Art taken from the cover of Military Comics (Quality Comics, 1941 series) #13.
Embossed with the Blackhawk logo.
Art taken from the cover of Military Comics (Quality Comics, 1941 series) #16.
Illustrated with a detail from the story from Military Comics (Quality Comics, 1941 series) #14.
Illustrated with a detail from the story from Military Comics (Quality Comics, 1941 series) #6.
Cover art also credited to Gill Fox (as Gil Fox) in this volume.
Art credited to "The Will Eisner Shop" in this volume.
Art credited to "The Will Eisner Shop" in this volume.
Art credited to "The Will Eisner Shop" in this volume.
Chuck Cuidera credits from Keif A. Fromm and Paul Robinson. We previously credited Reed Crandall, but those credits denied by Fromm, Robinson, and Crandall expert Roger Hill. Art credited to "The Will Eisner Shop" in this volume.
Art credits from Crandall expert Roger Hill, who says Cuidera had partially penciled this story before leaving for military duty. Crandall and Kotzky were then brought in to finish the story. Hill says Crandall's work is evident in the splash page and in the face/head of the female character. Jim Vadeboncoeur Jr. previously suggested Reed Crandall and/or Rudy Palais on the art. Art credited to Reed Crandall in this volume.
Art credits from Reed Crandall expert Roger Hill. Art credited to Crandall in this volume.
Script credit per Roy Thomas article in Alter Ego #127 based on Otto Binder's personal notes; also in Alter Ego #147. Script credited to Bill Woolfolk in this volume.
Crandall listed as sole artist in this volume.
Inks credit from Jim Vadeboncoeur Jr. Inks credited to Reed Crandall in this volume.