(July 1991)

Innovation, 1989 Series
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Volume:
1
Price:
2.50 USD
Pages:
36
Indicia frequency:
?
Indicia / Colophon Publisher:
?
Brand:
Innovation
Barcode:
?
Editing:
David Campiti
Color:
Color
Dimensions:
Standard Modern Age US
Binding:
Saddle-stitched
Publishing Format:
Was ongoing

[no title indexed] (Table of Contents)

Maze Agency / cover / 2 pages (report information)

Pencils:
J. Trent Pearson; Jan Duursema
Inks:
Rick Magyar
Colors:
?

Genre:
detective-mystery
Characters:
Jennifer Mays; Gabriel Webb

Indexer Notes

Innovation Publishing welcomes Hero Alliance series artist J. Trent Pearson with artist Jan Duursema to the wraparound cover art for this issue.

Magic & Monsters--and Murder (Table of Contents)

Maze Agency / comic story / 24 pages (report information)

Script:
Mike W. Barr
Pencils:
J. Trent Pearson
Inks:
Mike Witherby
Colors:
Michelle Basil
Letters:
Vickie Williams

Genre:
detective-mystery
Characters:
Gabriel Webb; Jennifer Mays; Tony Hawthorne; Marshall Sims; Terry [Theresa]; Desmond Olsen; Judith Keller; Mrs. Hawthorne; Palmer Daws; Craig Norris; Bliss; Max Harmon; Georgio; Mrs. Sims
Synopsis:
Jennifer and Gabe enter the world of dungeons, dragons, and death when Tony Hawthorne, a young player of a popular role-playing game is found murdered--just hours after his character was killed. The trail leads to Gameco, the gaming company where Tony had worked. CEO Desmond Olsen is being blackmailed by his former associate Craig Norris, who claims to have created the company's most popular game. Norris is secretly dating Tony's mother, and has been using Tony to dig up evidence at Gameco. Maze proves that Norris was the killer; Tony had tried to blackmail Norris and he could not accept that.
Reprints:
Keywords:
role-playing
Editing

Table of Contents

  1. 0. [no title indexed]
    Maze Agency
  2. 1. Magic & Monsters--and Murder
    Maze Agency
This issue was most recently modified by:
  • Ramon Schenk
  • David Haglund
  • Peter Croome
  • Mark Gordon
  • Katie
Issues in this series have been indexed by:
  • Mark Gordon