Buffalo Bill #9

(December 1951)

The Grim Hand Of Death (Table of Contents)

Buffalo Bill / comic story / 8 pages (report information)

Credits

Script:

?

Pencils:

Doug Wildey (signed)

Inks:

Doug Wildey (signed)

Colors:

?

Letters:

?

Content Information

Genre:

western-frontier

Reprints: show reprint note before migration

• in Blazing Sixguns (I. W. Publishing; Super Comics, 1958 series) #16 (1964)

Swift Deer and the Russian Bear (Table of Contents)

Swift Deer / comic story / 7 pages (report information)

Credits

Script:

?

Pencils:

Stephen Kirkel (signed)

Inks:

Stephen Kirkel (signed)

Colors:

?

Letters:

?

Content Information

Genre:

western-frontier

Reprints: show reprint note before migration

• in Blazing Sixguns (I. W. Publishing; Super Comics, 1958 series) #16 (1964)

Wyatt Earp And The Clanton Gang (Table of Contents)

Wyatt Earp / text story / 2 pages (report information)

Credits

Script:

?

Pencils:

? (photograph)

Inks:

? (photograph)

Letters:

typeset

Content Information

Genre:

non-fiction; western-frontier

Grey Wolf and the Sacred Ruby of Amad-Re (Table of Contents)

Grey Wolf / comic story / 7 pages (report information)

Credits

Script:

?

Pencils:

Manny Stallman (signed)

Inks:

Manny Stallman (signed)

Colors:

?

Letters:

?

Content Information

Genre:

western-frontier

Reprints: show reprint note before migration

• in Blazing Sixguns (I. W. Publishing; Super Comics, 1958 series) #16 (1964)

Five Deaths (Table of Contents)

Buffalo Bill / comic story / 7 pages (report information)

Credits

Script:

?

Pencils:

Henry Kiefer

Inks:

Henry Kiefer

Colors:

?

Letters:

?

Content Information

Genre:

western-frontier

Reprints: show reprint note before migration

• in Blazing Sixguns (I. W. Publishing; Super Comics, 1958 series) #16 (1964)

Indexer Notes

Originally credited to Manny Stallman? this way : "Unsigned but the art resembles the previous signed story. Art credited to Stephen Kirkel in index of reprint."
The artwork is neither of these. It is Henry Kiefer, and that is very clear when looking at the faces with broad mouth and marked lower lips, and the squinting eyes. None of his figures ever focused their eyes, and none made faces more ugly. That is the best clue to Kiefer. He worked on many Classics Illustrated: Twenty Thousand Leagues Under the Sea, to mention only one. Art ID by Steinar Ådland December 2010.