Welcome to the Grand Comics Database!
We're a nonprofit, Internet-based organization of international volunteers dedicated to building a database covering all printed comics throughout the world, and we're glad you're here! Give our search form a try, or take a look at the menu to the left to see how you can help us improve the site.
Beta Search Capabilty!We have extended our new search capability, but we still need your help to further improve it. The new search behaves similar to a google search, it searches most of our data and allows easier combination of different search terms in the different fields. If you think the results are not what you would expect please use one of the contact points on the left or join our mailing lists to share your comments, ask questions or provide suggestions. We can't do this without volunteers like you.
GCD Convention SceneJoin us as we celebrate our 20th Anniversary at several comic conventions. Volunteers will be running GCD booths at the following shows:
- Baltimore Comic-Con Baltimore, MD (5-7 September)
- with more to be confirmed
475,000 covers uploaded!
Check out the cover which is from Una Criada Estupenda #15 (Editorial Novaro, 1968 Series), a series from Mexico.
Take a look at our international statistics to see what else the GCD's been up to.
New GCD LogoWe have a new logo to help mark our 20th Anniversary! It is our first major design change since 1999 and will be seen on our t-shirts and convention gear throughout the year. We would like to thank Brian Saner Lamken for submitting his winning design and HippieBoy Design for applying those finishing touches. We hope you like it as much as we do!
GCD Comics Timeline
In 1997, Ford was ranked No. 1 in Empire's "The Top 100 Movie Stars of All Time" list. As of July 2008, the United States domestic box office grosses of Ford's films total over US$3.5 billion, with worldwide grosses surpassing $6 billion, making Ford the fourth highest grossing U.S. domestic box-office star.
Marvel Super Special in the Grand Comics Database:
Although Tom Palmer has done a small amount of penciling work (as well as some cover art and some coloring, the vast majority of his artistic output since the 1960s has been as a comic book inker.
Especially noteworthy is Palmer's extensive work for Marvel Comics, including well-remembered runs paired with pencilers Neal Adams on The Avengers and Uncanny X-Men; Gene Colan, on titles such as Doctor Strange, Daredevil, and Tomb of Dracula; and John Buscema, on the The Avengers. He also inked the entire run of John Byrne's X-Men: The Hidden Years.
Palmer is widely considered the definitive inker for Gene Colan, whose use of grey textures made his pencils notoriously difficult to ink in a way that did them justice. However, Palmer considers it a mystery that they were so often paired together, since Colan says that publishers never answered his requests to be paired with a specific inker: "I think the way we both worked in the business, we had a book to get out every month, bills to pay, and somehow we were put together as a team. We could have been forgotten and ignored, and we'd not be sitting here today. But somehow, I think, the fans have brought us to this point of recognition."
Palmer's brushy, detailed, and illustrative inking style hearkens back to vintage newspaper comic strip strips like Steve Canyon and Tarzan, and has influenced later generations of inkers like Klaus Janson, Josef Rubinstein, and Bob McLeod.
Over the course of his career, Palmer has won several awards, including the 1969 Alley Award for Best Inking Artist. Palmer was also named the #3 Inker of American Comics by Atlas Comics.
Tom Palmer in the Grand Comics Database:
In comics, Ploog is best known for his work on Marvel Comics' 1970s Man-Thing and The Monster of Frankenstein series, and as the initial artist on the features Ghost Rider and Werewolf by Night. His style at the time was heavily influenced by the art of Will Eisner, under whom he apprenticed.
Eventually, at the suggestion of Eisner letterer Ben Oda and artist Wally Wood, Ploog broke into comics at Warren Publishing, doing stories for the company's black-and-white horror-comics magazines. A Western sample he showed Marvel got him a callback to draw Werewolf by Night, which premiered in Marvel Spotlight #2 (Feb. 1972). After three issues, the series spun off onto its own book. Ploog then helped launched the initial, Johnny Blaze version of the supernatural motorcyclist Ghost Rider, in Marvel Spotlight #5 (Aug. 1972), and drew the next three adventures.
Ploog and writer Gary Friedrich collaborated on the first six issues of Marvel's The Monster of Frankenstein (Jan.-Oct. 1973), the initial four of which contained a more faithful adaptation of Mary Shelley's novel than has mostly appeared elsewhere.
The following year, Ploog teamed with writer Steve Gerber on Man-Thing #5-11 (May-Nov. 1974), penciling a critically acclaimed series of stories involving a dead clown, psychic paralysis in the face of modern society, and other topics far removed from the usual fare of comics of the time, with Ploog's cute-but-creepy art style setting off Gerber's trademark intellectual surrealism.
Mike Ploog in the Grand Comics Database:
Ernie Colón began his professional career at Harvey Comics as a letterer. He later worked, uncredited, as an artist on titles including Richie Rich and Casper the Friendly Ghost. At Harvey, he met Sid Jacobson, who became his editor and frequent creative partner.
His first confirmed, credited work was penciling and inking the two-page story "Kaleidoscope of Fear" in Wham-O Giant Comics #1 (cover-dated April 1967, published by the toy company Wham-O). He went on to draw three issues of Gold Key Comics' Doctor Solar, Man of the Atom (#24-26, July 1968 - Jan. 1969), and to do much work for Warren Publishing's black-and-white horror-comics magazines Creepy, Eerie, and Vampirella.
Colón was an editor for DC Comics from 1982 to 1985. He oversaw titles such as Arion, Lord of Atlantis, The Flash, Green Lantern, and Wonder Woman.
Colón's many artistic credits include Grim Ghost for Atlas/Seaboard; the historical fantasy Arak, Son of Thunder (with writer Roy Thomas); Amethyst, Princess of Gemworld (with writers Dan Mishkin and Gary Cohn) for DC Comics; Airboy for Eclipse Comics; Magnus: Robot Fighter for Valiant Comics; and Damage Control and Doom 2099 for Marvel Comics. Also for Marvel, Colón wrote, drew, colored and lettered the 1988 science-fiction graphic novel Ax.
In the late 1980s, Colón penciled the short-lived Bullwinkle and Rocky series for Marvel's children's imprint Star Comics. Colón returned to Harvey in the early 1990s, and worked on such projects as Monster in My Pocket and Ultraman.
Ernie Colón in the Grand Comics Database:
Fred Hembeck in the Grand Comics Database:
Heart Throbs was a romance comic published by Quality Comics and DC Comics from 1949 to 1972. Quality published the book from 1949–1957, when it was acquired by DC. Most issues featured a number of short comics stories, as well advice columns, text pieces, and filler. The long-running feature "3 Girls—Their Lives—Their Loves," drawn by Jay Scott Pike and inked by Russ Jones, ran in Heart Throbs from 1966–1970.
In addition to Pike and Jones, regular contributors to Heart Throbs during its run included Bob Kanigher, Barbara Friedlander, Jay Criton, Gene Colan, John Romita, Sr., John Forte, Vince Colletta, Bernard Sachs, Win Mortimer, John Rosenberger, and Tony DeZuniga.
Heart Throbs in the Grand Comics Database:
Detective Comics in the Grand Comics Database:
Much of Jimenez's work is related to works by George Pérez, whose art strongly influenced Jimenez. Jimenez has worked on several Teen Titans-related series (some issues of the ongoing series New Titans and Team Titans, and the miniseries JLA/Titans, The Return of Donna Troy and Tempest), was the main artist of Infinite Crisis, a sequel to Crisis on Infinite Earths, and did a long run as writer/artist of Wonder Woman beginning with issue #164 (Jan. 2001). (Perez had worked on the series in the 1980s). Jimenez and Pérez also have worked together in 2005-2006 in the miniseries Infinite Crisis (where Jimenez was the main penciller, and Pérez drew some sequences and covers for the series) and DC Special: The Return of Donna Troy (written by Jimenez and inked by Pérez).
Jimenez is also known for his work on various titles for DC Entertainment's "mature readers" imprint, Vertigo, including Swamp Thing, The Invisibles with acclaimed writer Grant Morrison, and his own creator-owned series, the sci-fi/fantasy mashup Otherworld. In 2003, Jimenez drew several story arcs of Morrison's popular New X-Men run.
Phil Jimenez in the Grand Comics Database:
Tales to Astonish in the Grand Comics Database:
1 million English storiesWhile our international content is steadily growing, we reached for English language stories an even big number: 1 million story sequences!
100,000 Norwegian storiesNorwegian is the second language to reach 100,000 stories!
Take a look at our international statistics to see what else the GCD's been up to.
New Features for BrandsWe recently deployed changes in our handling of brands. Like before we store for each issue which emblem of a brand is used. New is the grouping of different emblems together into one brand group. For example, see the brand group for DC, which collects all the different emblems used over time by DC.
Publisher's Age GuidelinesAt the same time we also introduced a new field recording any age designations or ratings that are supplied by the publisher on a comic.
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3,938 indicia publishers
35,339 variant issues
199,895 issue indexes