Welcome to the Grand Comics Database!
a We're a nonprofit, Internet-based organization of international volunteers dedicated to building a database covering all printed comics throughout the world, and we're glad you're here! Give our search form a try, or take a look at the menu to the left to see how you can help us improve the site.
Upgrade to the DatabaseWe deployed some changes how we handle series in February.
- series now have tracking links which are to replace the tracking notes, e.g. WildC.A.T.s (Image, 1995 Series)
- series can be marked as a singleton series, e.g. Sam Zabel and the Magic Pen
Grand GCD Gathering during the Baltimore Comic-Con in September
Make your plans now to attend the Grand GCD Gathering during the Baltimore Comic-Con on September 25-27, 2015 at the Baltimore Convention Center in Downtown Baltimore, Maryland. This will be an historic meeting, where more of us will meet face-to-face than ever before. Come by and visit our booth we will have at the show! More Information to come!
Comics listed by on-sale date!
We added a page to list the issues which are on-sale for a given week. You can help us keeping these lists up to date by adding the on-sale date for a given issue, or even adding the issue if not already in the database. For US comics the on-sale dates can typically be determined from the shipping lists at PREVIEWSworld or ComicList.
GCD Comics Timeline
He entered the comic strip field in 1950 and worked on several strips, including Kerry Drake, Little Iodine and Bunny. In comic books he was the last artist doing Little Lulu before it was cancelled in 1984. He took over The Katzenjammer Kids in 1986 and the Popeye Sunday strip in 1994. An extensive interview with Eisman on his career appeared in Hogan's Alley #15 (2007).
In 1976, Eisman became a teacher at the Joe Kubert School of Cartoon and Graphic Art. On June 27, 2004, he married Florenz Greenberg. Their wedding invitation was a comic strip with Popeye and Olive Oyl.
Eisman won the 1975 National Cartoonists Society's Award for Best Humor Comic Book Cartoonist (for Gold Key's Nancy comic books). In 1983, he received an Award for his work on the Little Lulu comic book.
Hy Eisman in the Grand Comics Database:
Verheiden's introduction into writing comics came in June 1987, when he penned The American, which was published by Dark Horse Comics in its second year of operation. Starting in March of the following year, he wrote what was to be the first of many Verheiden/Dark Horse comics based on the 20th Century Fox film-series Aliens, and comics based on the similarly licensed property Predator soon followed.
In January 1989, he wrote the first of several stories featuring Superman for DC Comics' then-weekly title Action Comics, from #635. He has also written stories featuring popular icons like The Phantom, and contributed to the lauded A1 anthology. This was followed by Stalkers, a 12 issues series for Marvel Comics' Epic Comics imprint.
Verheiden has also contributed to scripts for the feature films The Mask, Timecop (he also wrote the Dark Horse comics adaptation of the film) and for the Smallville television-show. He was also supervising, then co-executive producer for Smallville during the first three seasons, as well as one of the writers on DC's Smallville comic, based on the series.
His Phantom stories featured in a 13-issue maxi-series from DC Comics (following a 4-issue Peter David written mini-series) and took on 'real-world issues', such as poisoning, illegal weapon trading, racism, and toxic dumping. The stories usually took a more psychological approach than the Lee Falk written comic strips. Luke McDonnell was the regular artist.
Mark Verheiden in the Grand Comics Database:
His rare forays into interior art also include Batman: The Killing Joke, with UK-based writer Alan Moore, and a self-penned Batman: Black and White story. Bolland remains in high demand a cover artist, producing the vast majority of his work for DC Comics.
Brian Bolland in the Grand Comics Database:
During the 1960s, García-López worked for Charlton Comics. In 1974 he moved to New York, where he met DC Comics editor Joe Orlando. His first interior art credit for DC was June 1975's "Nightmare In Gold" back-up in Action Comics #448, where he inked the pencils of artist Dick Dillin. The following month, he inked the pencils of Curt Swan on a "Private Life of Clark Kent" backup story in Superman #289, before graduating to full pencils on a back-up story (written by E. Nelson Bridwell in Detective Comics #452 (October 1975). The following month, García-López and writer Gerry Conway created the Hercules Unbound series and in April 1977, he and writer Michael Fleisher launched the Jonah Hex ongoing series. García-López and Conway collaborated on a Superman vs. Wonder Woman story in All-New Collectors' Edition #C-54 (1978). DC Comics Presents, a team-up title starring Superman was launched in 1978 by writer Martin Pasko and García-López. He drew a DC-Marvel crossover between Batman and the Hulk in DC Special Series #27 (Fall 1981). He penciled five issues of The New Teen Titans in 1985 and writer Marv Wolfman later commented that "I knew that I had this incredible artist who could draw almost anything that I wanted...So I decided to make the story just the biggest spectacle I could come up with."
Other notable works include Atari Force, Cinder and Ashe, Road to Perdition, Deadman, and various DC superheroes. His work on Twilight has been praised, receiving an Eisner Award nomination.
José Luis García-López in the Grand Comics Database:
Weirdo was a magazine-sized comics anthology created by Robert Crumb and published by Last Gasp from 1981 to 1993.
Weirdo served as a "low art" counterpoint to its contemporary highbrow Raw. Early issues of Weirdo reflect Crumb's interests at the time – outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis (Stickboy) Worden.
With issue #10, Crumb later handed over the editing reins to Bagge; with issue #18, the reins went to Crumb's wife, cartoonist Aline Kominsky-Crumb (except for issue #25, which was again edited by Bagge). The three editorial tenures were known respectively as "Personal Confessions," the "Coming of the Bad Boys," and the "Twisted Sisters."
Weirdo's final issue, #28, an internationally themed 68-page giant titled Verre D'eau (in French, "glass of water"), was published in 1993.
Weirdo in the Grand Comics Database:
Badger in the Grand Comics Database:
The Avengers in the Grand Comics Database:
Medina began his career at Megaton Comics, illustrating such titles as Berserker and Megaton. He subsequently worked for First Publishing, on such titles as Dreadstar and Hammer Of God in the late 1980s, before starting to work for Marvel Comics on The Incredible Hulk, Warlock and the Infinity Watch, Blackwulf, Avengers, The Amazing Spider-Man, and Marvel Knights Spider-Man.
Later he went to work for Image Comics, illustrating Sam and Twitch, a spinoff of the title Spawn. He later illustrated Spawn itself, and Kiss: Psycho Circus, based on the rock music group Kiss.
Angel Medina in the Grand Comics Database:
In 1904, thousands watched as he tried to escape from special handcuffs commissioned by London's Daily Mirror, keeping them in suspense for an hour. Another stunt saw him buried alive and only just able to claw himself to the surface, emerging in a state of near-breakdown. While many suspected that these escapes were faked, Houdini presented himself as the scourge of fake spiritualists. As President of the Society of American Magicians, he was keen to uphold professional standards and expose fraudulent artists.
Harry Houdini in the GCD: http://www.comics.org/character/name/harry%20houdini/sort/chrono/
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4,355 indicia publishers
41,539 variant issues
214,893 issue indexes