- Script
- ?
- Pencils
- ? (photograph)
- Inks
- ? (photograph)
- Letters
- typeset
- Genre
- biography
- Characters
- Johnny Severin; Bill Elder
- Reprints
Biographies of Severin and Elder, with photo.
- Script
- Harvey Kurtzman
- Pencils
- Harvey Kurtzman (layouts); John Severin (signed as Severin)
- Inks
- Bill Elder (signed as Elder)
- Colors
- Marie Severin
- Letters
- Ben Oda
- Genre
- war
- Characters
- Japanese-American soldiers [Harry; Sergeant Hayashi; others unnamed] (some die); The Nazis [unnamed Medic officer; others unnamed] (villains, all die)
- Synopsis
- A story about the experience of a combat unit composed of Japanese-Americans during the war. The enemy attempts to get them to come over to their side, but they attack and win, and when questioned, they give a thumbs up and say "The enemy forgot that we're Americans!"
- Reprints
- Keywords
- Vosges Mountains
Kurtzman layout credit added by Craig Delich 2013-8-1, per Michael Gilbert in Alter Ego #119 (August 2013).
The 442nd Regimental Combat Team won a total of 3,915 awards, 10 unit citations and 3600 Purple Hearts while fighting in Europe in WW2.
- Script
- Harvey Kurtzman
- Pencils
- Jack Davis (signed)
- Inks
- Jack Davis (signed)
- Colors
- Marie Severin
- Letters
- Ben Oda
- Genre
- war
- Characters
- unnamed Confederate soldier (narrator); General Thomas J. "Stonewall" Jackson (death); General Robert E. Lee (cameo); Jesse (Confederate soldier)
- Synopsis
- The Confederate soldier who accidentally shot General Stonewall Jackson during nighttime battle conditions relates the story of Jackson and the brigade he was a part of, and the conditions that led to the Gedneral's demise.
- Reprints
- Keywords
- American Civil War; Chancellorsville; Perry Carbine
Much of the story is told in flashback.
- Script
- Harvey Kurtzman
- Pencils
- Harvey Kurtzman
- Inks
- Harvey Kurtzman
- Colors
- Marie Severin ?
- Letters
- typeset
- Genre
- war
- Characters
- Colin Dawkins (owner of a grogshop, member of the Sons of Liberty); Ron Aston (villain, British spy)
- Synopsis
- As Aston drank his grog, the owner, secretly a militant member of the Sons of Liberty, bent over the bar to impart some secret information to him, all in the midst of protesting the hated Stamp Act issued by the British Parliament. The info given to Aston revealed the plan to board British ships the next evening to dump all the tea overboard, and Aston assured Dawkins he would be there. However, Dawkins did not know that Aston was a British spy who had cleverly destroyed all evidence of his true birth. But before Aston could impart the tea party plans, he was keelhauled aboard a British ship.
- Reprints
- Keywords
- American Revolution; Colin Dawkins Grogshop; H.M.S London Queen (British ship)
Story occurs on December 15, 1773.
- Script
- Harvey Kurtzman
- Letters
- typeset
- Reprints
Letter from (Miss) Margaret M. Credie (who does not like Frontline Combat at all) with extensive point by point rebuttal by Kurtzman.
- Script
- Harvey Kurtzman
- Pencils
- John Severin (signed as J. Severin)
- Inks
- John Severin (signed as J. Severin)
- Colors
- Marie Severin
- Letters
- Ben Oda
- Genre
- war
- Characters
- U.S. Army infantrymen; North Korean soldiers (villains, all die)
- Synopsis
- The story describes the efforts of American planes and tanks to dig Koreans out of their cave hill fortifications. The Koreans survive the efforts of the war machines, but they are killed when the infantrymen are sent in to finish the job.
- Reprints
- Keywords
- Korean War
- Script
- Harvey Kurtzman
- Pencils
- Harvey Kurtzman
- Inks
- Harvey Kurtzman
- Colors
- Marie Severin ?; Harvey Kurtzman ?
- Letters
- Ben Oda
- Genre
- war
- Characters
- Paul Maynard (death); Max (flashback)
- Synopsis
- A soldier who is dying by the roadside after taking a piece of shrapnel in the chest thinks about how his life might have gone differently if he was only standing a little to the left when the explosive had gone off.
- Reprints
- Keywords
- devil posts; Korean War
Some of the story is told in flashback.
Marie Severin’s statement that “[Harvey] Kurtzman colored his own art, especially on covers...” (see Indexer Notes for this issue’s cover) suggests that Kurtzman colored stories that he drew, albeit perhaps less consistently than he colored his cover art.