Welcome to the Grand Comics Database!
We're a nonprofit, internet-based organization of international volunteers dedicated to building a database covering all printed comics throughout the world, and we're glad you're here! Give our search a try, or take a look at the menu to the left to see how you can help us improve the site.
Grand GCD Gathering during the Baltimore Comic-Con in September
Make your plans now to attend the Grand GCD Gathering during the Baltimore Comic-Con on September 25-27, 2015 at the Baltimore Convention Center in Downtown Baltimore, Maryland. This will be an historic meeting, where more of us will meet face-to-face than ever before. Come by and visit our booth we will have at the show! More Information to come!
GCD Comics Timeline
He began his career by lettering comic books (notably Groo the Wanderer by Sergio Aragonés and Mark Evanier) and wrote and illustrated The Adventures of Nilson Groundthumper and Hermy; a comic series with a medieval setting, influenced by Sergio Aragones's Groo the Wanderer. The characters first appeared in Albedo #1 in 1984, and were subsequently featured in issues of Critters, GrimJack, Amazing Heroes and Furrlough.
Sakai became famous with the creation of Usagi Yojimbo, the epic saga of Miyamoto Usagi, a samurai rabbit living in late-sixteenth and early-seventeenth-century Japan. First published in 1984, the comic continues to this day, with Sakai as the lone author and nearly sole artist (Tom Luth serves as the main colorist on the series, and Sergio Aragonés has made two small contributions to the series: the story "Broken Ritual" is based on an idea by Aragonés, and he served as a guest inker for the black-and-white version of the story "Return to Adachi Plain" that is featured in the Volume 11 trade paperback edition of Usagi Yojimbo). He also created a futuristic spinoff series Space Usagi. The Japanese American National Museum in Los Angeles's Little Tokyo presented an exhibit entitled "Year of the Rabbit: Stan Sakai's Usagi Yojimbo" from July 9 through October 30, 2011.
In 2013, Sakai illustrated the limited comic book series 47 Ronin, an adaptation of the famed story of the 47 Ronin written by Dark Horse Comics Publisher Mike Richardson and with Lone Wolf and Cub writer Kazuo Koike as an editorial consultant.
Stan Sakai in the Grand Comics Database:
Windsor-Smith called his early art "amateur and klutzy" and a "less than skillful" Kirby imitation, but Stan Lee liked it enough to give him more work.
Roy Thomas, a long-time fan of Robert E. Howard's 1930 pulp-fiction character Conan the Barbarian, had Windsor-Smith provide art for a sword and sorcery story, "Starr the Slayer", in Chamber of Darkness No. 4 (April 1970). Soon afterwards, Thomas offered Windsor-Smith the job as penciller for Marvel's adaptation of Conan, starting with Conan the Barbarian No. 1 (Oct. 1970).
During his run on Conan the Barbarian, Windsor-Smith was involved in the writing as well. He and writer Roy Thomas adapted a number of Howard short stories, including "The Frost-Giant's Daughter", "Tower of the Elephant", "Rogues in the House", and "Red Nails". Windsor-Smith provided the covers for most issues. They worked on original adventures and characters based on Howard's characters – most notably the flame-haired warrior-woman, Red Sonja in "The Song of Red Sonja" in Conan the Barbarian No. 24 (March 1973), Windsor-Smith's last issue of the title. By then he had worked on 21 of the first 24 issues of the series, missing only issues 17, 18, and 22 (which was a reprint of issue #1), and both he and the title had won a number of awards. In 2010, Comics Bulletin ranked Thomas and Windsor-Smith's work on Conan the Barbarian seventh on its list of the "Top 10 1970s Marvels".
Barry Windsor-Smith in the Grand Comics Database:
Wessler was one of at least five staff writers (officially titled editors) under editor-in-chief Stan Lee at Marvel's 1950s forerunner, Atlas Comics.
Wessler began writing for Atlas Comics in November 1950 when he turned in the six-page story "The Mad Monk" about the historical figure Grigori Rasputin, published in Amazing Detective Cases #6 (May 1951). He soon became Atlas' primary crime fiction writer, often scripting entire issues of All-True Crime, Amazing Detective Cases, Crime Can't Win, Crime Exposed, Crime Must Lose, Justice and Kent Blake of the Secret Service. Going on staff in 1952, he became a member of the Atlas bullpen with fellow writers Hank Chapman, Ernie Hart, Paul S. Newman, Don Rico and, on teen-humor comics, future Mad cartoonist Al Jaffee. Wessler wrote horror/fantasy stories for such titles as Adventures into Terror, Adventures into Weird Worlds, Astonishing, Mystic and Suspense, later adding to his body of work such war comics as Battle, Battle Action, Battlefield, Combat and Men's Adventures.
In 1953, EC Comics recruited Wessler, Jack Oleck, Daniel Keyes and other writers. Wessler contributed a large number of stories to EC's famed horror titles Tales from the Crypt and The Vault of Horror—writing the entirety of Tales from the Crypt #45 (Jan. 1955). He wrote as well for EC's Aces High, Crime SuspenStories, Impact, Piracy, Shock SuspenStories and Weird Science-Fantasy.
Carl Wessler in the Grand Comics Database:
The Skyman is a fictional comic book superhero that appeared in 1940s comics during what historians and fans call the Golden Age of Comic Books. Created by writer Gardner Fox and artist Ogden Whitney, the character first appeared in the Columbia Comics omnibus title Big Shot Comics #1 (May 1940).
The Skyman was created by writer Gardner Fox and artist Ogden Whitney in the Columbia Comics omnibus title Big Shot Comics #1 (May 1940). After appearing in the first eight issues of Big Shot, the character was spun off into his own series, in which one issue each appeared in 1941, 1942, 1947, and 1948. The Skyman went on to appear in virtually every issue of Big Shot through issue #101 (May 1949). That comic itself lasted only three more issues. The Skyman additionally appeared in a story in Sparky Watts #1 (1942).
The Skyman was Allen Turner, who was raised by his uncle to become "outstanding in mind and body." A brilliant scientist, he had no superpowers but did have a flying wing-shaped airplane, dubbed The Wing, that flew by the power of Earth's magnetic poles. With this and money inherited from his late uncle's will, he fought crime.
Big Shot Comics in the Grand Comics Database:
In December 1988, Skolnick was hired by Marvel Comics as an editorial assistant. Within six months he had been promoted to assistant editor, and over the course of the next few years worked with a succession of Marvel editors including Gregory Wright, Sid Jacobson and, ultimately, Fabian Nicieza on a wide variety of properties.
Eventually Skolnick heeded the advice of his superiors at Marvel and began to pitch and land small writing jobs on existing series, such as Iron Man, RoboCop and NFL Superpro. Financial and political pressures forced Skolnick (and many others) to leave Marvel in 1995 as part of the first of a series of downsizings experienced by the leading comic book publisher.
Into this difficult time arrived Skolnick’s mentor and friend, Fabian Nicieza, who had just been named senior vice president and editor-in- chief of Acclaim Comics. Nicieza hired Skolnick to be his right-hand man at the new Acclaim Comics. Skolnick moved into overseeing much of the Valiant Heroes line of super hero comics, while directly editing and revamping X-O Manowar. He left Acclaim over a dispute concerning a comic book creator who was denied credit in one of the company’s video games.
Evan Skolnick in the Grand Comics Database:
In 1956, DC editor Julius Schwartz assigned writer Robert Kanigher and artist Infantino to the company's first attempt at reviving superheroes: an updated version of the Flash that would appear in issue #4 (Oct. 1956) of the try-out series Showcase. Infantino designed the now-classic red uniform with yellow detail (reminiscent of the original Fawcett Captain Marvel), striving to keep the costume as streamlined as possible, and he drew on his design abilities to create a new visual language to depict the Flash's speed, using both vertical and horizontal motion lines to make the figure a red and yellow blur. The eventual success of the new, science-fiction-oriented Flash heralded the wholesale return of superheroes, and the beginning of what fans and historians call the Silver Age of comics.
Infantino drew "Flash of Two Worlds," a landmark story published in The Flash #123 (Sept. 1961) that introduced Earth-Two, and more generally the concept of the multiverse, to DC Comics.
With Gardner Fox, Infantino co-created Barbara Gordon as a new version of Batgirl in Detective Comics #359 (Jan. 1967). Writer Arnold Drake and Infantino created the supernatural superhero Deadman in Strange Adventures #205 (Oct. 1967).
Infantino was made DC's publisher in early 1971. In January 1976, Warner Communications replaced Infantino with magazine publisher Jenette Kahn, a person new to the comics field. Infantino returned to drawing freelance.
Carmine Infantino in the Grand Comics Database:
Andriola studied at Cooper Union and Columbia University, intending to becoming a writer. Instead, following a fan letter he wrote to Milton Caniff, he became his assistant, working with him on Terry and the Pirates and Scorchy Smith.
His first strip was Charlie Chan (1938–1942), an adaptation of the popular detective novels for the McNaught Syndicate. For five months in 1943 he drew a minor superhero, Captain Triumph, for Quality Comics' Crack Comics.
For a year he drew the strip Dan Dunn with writer Allen Saunders. Dunn ended on October 3, 1943, and the next day their Kerry Drake debuted. Originally a district attorney's investigator, Drake became a municipal police officer when Sandy Burns, his secretary and fiancee, was murdered by Trinket and Bulldozer. As both a DA's man and a city cop, he battled a series of flamboyant villains, including Bottleneck, Mother Whistler and No-Face. It gradually became a soap opera strip focusing on Drake's home life with his wife Mindy and their quadruplets, as Drake's younger brother Lefty, a private eye, took over more of the adventure plots. Andriola was assisted (and ghosted) by artists Fran Matera, Jerry Robinson and Sururi Gumen, the last of whom shared credit with Andriola starting in 1976. Using the pseudonym Alfred James, he collaborated with Mel Casson on the strip It's Me, Dilly from 1957 to 1960. Kerry Drake was canceled after Andriola died in 1983.
Alfred Andriola in the Grand Comics Database:
Green Lantern: Emerald Dawn in the Grand Comics Database:
Detective Comics in the Grand Comics Databse:
His first works in Great Britain were for magazines like Look In (alongside other British talents such as Arthur Ranson, Angus P. Allan and Jim Baikie), The House of Hammer and Warrior (edited by Dez Skinn).
In 1981 Marvel Comics' editor Ralph Macchio noticed his work and called him to work for an adaptation of Kull of Valusia for Epic Comics. After illustrating two Kull stories, Bolton began working on the historical-fantasy character Marada, written by Chris Claremont (author of X-Men). This was published by Epic Illustrated one year later.
After another fantasy series, Black Dragon (1985), the duo Claremont & Bolton produced some short stories about X-Men's lives for X-Men Classic. This represented the first introduction of Bolton to the world of superheroes. In this period Bolton worked on covers for Eclipse and Pacific, and on the graphic novel Someplace Strange, written by Ann Nocenti (1988).
From 1989 Bolton devoted himself to horror, his favourite genre. Apart from a great number of covers for Dark Horse Comics and adaptations of horror movies, the main work of this period is his collaboration with writer Clive Barker.
In 1990 Bolton worked on the first episode of The Books of Magic for DC Comics, written by Neil Gaiman. The physical appearance of the protagonist, Timothy Hunter, is that of Bolton's eldest son.
John Bolton in the Grand Comics Database:
How to help ?There are several ways in which you can help us to improve our site and its content.
- You can provide missing data, update existing data, or upload cover scans. Just register an account with us, and you can start contributing.
- Donate for our ongoing costs, e.g. the server infrastructure. We are a non-profit organization and any funds will be used for our goal of documenting and indexing all comics.
- We need volunteer web designers and programmers! Please contact the
gcd-tech group or visit our technical documentation if you
can help with any of these roles:
- Python / Django programming
- Elasticsearch search server together with Haystack
- Web Services API
- Database Performance (MySQL)
4,411 indicia publishers
42,948 variant issues
219,150 issue indexes