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Grand GCD Gathering during the Baltimore Comic-Con in September
Make your plans now to attend the Grand GCD Gathering during the Baltimore Comic-Con on September 25-27, 2015 at the Baltimore Convention Center in Downtown Baltimore, Maryland. This will be an historic meeting, where more of us will meet face-to-face than ever before.
Visit us on Facebook and let us know you are coming, and we will make arrangements to meet!
1.5 million sequences!
The 1.5 millionth sequence was added to our database!
Check out the issue Monkeyshines Comics #10 from Ace Magazines, published August 1946.
222,222 issues indexed!
The 222,222nd issue was indexed at the GCD!
Check out the issue Lucky Luke #50 - Der weiße Kavalier from the German publisher group Egmont Ehapa. It is the German reprint of the French Lucky Luke comic.
GCD Comics Timeline
By 1911, after seven years of low wages, he was working as a pencil-sharpener wholesaler and began to write fiction. During this period, he had copious spare time and he began reading many pulp fiction magazines. In 1929 he recalled thinking that "if people were paid for writing rot such as I read in some of those magazines, that I could write stories just as rotten. As a matter of fact, although I had never written a story, I knew absolutely that I could write stories just as entertaining and probably a whole lot more so than any I chanced to read in those magazines."
Aiming his work at the pulps, Burroughs had his first story, Under the Moons of Mars, serialized by Frank Munsey in the February to July 1912 issues of The All-Story – under the name "Norman Bean" to protect his reputation. Under the Moons of Mars inaugurated the Barsoom series and earned Burroughs US$400 ($9,775 today). It was first published as a book by A. C. McClurg of Chicago in 1917, entitled A Princess of Mars, after three Barsoom sequels had appeared as serials, and McClurg had published the first four serial Tarzan novels as books.
Burroughs soon took up writing full-time and by the time the run of Under the Moons of Mars had finished he had completed two novels, including Tarzan of the Apes, published from October 1912 and one of his most successful series.
Edgar Rice Burroughs in the Grand Comics Database:
Wilson is herself Muslim, and writes Ms. Marvel, a comic series starring a 16-year-old Muslim shapeshifter superhero named Kamala Khan.
Batman in the Grand Comics Database:
Adventure Comics in the Grand Comics Database:
Wesley Earl "Wes" Craven (August 2, 1939 – August 30, 2015) was an American film director, writer, producer, and actor known for his work on horror films, particularly slasher films. He was best known for creating the A Nightmare on Elm Street franchise featuring the Freddy Krueger character, directing the first installment and Wes Craven's New Nightmare, and co-writing A Nightmare on Elm Street 3: Dream Warriors with Bruce Wagner.
Craven also directed all four films in the Scream series, and co-created the Ghostface character. Some of his other films include The Hills Have Eyes, The Last House on the Left, Red Eye, My Soul to Take, and Swamp Thing.
Wes Craven in the Grand Comics Database:
Nightmare on Elm Street in the Grand Comics Database:
Fritzi Ritz was an American comic strip created in 1922 by Larry Whittington. It eventually evolved into the popular Nancy by Ernie Bushmiller.
Distributed by United Feature Syndicate, Fritzi Ritz began October 9, 1922, in the New York Evening World. When Whittington left in 1925, 20-year-old Bushmiller stepped in as his replacement, modeling Fritzi after his fiance, Abby Bohnet, whom he married in 1930. In 1931, when the Evening World and the New York Telegram merged, Fritzi Ritz was one of the strips lost in the shuffle, but it returned January 10, 1932, in the New York Daily Mirror.
Fritzi Ritz in the Grand Comics Database:
In 1939, pulp-magazine publisher Martin Goodman expanded into the newly emerging comic book field by buying content from comics packager Funnies, Inc.. His first effort, Marvel Comics #1 (cover-dated Oct. 1939), from his company Timely Publications, featured the first appearances of writer-artist Carl Burgos' android superhero, the Human Torch, and Paul Gustavson's costumed detective the Angel. As well, it contained the first generally available appearance of Bill Everett's mutant anti-hero Namor the Sub-Mariner.
Also included was Al Anders' Western hero the Masked Raider; the jungle lord Ka-Zar the Great with Ben Thompson adapting over the first five issues the story "King of Fang and Claw" by Bob Byrd; the non-continuing-character story "Jungle Terror," featuring an adventurer named Ken Masters, written by Tohm Dixon; "Now I'll Tell One", five single-panel, black-and-white gag cartoons by Fred Schwab, on the inside front cover; and a two-page prose story by Ray Gill, "Burning Rubber", about auto racing. A painted cover by veteran science fiction pulp artist Frank R. Paul featured the Human Torch, looking much different than in the interior story.
That initial comic quickly sold out 80,000 copies, prompting Goodman to produce a second printing, cover-dated November 1939 and identical except for a black bar in the inside-front-cover indicia over the October date, and the November date added at the end. That sold approximately 800,000 copies. With a hit on his hands, Goodman began assembling an in-house staff, hiring Funnies, Inc. writer-artist Joe Simon as editor. Simon brought along his collaborator, artist Jack Kirby, followed by artist Syd Shores.
Marvel Comics #1 in the Grand Comics Database:
Steranko formed Supergraphics where he published the magazine Comixscene (later retitled Mediascene, and finally Prevue). Bruzenak assisted Steranko on the first fifty issues of Comixscene/Prevue, as well as other concurrent projects, such as Marvel's official fan magazine, FOOM (Bruzenak was the associate editor); the comic book adaptation of the film Outland; and various paperback covers and posters. Bruzenak worked for Steranko for almost thirteen years.
Bruzenak eventually left Steranko's employ to embark on a freelance lettering career, landing the letterer job with Chaykin's American Flagg!.
Bruzenak's work on that title was more typography than simple lettering. The comic featured signage, multiple typefaces, robot type, and a mixture of formal type with balloon type for special effects. Bruzenak's lettering was so integral to the book, it virtually became a character of its own. Readers took notice — as did editors for other companies — and Bruzenak soon became the industry's first "celebrity letterer," getting more offers for jobs than he was able to take on — even with his famous non-stop work ethic.
In the 90s, Bruzenak worked steadily, often pairing with Michael T. Gilbert on his Mr. Monster comics, but his work was never as much in demand as it was during his mid-80s heyday.
Ken Bruzenak in the Grand Comics Database:
He was hired by DC Comics as part of the company's "Junior Woodchuck" program and became the assistant to editor Murray Boltinoff before being promoted to the post of editor himself. Harris wrote text articles and letters columns for various series and his first published comics story was "Political Rally Panic" in Isis #3 (February–March 1977).
Harris wrote several issues of Kamandi, an assignment he considered a personal favorite. As writer of the Wonder Woman comic book, he returned the series to a contemporary setting to reflect the timeframe change made from the World War II era to the present day in the television series. Harris was briefly writing every DC feature starring a female character. He and artist Trevor Von Eeden proposed an all-female superteam named the "Power Squad" to DC but the idea was not approved for publication.
In 1992, Harris and artist Joe Quesada co-created an updated version of the Golden Age character the Ray. At Marvel Comics, Harris co-created the character Annex in The Amazing Spider-Man Annual #27 and wrote a limited series featuring the new character the following year. In 1994, Harris wrote the graphic novel Batman: Castle of the Bat, painted by artist Bo Hampton. A Hulk and the Human Torch story written by Harris and drawn by Ditko in the 1980s was published by Marvel as Incredible Hulk and the Human Torch: From the Marvel Vault #1 in August 2011.
Jack C. Harris in the Grand Comics Database:
He started writing comics in 1969 in the Franco-Belgian comics magazine Pilote, initially illustrating short stories written by Jean Giraud and Serge de Beketch, before creating the political fiction story Rumeur sur le Rouergue from a scenario by Pierre Christin in 1972.
A highly versatile artist, Tardi successfully adapted novels by controversial writer Louis-Ferdinand Céline or crime novelist Léo Malet. In Malet's case, Tardi adapted his detective hero Nestor Burma into a series of critically acclaimed graphic novels, though he also wrote and drew original stories of his own.
Tardi also created one of French comics' most famous heroines, Adèle Blanc-Sec. This series recreates the Paris of early 20th century where the moody heroine encounters supernatural events, state plots, occult societies and experiments in cryogenics.
Tardi has produced many antiwar graphic novels and comics, mainly focusing on the collective European trauma of the First World War, and the pitfalls of patriotism spawned several albums (Adieu Brindavoine, C'était la guerre des tranchées, Le trou d'obus, Putain de Guerre...). His grandfather's involvement in the day-to-day horrors of trench warfare, seems to have had a deep influence to his artistic expression.
In January 2013, Tardi was nominated as a Chevalier in France's Legion of Honour, the country's highest distinction. However, he turned down the distinction, citing that he will "remain a free man and not be held hostage by any power whatsoever."
Jacques Tardi in the Grand Comics Database:
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4,552 indicia publishers
46,074 variant issues
224,700 issue indexes