(February 1998)

DC, 1996 Series
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Price:
1.95 USD
Pages:
36
Indicia frequency:
monthly
Indicia Publisher:
DC Comics
Brand:
DC
Barcode:
?
Editing:
Mike McAvennie; Maureen McTigue (Assistant Editor)
Format:
Color; Standard Modern US; Saddle-stitched; Newsprint; monthly series

Brothers at Arms! (Table of Contents)

Superboy and the Ravers / cover / 1 page (report information)

Credits

Pencils:
Josh Hood (signed)
Inks:
Dan Davis (signed)
Colors:
?
Letters:
?

Content Information

Genre:
superhero
Characters:
Superboy [Kon-El]; Hero; Kaliber; Half-Life; Sparx; Kindred Marx; Kindred Grim

Love is All That Anti-Matters, Part 2: The Deadliest of the Species (Table of Contents)

Superboy and the Ravers / comic story / 22 pages (report information)

Credits

Script:
Steve Mattsson; Karl Kesel
Pencils:
Josh Hood; Eric Battle
Inks:
Dan Davis
Colors:
Stuart Chaifetz
Letters:
Kevin Cunningham

Content Information

Genre:
superhero
Characters:
Superboy [Kon-El]; Half-Life; Kaliber; Sparx; Aura; Hero [Hero Cruz; also as Caduceus the Healer]; Rex; Kindred Marx; Kindred Grim; Twelfth Knight; Leander; Red Shift [Red Death; Klo; Whoon; Drrt]: Kindred Sol; InterC.E.P.T. [Captain Beta Tos; Nightshade; Ephyra]; Mr. Wah
Synopsis:
The Ravers encounter Kindred Grim and the Red Shift on Qward, where Half-Life seems to have died and Sparx receives an increase in her electrical powers. Twelfth Knight rescues Aura from the Chinese authorities after she nearly kills her father.

[no title indexed] (Table of Contents)

letters page / 2 pages (report information)

Credits

Script:
Chuck Kim
Pencils:
Josh Hood (illustration)
Inks:
Dan Davis (illlustration)
Letters:
typeset

Indexer Notes

Letters submitted by Harold Mack; Richard Scott Jones; Neil Ahlquist; Steven Leitman; Richard Armstrong


Editing

Table of Contents

  1. 1. Love is All That Anti-Matters, Part 2: The Deadliest of the Species
    Superboy and the Ravers
  2. 2. [no title indexed]
This issue was most recently modified by:
  • Dwayne Best
Issues in this series have been indexed by:
  • Dwayne Best