Welcome to the Grand Comics Database!
We're a nonprofit, Internet-based organization of international volunteers dedicated to building a database covering all printed comics throughout the world, and we're glad you're here! Give our search form a try, or take a look at the menu to the left to see how you can help us improve the site.
New Search!Our new search server is now working again. We used the downtime for further improvements on its setup. For example we added more sorting options or rearranged the search index so that a search for "X-Men 12" (with quotes) now finds all issues which series name ends in X-Men and whose issue number is 12.
The new search behaves similar to a google or bing search, it searches the content of most of our data and allows easy combination of different search terms in the different data fields. If you think the results are not what you would expect please use one of the contact points on the left or join our mailing lists to share your comments, ask questions or provide suggestions. We can't do this without volunteers like you.
GCD Convention SceneThe GCD has been celebrating our 20th Anniversary with comic convention appearances. Join our volunteers at the Baltimore Comic-Con Baltimore, MD (5-7 September).
We also have members wearing their t-shirts and handing out flyers at a few more shows across the US and Europe. Check out our Facebook Events Page for a full list, and let us know which show we will see you at.
475,000 covers uploaded!
Check out the cover which is from Una Criada Estupenda #15 (Editorial Novaro, 1968 Series), a series from Mexico.
Take a look at our international statistics to see what else the GCD's been up to.
New GCD LogoWe have a new logo to help mark our 20th Anniversary! It is our first major design change since 1999 and will be seen on our t-shirts and convention gear throughout the year. We would like to thank Brian Saner Lamken for submitting his winning design and HippieBoy Design for applying those finishing touches. We hope you like it as much as we do!
GCD Comics Timeline
Alvin and the Chipmunks is an American animated music group created by Ross Bagdasarian, Sr. for a novelty record in 1958. The group consists of three singing animated anthropomorphic chipmunks: Alvin, the mischievous troublemaker, who quickly became the star of the group; Simon, the tall, bespectacled intellectual; and Theodore, the chubby, impressionable one. The trio is managed by their human adoptive father, David (Dave) Seville. In reality, "David Seville" was Bagdasarian's stage name, and the Chipmunks themselves are named after the executives of their original record label. The characters became a success, and the singing Chipmunks and their manager were given life in several animated cartoon productions, using redrawn, anthropomorphic chipmunks, and eventually films.
The Chipmunks first appeared in comic book form on Dell's Four Color Comics series, issue #1042 (cover-dated Dec. 1959). Alvin, Theodore and Simon were depicted as somewhat realistic, nearly identical anthropomorphic rodents with almond-shaped eyes. When Herb Klynn’s Format Films made a deal to develop the Three Chipmunks for animation, the old designs were rejected and new versions of the characters were created. Liberty Records eventually re-issued the early albums with the “new” Chipmunks and it was this new version of the Chipmunks that was used when Alvin's own title was released by Dell in 1962.
Green Lantern in the Grand Comics Database:
Powell began self-publishing comics in 1992 at age 14. He graduated from North Little Rock High School in 1996, briefly attended George Washington University in Washington, DC, and graduated from School of Visual Arts in New York City in 2000 after receiving the Outstanding Cartooning Student award and the Shakespeare & Company Books Self-Publishing Grant, with which he funded the first issue of Walkie Talkie.
His 2008 graphic novel Swallow Me Whole won the Ignatz Award for Outstanding Debut and Outstanding Artist, and was a finalist for the Los Angeles Times Book Prize in the Young Adult Fiction category. It received the 2009 Eisner Award for Best Original Graphic Novel, and was also nominated for Best Writer/Artist and Best Lettering.
In 2013 Top Shelf Productions published March, an autobiographical graphic novel trilogy about the life of civil rights leader and United States Congressman John Lewis, written by Lewis and Andrew Aydin, and illustrated by Powell.
Powell has worked on the graphic novel adaptation of Rick Riordan's The Heroes Of Olympus:The Lost Hero, while working on his own next book, entitled Cover and the short comics collection You Don't Say.
Nate Powell in the Grand Comics Database:
When King Comics ceased publication of its Popeye title, Charlton acquired the rights. Longtime writer-artist Bud Sagendorf was busy with both the daily and Sunday newspaper comic strips. Wildman was offered a contract to draw the Popeye comic. The first Charlton issue of Popeye was published in 1969, the final one in 1977. Hired as an assistant editor to Sal Gentile, Wildman was promoted in 1971 to managing editor and eventually executive editor.
Wildman's tenure as editor continued through 1985, while Western Publishing picked up Popeye under its Gold Key and Whitman trademarks. Wildman produced illustrations while off-duty from Charlton.
Director Robert Altman's Popeye movie led to a demand for Popeye-related merchandise. For Random House, Wildman illustrated a "Pop-Up Book" that was later displayed at the Smithsonian Institution.
In 1994, Wildman and his wife Trudy were guests of honor at a festival in Chester, Illinois, celebrating the 100th birthday of Popeye's creator, Elzie Crisler Segar. Wildman received the Popeye Fan Club's Lifetime Achievement Award. Wildman was also a guest of the 2004 festival, which celebrated the 75th anniversary of Popeye.
The National Cartoonists Society awarded him "Best Cartoonist, Humor Division" in 1981. His contributions have been recognized with a nomination for the Shazam Award for Best Penciller (Humor Division) in 1974, and another nomination for the Shazam Award for Best Inker (Humor Division) that same year.
George Wildman in the Grand Comics Database:
Black Kiss is a hardboiled erotic American comic book limited series written and drawn by Howard Chaykin, which was originally published in 1988 by Vortex Comics.
Black Kiss became one of the most controversial North American comics of the late 1980s, due to the comic having the sort of explicit scenes of sex and violence unseen in most comics published at the time. The twelve-issue series was written and drawn by Howard Chaykin, best known for his American Flagg! series which often hinted at the sort of sexual content which Black Kiss showed in detail. In fact, the publisher Vortex's usual printer refused to print the book due to its content.
To help retailers who had worries over selling what could be described as pornography, Vortex released the series sealed in a plastic bag. This meant that casual browsers could not open the comic, or obviously see the internal content (however, this was not done when Vortex released a series of collected editions called Big Black Kiss in 1989).
The series attracted a vast amount of controversy, mainly over its sexual content, but also because of the pairing of sex and violence that Chaykin used throughout the series, and especially in the later issues. However, the series attracted praise for bringing the hard-boiled crime genre back into comics, and Chaykin himself was appreciated for his storytelling techniques.
Chaykin has described his thinking behind tackling such controversial topics:
“The book was done at a time when there was serious talk about trying to create a rating's system for comics, and the idea was that I would do a book that would be appalling and offensive...and funny."
Black Kiss in the Grand Comics Database:
Bat-Mite is a fictional character appearing in stories published by DC Comics. The character made his first appearance in Detective Comics #267 (May 1959) in a story titled "Batman Meets Bat-Mite" written by Bill Finger, with art by Sheldon Moldoff. Bat-Mite is an Imp similar to the Superman villain Mister Mxyzptlk. Appearing as a small childlike man in an ill-fitting costume, Bat-Mite possesses what appears to be near-infinite magical power, but in reality is highly advanced technology from the fifth dimension that cannot be understood by our limited three-dimensional views. Unlike Mxyzptlk, Bat-Mite idolizes his superhero target and thus he has visited Batman on various occasions, often setting up strange events so that he could see his hero in action. Bat-Mite is more of a nuisance than a supervillain, and often departs of his own accord upon realizing that he has angered his idol.
Bat-Mite in the Grand Comics Database:
Before dedicating himself to his craft, Achdé worked as a doctor with a specialty in radiology, but abandoned a career in medicine in 1985 to dedicate himself fully to drawing. He began illustrating newspapers and self-published Destins Croisés, his first comic book, in 1988. He joined the French publishing house Dargaud in 1991 and created several new series, alone and in partnership, including Fort Braillard, Woker (which concerns an interplanetary Tarzan), and Doc Véto. In 1993, he launched the series CRS=Détresse, CRS being a reference to the Compagnies Républicaines de Sécurité, the French security forces attached to the national police force, who are deployed during riots and demonstrations.
Following the death of Morris, Achdé was given the assignment to carry on the Lucky Luke series in collaboration with writer Laurent Gerra, and has stated, "For me it’s been a childhood dream; when I was little, Lucky Luke was my favorite hero, and when I was young I knew I wanted to be a cartoonist."
Achdé in the Grand Comics Database:
Sprouse launched his career in mainstream comics in 1989, his first credited work being a Chemical King story in Secret Origins #47 (Feb. 1990). His next assignments were a Two-Face story for Batman Annual #14 and the Hammerlocke limited series. He drew insert posters for the War of the Gods limited series in 1991. Following that, Sprouse drew the Legionnaires series featuring teenaged versions of the Legion of Super-Heroes. He later illustrated a number of one-shots and fill-in issues before illustrating a Star Wars mini-series, Splinter of the Mind's Eye, for Dark Horse Comics.
He then worked for Extreme Studios as the regular penciller of New Men, and in 1997, Sprouse drew several issues of Supreme, scripted by Alan Moore for the same publisher. After Supreme ended, a year later he and Moore created Tom Strong for America's Best Comics, for which Sprouse won two Eisner Awards in 2000, for Best Single Issue and Best Serialized Story.
Sprouse was the penciller and co-creator on the 2004 Ocean mini-series, written by Warren Ellis and published by DC Comics. In 2007, Ocean was optioned for film. In 2006, he began pencilling Wildstorm's Midnighter ongoing series, a spin-off of The Authority. He was the artist on the first issue of Batman: The Return of Bruce Wayne with Grant Morrison as writer.
Sprouse made mainstream news headlines by dropping out of a Superman project by science fiction writer and anti-gay rights activist Orson Scott Card due to negative media attention. Sprouse then worked with writer Peter Hogan on the Tom Strong and the Planet of Peril limited series.
Chris Sprouse in the Grand Comics Database:
The comic first appeared on 30 July 1938, and was published weekly. During World War II, The Beano and The Dandy were published on alternating weeks because of paper and ink rationing. Paper and ink supplies were fully restored shortly after the end of hostilities and weekly publication of The Beano and The Dandy resumed in 1949. In September 2009, The Beano's 3,500th issue was published. The Beano is currently edited by Michael Stirling. Each issue is published on a Wednesday, with the issue date being that of the following Saturday.
Its iconic characters, such as Dennis the Menace, Minnie the Minx, The Bash Street Kids, The Numskulls, Roger the Dodger, Billy Whizz and Ball Boy, have become known to generations of British children. Earlier generations will remember other notable characters who have been phased out, such as Ivy the Terrible, Calamity James, The Three Bears and Pansy Potter. Some old characters, like Biffo the Bear, Lord Snooty, Baby Face Finlayson and Little Plum, have more recently made a return as "funsize" quarter-page strips.
The style of Beano humour has shifted noticeably over the years, though the longstanding tradition of anarchic humour has remained. For decades strips have appeared to glorify immoral behaviour, e.g. bullying (Dennis the Menace), dishonesty (Roger the Dodger) and even robbery (Baby Face Finlayson and The Three Bears). Although the readers' sympathies are assumed to be with the miscreants, the latter are very often shown punished for their actions. Recent years have seen a rise in humour involving gross bodily functions, especially flatulence (which would have been taboo in children's comics prior to the 1990s), while depictions of corporal punishment have declined.
The Beano Comic in the Grand Comics Database:
1 million English storiesWhile our international content is steadily growing, we reached for English language stories an even big number: 1 million story sequences!
100,000 Norwegian storiesNorwegian is the second language to reach 100,000 stories!
Take a look at our international statistics to see what else the GCD's been up to.
New Features for BrandsWe recently deployed changes in our handling of brands. Like before we store for each issue which emblem of a brand is used. New is the grouping of different emblems together into one brand group. For example, see the brand group for DC, which collects all the different emblems used over time by DC.
Publisher's Age GuidelinesAt the same time we also introduced a new field recording any age designations or ratings that are supplied by the publisher on a comic.
How to help ?There are several ways in which you can help us to improve our site and its content.
- You can provide missing data, update existing data, or upload cover scans. Just register an account with us, and you can start contributing.
- Donate for our ongoing costs, e.g. the server infrastructure. We are a non-profit organization and any funds will be used for our goal of documenting and indexing all comics.
- We need volunteer web designers and programmers! Please contact the
gcd-tech group or visit our technical documentation if you
can help with any of these roles:
- Python / Django programming
- Elasticsearch search server together with Haystack
- Web Services API
- Database Performance (MySQL)
3,972 indicia publishers
35,941 variant issues
200,530 issue indexes