lcna
The strip focuses on the curious love triangle between its title character, a guileless, carefree, simple-minded cat of indeterminate gender (referred to as both "he" and "she"); the obsessive antagonist Ignatz Mouse; and the protective police dog, Offissa Bull Pupp. Krazy nurses an unrequited love for the mouse. However, Ignatz despises Krazy and constantly schemes to throw bricks at Krazy's head, which Krazy misinterprets as a sign of affection, uttering grateful replies such as "Li'l dollink, allus f'etful". Offissa Pupp, as Coconino County's administrator of law and order, makes it his unwavering mission to interfere with Ignatz's brick-tossing plans and lock the mouse in the county jail.
Despite the slapstick simplicity of the general premise, it was the detailed characterization, combined with Herriman's visual and verbal creativity, that made Krazy Kat one of the first comics to be widely praised by intellectuals and treated as "serious" art. Though only a modest success during its initial run, in more recent years, many modern cartoonists have cited Krazy Kat as a major influence.
Krazy Kat in the Grand Comics Database:
Sergio Cariello in the Grand Comics Database:
Among the titles Paquette has worked on are Adventures of Superman, Areala Warrior Nun, Avengers, Codename: Knockout, Gambit, Gen¹³, JLA, Negation', Power Company, Space: Above And Beyond, Superman: The Man of Steel, Terra Obscura, Tomorrow Woman, Transmetropolitan: Filth of the City, Seven Soldiers: The Bulleteer, Wonder Woman, Xena: Warrior Princess, and Civil War: X-Men.
Clément Sauvé was his assistant on background on a wide number of issues.
Paquette was the regular artist on Ultimate X-Men from February 2007 to January 2008, and for the first five issues of Young X-Men in 2008. He later supplied the art for Batman: The Return of Bruce Wayne #3 (August 2010), and a few issues of Batman Inc., teaming up again with Grant Morrison. He is currently the artist on the relaunched Swamp Thing, with Scott Snyder writing, and Marco Rudy doing the fill-in issues.
Yanick Paquette in the Grand Comics Database:
Hitch's artwork and designs have also appeared in direct-to-video animated films, television, and major feature films, such as the 2009 film Star Trek, for which he has been praised by director J. J. Abrams.
Bryan Hitch in the Grand Comics Database:http://www.comics.org/search/advanced/process/?target=cover&method=i...
Englehart had a potent run on Doctor Strange (originally with artist Frank Brunner, later with Gene Colan), in which Strange's mentor, the Ancient One, died, and Strange became the new Sorcerer Supreme. Englehart and Brunner, audaciously, also created a multi-issue storyline in which a sorcerer named Sise-Neg ("Genesis" spelled backward) goes back through history, collecting all magical energies, until he reaches the beginning of the universe, becomes all-powerful and creates it anew, leaving Strange to wonder whether this was, paradoxically, the original creation (Marvel Premiere #14). Editor-in-chief Stan Lee, seeing the issue after publication, ordered Englehart and Brunner to print a retraction saying this was not God but a god, so as to avoid offending religious readers. The writer and artist concocted a fake letter from a fictitious minister praising the story, and mailed it to Marvel from Texas; Marvel unwittingly printed the letter, and dropped the retraction order.
Steve Englehart in the Grand Comics Database:
Probably the most famous Pogo quotation is "We have met the enemy and he is us." Perhaps more than any other words written by Walt Kelly, it perfectly sums up his attitude towards the foibles of mankind and the nature of the human condition.
The quote was a parody of a message sent in 1813 from U.S. Navy Commodore Oliver Hazard Perry to Army General William Henry Harrison after his victory in the Battle of Lake Erie, stating, "We have met the enemy, and they are ours." It first appeared in a lengthier form in "A Word to the Fore", the foreword of the book The Pogo Papers, first published in 1953. Since the strips reprinted in Papers included the first appearances of Mole and Simple J. Malarkey, beginning Kelly's attacks on McCarthyism, Kelly used the foreword to defend his actions.
The finalized version of the quotation appeared in a 1970 anti-pollution poster for Earth Day and was repeated a year later in the daily strip. The slogan also served as the title for the last Pogo collection released before Kelly's death in 1973, and of an environmentally themed animated short Kelly had started work on but did not finish due to ill health.
Pogo in the Grand Comics Database:
1 million English storiesWhile our international content is steadily growing, we reached for English language stories an even big number: 1 million story sequences!
100,000 Norwegian storiesNorwegian is the second language to reach 100,000 stories!
Take a look at our international statistics to see what else the GCD's been up to.
New Features for BrandsWe recently deployed changes in our handling of brands. Like before we store for each issue which emblem of a brand is used. New is the grouping of different emblems together into one brand group. For example, see the brand group for DC, which collects all the different emblems used over time by DC.
Publisher's Age GuidelinesAt the same time we also introduced a new field recording any age designations or ratings that are supplied by the publisher on a comic.
450,000 covers uploaded!
Check out the cover which is from Pocket Chiller Library #9 (Thorpe & Porter, 1971 Series), a series from the United Kingdom.
Take a look at our international statistics to see what else the GCD's been up to.
How to help ?There are several ways in which you can help us to improve our site and its content.
- You can provide missing data, update existing data, or upload cover scans. Just register an account with us, and you can start contributing.
- Donate for our ongoing costs, e.g. the server infrastructure. We are a non-profit organization and any funds will be used for our goal of documenting and indexing all comics.
- We need volunteer web designers and programmers! Please contact the
gcd-tech group or visit our technical documentation if you
can help with any of these roles:
- Python / Django programming
- Elasticsearch search server together with Haystack
- Web Services API
- Database Performance (MySQL)
3,800 indicia publishers
32,931 variant issues
196,153 issue indexes