([December] 2005)

DC, 2005 Series
Published in English (United States) United States
 
Price
24.99 USD; 33.99 CAD
Pages
268
On-sale Date
2005-10-19
Publisher's Age Guidelines
Suggested for Mature Readers
Indicia / Colophon Publisher
DC Comics
Brand
Vertigo
ISBN
1-4012-0498-8 Search at WorldCat
Barcode
9781401204983 52499
Printer
Printed in Canada
Editing
Scott Nybakken (editor - collected edition); Alisa Kwitney (credited) (editor - original series); Karen Berger (editor - original series, executive editor); Axel Alonso (credited) (assistant editor - original series)
Color
color
Dimensions
standard Modern Age US
Binding
squarebound; trade paperback; softcover
Publishing Format
collected edition

Issue Notes

Design: John J. Hill

[no title indexed] (Table of Contents)

cover / 1 page (report information)

Pencils
Richard Bruning (credited) (photo collage); Stephen John Phillips (credited) (photo collage)
Inks
Richard Bruning (credited) (photo collage); Stephen John Phillips (credited) (photo collage)
Colors
Richard Bruning (credited) (photo collage); Stephen John Phillips (credited) (photo collage)
Letters
typeset

Genre
drama; historical

Introduction (Table of Contents: 1)

foreword, introduction, preface, afterword / 1 page (report information)

Script
Alisa Kwitney (credited)
Letters
typeset

Foreword (Table of Contents: 2)

foreword, introduction, preface, afterword / 2 pages (report information)

Script
Dave Rawson (credited as David Rawson)
Letters
typeset

[no title indexed] (Table of Contents: 3)

cover reprint (on interior page) / 1 page (report information)

Pencils
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Inks
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Colors
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)

Genre
drama; historical
Reprints

Book One: Greater Than Light (Table of Contents: 4)

comic story / 24 pages (report information)

Script
Pat McGreal (credited); Dave Rawson (credited as David Rawson)
Pencils
Chas Truog (credited as Chaz Truog)
Inks
Rafael Kayanan (credited)
Colors
Digital Chameleon (credited)
Letters
John Costanza (credited)

Genre
drama; historical
Characters
Francesco Melzi; Giorgio Vasari; Giacomo Salai; Luca; Leonardo Da Vinci
Synopsis
Flashbacks tell of how Leondardo saved Salai from his parents.
Reprints

[no title indexed] (Table of Contents: 5)

cover reprint (on interior page) / 1 page (report information)

Pencils
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Inks
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Colors
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)

Genre
drama; historical
Reprints

Book Two: The Black Room (Table of Contents: 6)

comic story / 24 pages (report information)

Script
Dave Rawson (credited as David Rawson); Pat McGreal (credited)
Pencils
Chas Truog (credited as Chaz Truog)
Inks
Rafael Kayanan (credited)
Colors
Carla Feeny (credited); Digital Chameleon (credited) (separations)
Letters
John Costanza (credited)

Genre
drama; historical
Characters
Giacomo Salai; Leonardo da Vinci; Ludovico Sforza; Beatrice d'Este; Bianca Sforza; Isabella d'Este; Captain Sanseverino
Synopsis
Giacomo Salai grows up in the royal courts and learns that Leonardo is not the flawless person he thought him to be.
Reprints

[no title indexed] (Table of Contents: 7)

cover reprint (on interior page) / 1 page (report information)

Pencils
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Inks
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Colors
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)

Genre
drama; historical
Reprints

Book Three: Clearly in Dreams (Table of Contents: 8)

comic story / 24 pages (report information)

Script
Pat McGreal (credited); Dave Rawson (credited as David Rawson)
Pencils
Chas Truog (credited as Chaz Truog)
Inks
Rafael Kayanan (credited)
Colors
Carla Feeny (credited); Digital Chameleon (credited) (separations)
Letters
John Costanza (credited)

Genre
drama; historical
Characters
Leonardo da Vinci; Francensco Melzi; Verrocchio; Di Credi; Botticelli; Toscanelli; Tornabouni
Synopsis
The early life of Leonardo da Vinci during his apprenticeship and being jailed by anonymous accusations.
Reprints

[no title indexed] (Table of Contents: 9)

cover reprint (on interior page) / 1 page (report information)

Pencils
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Inks
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Colors
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)

Genre
drama; historical
Reprints

Book Four: Dispero (Table of Contents: 10)

comic story / 24 pages (report information)

Script
Dave Rawson (credited as David Rawson); Pat McGreal (credited)
Pencils
Chas Truog (credited as Chaz Truog)
Inks
Rafael Kayanan (credited)
Colors
Carla Feeny (credited); Digital Chameleon (credited) (separations)
Letters
Clem Robins (credited)

Genre
drama; historical
Characters
Leonardo da Vinci; Botticelli, Di Credi; Lorenzo De Medici; Giacomo Salai; Michelangelo; Ludovico Sforza; Captain Sanseverino; Luca Pacioli
Synopsis
Leonardo da Vinci is released from jail. Salai relates to Michelangelo what happened when the French seized Milan.
Reprints

[no title indexed] (Table of Contents: 11)

cover reprint (on interior page) / 1 page (report information)

Pencils
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Inks
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Colors
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)

Genre
drama; historical
Reprints

Book Five: Limb of Satan (Table of Contents: 12)

comic story / 24 pages (report information)

Script
Pat McGreal (credited); Dave Rawson (credited as David Rawson)
Pencils
Chas Truog (credited as Chaz Truog)
Inks
Rafael Kayanan (credited)
Colors
Carla Feeny (credited); Digital Chameleon (credited) (separations)
Letters
Clem Robins (credited)

Genre
drama; historical
Characters
Leonardo da Vinci; Giacomo Salai; Luca Pacioli; Isabella d'Este; Andrea Mantegna; Crazy Catherine
Synopsis
Leonardo arrives in Mantua and paints a portrait of Isabella d'Este that will become the Mona Lisa. Salai begins his behind-the-scenes maneuvering in the new court.
Reprints

[no title indexed] (Table of Contents: 13)

cover reprint (on interior page) / 1 page (report information)

Pencils
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Inks
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Colors
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)

Genre
drama; historical
Reprints

Book Six: Beloved Objects (Table of Contents: 14)

comic story / 24 pages (report information)

Script
Dave Rawson (credited as David Rawson); Pat McGreal (credited)
Pencils
Chas Truog (credited as Chaz Truog)
Inks
Rafael Kayanan (credited)
Colors
Carla Feeny (credited); Digital Chameleon (credited) (separations)
Letters
Clem Robins (credited)

Genre
drama; historical
Characters
Isabella d'Este Gonzaga; Leonardo da Vinci; Andrea Mantegna; Giacomo Salai; Crazy Catherine; Gianfrancesco Gonzaga; Francesco Melzi
Synopsis
Leonardo and Salai take their leave of Isabella.
Reprints

[no title indexed] (Table of Contents: 15)

cover reprint (on interior page) / 1 page (report information)

Pencils
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Inks
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Colors
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)

Genre
drama; historical
Reprints

Book Seven: Dog Eat Dog (Table of Contents: 16)

comic story / 24 pages (report information)

Script
Pat McGreal (credited); Dave Rawson (credited as David Rawson)
Pencils
Chas Truog (credited as Chaz Truog)
Inks
Rafael Kayanan (credited)
Colors
Carla Feeny (credited); Digital Chameleon (credited) (separations)
Letters
Clem Robins (credited)

Genre
drama; historical
Characters
Giacomo Salai; Leonardo da Vinci; Cesare Borgia; Niccolo Machiavelli; Michelangelo
Synopsis
Salai is sent to Milan to make a place for Leonardo after his obligations to Borgia are fulfilled. When Salai is attacked in the street, Michelangelo comes to his aid.
Reprints

[no title indexed] (Table of Contents: 17)

cover reprint (on interior page) / 1 page (report information)

Pencils
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Inks
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Colors
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)

Genre
drama; historical
Reprints

Book Eight: The Giant (Table of Contents: 18)

comic story / 24 pages (report information)

Script
Dave Rawson (credited as David Rawson); Pat McGreal (credited)
Pencils
Chas Truog (credited as Chaz Truog)
Inks
Rafael Kayanan (credited)
Colors
Carla Feeny (credited); Digital Chameleon (credited) (separations)
Letters
Clem Robins (credited)

Genre
drama; historical
Characters
Giacomo Salai; Michelangelo; Leonardo da Vinci; Niccolo Machiavelli
Synopsis
Michelangelo finishes his sculpture. Salai thinks he's Michelangelo's lover but finds out that he was just used. He returns to Leonardo and then provokes Leonardo to anger.
Reprints

[no title indexed] (Table of Contents: 19)

cover reprint (on interior page) / 1 page (report information)

Pencils
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Inks
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Colors
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)

Genre
drama; historical
Reprints

Book Nine: The Deluge (Table of Contents: 20)

comic story / 24 pages (report information)

Script
Pat McGreal (credited); Dave Rawson (credited as David Rawson)
Pencils
Chas Truog (credited as Chaz Truog)
Inks
Rafael Kayanan (credited)
Colors
Carla Feeny (credited); Digital Chameleon (credited) (separations)
Letters
Clem Robins (credited)

Genre
drama; historical
Characters
Leonardo da Vinci; Francesco Melzi; Sanserverino; King Francis; Giacomo Salai
Synopsis
Leonardo spends his last days in France, where he receives a letter from Salai, whom he has not seen in many years.
Reprints

[no title indexed] (Table of Contents: 21)

cover reprint (on interior page) / 1 page (report information)

Pencils
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Inks
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)
Colors
Stephen John Phillips (credited) (retouched photo art); Richard Bruning (credited) (retouched photo art)

Genre
drama; historical
Characters
Leonardo Da Vinci
Reprints

Book Ten: The Great Bird (Table of Contents: 22)

comic story / 24 pages (report information)

Script
Dave Rawson (credited as David Rawson); Pat McGreal (credited)
Pencils
Chas Truog (credited as Chaz Truog)
Inks
Rafael Kayanan (credited)
Colors
Carla Feeny (credited); Digital Chameleon (credited) (separations)
Letters
Clem Robins (credited)

Genre
drama; historical
Characters
Leonardo da Vinci; Giacomo Salai; Francesco Melzi
Synopsis
Salai's letter recounts the last meeting between da Vinci and Salai. After da Vinci's death, Melzi tries to erase all traces of Salai from Leonardo's work.
Reprints

Afterword (Table of Contents: 23)

foreword, introduction, preface, afterword / 2 pages (report information)

Script
Pat McGreal
Letters
typeset

Portfolio Chiaroscuro (Table of Contents: 24)

illustration / 6 pages (report information)

Script
Chas Truog (credited as Chaz Truog)
Pencils
Chas Truog (credited as Chaz Truog) (illustrations)
Inks
Chas Truog (credited as Chaz Truog) (illustrations)
Letters
typeset

Genre
historical
Editing
Related Scans
Table of Contents
  1. 0. [no title indexed]
  2. 1. Introduction
  3. 2. Foreword
  4. 3. [no title indexed]
  5. 4. Book One: Greater Than Light
  6. 5. [no title indexed]
  7. 6. Book Two: The Black Room
  8. 7. [no title indexed]
  9. 8. Book Three: Clearly in Dreams
  10. 9. [no title indexed]
  11. 10. Book Four: Dispero
  12. 11. [no title indexed]
  13. 12. Book Five: Limb of Satan
  14. 13. [no title indexed]
  15. 14. Book Six: Beloved Objects
  16. 15. [no title indexed]
  17. 16. Book Seven: Dog Eat Dog
  18. 17. [no title indexed]
  19. 18. Book Eight: The Giant
  20. 19. [no title indexed]
  21. 20. Book Nine: The Deluge
  22. 21. [no title indexed]
  23. 22. Book Ten: The Great Bird
  24. 23. Afterword
  25. 24. Portfolio Chiaroscuro
This issue was modified by, among others
  • Ramon Schenk
  • Andrew S. Troth
  • Jim Van Dore