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We reached 750,000 cover scans!
With the cover for the French serial Charlie Mensuel #67 we reached a new milestone for cover scans.
Volunteers Wanted For Adding New Comics
Each week, a small number of GCD volunteers add listings to our database for the new comics released that week in North America. These are just the basic listings, not full indexes. This makes it easier for other volunteers who upload covers and for indexers, as well as for people using my.comics.org.
Each volunteer covers one publisher or a small group of publishers (“D publishers except DC”, for example). From public sources such as ComicsList and Diamond Previews online, they add the issues and make note of the prices and a few other details. We are looking for additional volunteers for this weekly task.Follow this link for a description of the process and a list of which publishers are currently covered.
GCD Comics Timeline
His career began in fanzines in the late 1970s and his early professional work was in “2000 AD”. He came to international prominence with his work in “Warrior” (Quality Communications, 1982–1985), including ‘V for Vendetta’, ‘Marvelman’, and ‘Warpsmith’.
In the USA, he revised the ongoing “Swamp Thing” (DC, 1984–1987), giving the feature a mood and background still in use. He introduced John Constantine there, who has featured in his own series, “Hellblazer” (DC then DC/Vertigo, 1988–2013).
DC reprinted “V for Vendetta”, which is still in print in a collected edition and enjoys a wide mainstream audience. Eclipse reprinted “Marvelman” and then Moore continued it there with new material.
He famously wrote ‘Whatever Happened to the Man of Tomorrow?’, an affectionate final story about the original Superman, published in 1986 just before the events of the “Crisis on Infinite Earths” series eliminated the character.
His “Watchmen” (DC, collected in 1987) is also popular with a broader audience than super-heroes usually enjoy. The theme is the effect on the real world of having real super-powered heroes and its non-linear structure is unusual for the genre.
He notoriously wrote “Batman: The Killing Joke” in 1987, a brutal story that left the ‘Batgirl’ character in a wheelchair.
He wrote the ongoing series “Supreme” (Image, 1996–2000) as an homage to the Silver Age Superman stories, defining a whole ‘universe’ with its own Golden Age and Silver Age history.
He did the same for an entire new set of characters for America’s Best Comics (1999–2008). Beginning as an imprint of WildStorm, it became an imprint of DC when they acquired WildStorm.
From 1991, he wrote and Melinda Gebbie drew “Lost Girls”, an erotic story featuring the lead characters from “Alice’s Adventures in Wonderland”, “The Wonderful Wizard of Oz”, and “Peter and Wendy”. The story was collected in 2006 and remains in print.
Over the course of the project, the relationship of the creators culminated in marriage. In an interview on the occasion of the collected edition, Moore joked, “I’d recommend to anybody working on their relationship that they should try embarking on a 16-year elaborate pornography together.”
At Comiclopedia — https://www.lambiek.net/artists/m/moore.htm
At Wikipedia — https://en.wikipedia.org/wiki/Alan_Moore
In the GCD — https://tinyurl.com/ybt9euak
(Mick Austin created the cover art on “Warrior” #7, Quality Communications: November 1982)
She worked at Marvel Comics in the late 1980s. She edited “The Savage Sword of Conan” and “Conan Saga” magazines (1988–1989).
She also wrote stories published in “Marvel Comics Presents”, “Marvel Fanfare”, and “Marvel Super-Heroes” (1989–1991).
At Women in Comics — http://womenincomics.wikia.com/wiki/Sue_Flaxman
In the GCD — https://tinyurl.com/y8hvfp7k
(Kerry Gammill and José Marzán Jr. created the cover art on “Marvel Fanfare” #48, Marvel: Mid-December 1989, with a ‘She-Hulk’ story by Flaxman)
In the 1940s and 1950s, he wrote for comic books and newspaper strips, primarily for National (which later became DC). He wrote ‘Batman’ and ‘Superman’ stories in both formats from 1942.
Other super-hero features he contributed to include ‘Aquaman’, ‘Wonder Woman’, and ‘Tomahawk’. He wrote for humor comics such as “A Date with Judy” and “Buzzy”.
He left DC in 1958 after trying to work with new Superman editor Mort Weisinger. Working in the field of marketing research, he became the director of the Institute for Motivational Research and was on the advisory board of the American Association of Advertising Agencies.
In 1968, he moved to Canada, where he worked for the National Film Board for nearly twenty years. In 1997, he published his autobiography, “An Unlikely Prophet”.
Schwartz and Harvey Kurtzman were given the Bill Finger Award for comics writing in 2006.
Not to be confused with USA children’s book author Alvin Schwartz (1927–1992).
At Wikipedia — https://en.wikipedia.org/wiki/Alvin_Schwartz_(comics)
In the GCD — https://tinyurl.com/ybuoqgwg
(Win Mortimer created the cover art on “World’s Finest Comics” #17, DC: July-August 1954, with the first story in the ‘Superman and Batman’ feature, written by Schwartz)
His career began in 1954 as an assistant to Mick Anglo, drawing “Marvelman” (1954–1958). From the late 1950s he published in “Sun”, “Lion”, and other Fleetway series, including a collaboration with Michael Moorcock on ‘Maroc the Mighty’ in “Lion”.
In 1965, he created the popular science-fiction feature ‘The Rise and Fall of the Trigan Empire’ in “Ranger”. Later continued in “Look and Learn”, he produced the strip through 1976.
When he discovered that “The Trigan Empire” was popular throughout Europe in multiple translations, while he received no compensation for the reprints, he left Fleetway (by then named IPC) and began publishing in the then-new Dutch weekly, “Eppo” (Oberon).
There, he created the post-apocalyptic, multiversal science-fiction feature ‘Storm’. Like “Trigan”, it is popular throughout Europe. He drew it until his retirement in 2002 and it is still being published with new creators.
Among other honors, Lawrence received the fan-voted Stripschapprijs for his body of work in 1994 and the Pantera di Lucca Career Award in 1998. He was named a Knight of the Order of Orange-Nassau by Queen Beatrix of the Netherlands in 2003.
At Comiclopedia — https://www.lambiek.net/artists/l/lawrence.htm
At Wikipedia — https://en.wikipedia.org/wiki/Don_Lawrence
In the GCD — https://tinyurl.com/y7reaqcr
(Lawrence created the cover art on “Trigië” #1 - Strijd om Trigië [Battle for Trigan], Amsterdam Boek: 1973, a Dutch edition)
He writes non-fiction books about science and scientists. He founded G-T Labs in 1996 to publish these and other works.
“Two-Fisted Science” (G-T Labs, 1997), his first book, is an anthology of short stories. “Fallout” (G-T Labs, 2001) tells the story of J. Robert Oppenheimer and the development of the atomic bomb.
“Levitation” (G-T Labs, 2007) explores the science debunking the scam and “T-Minus” (Simon and Schuster, 2009) tells of the race to the moon.
“Suspended in Language” (G-T Labs, 2004) is a biography of Niels Bohr and “Primates” (First Second, 2013) is about the work of Jane Goodall, Dian Fossey, and Birute Galdikas.
His biography of Alan Turing, “The Imitation Game” (Henry N. Abrams, 2016) is being released in paperback next year.
At Wikipedia — https://en.wikipedia.org/wiki/Jim_Ottaviani
In the GCD — https://tinyurl.com/y99cydon
(Leland Purvis created the cover art on “The Imitation Game”, Henry N. Abrams: 2016)
He published in “Lo Scolaro” from 1949, where he created the humor feature ‘Pon Pon’.
His first Disney work was a ‘Paperino’ story in “La Domenica del Corriere” in 1952. For more than 30 years, Bottaro illustrated stories of ‘Paperino’ and other Disney characters.
He was also present at publisher Alpe, where he created ‘Pepito’, and at Bianconi. For a time, he, Giorgio Rebuffi, and Carlo Chendi formed Studio Bierrechi.
At Comiclopedia — https://www.lambiek.net/artists/b/bottaro_luciano.htm
At Wikipedia — https://en.wikipedia.org/wiki/Luciano_Bottaro
In the GCD — https://tinyurl.com/ycrepzha
(Bottaro created the cover art on “Primo” #26/1971, Gevacur: 1971, a German edition)
During the 1940s, he worked in comic books, first for All-American Comics (later DC Comics) and then for Timely (later Marvel).
In 1940, he created Green Lantern (Alan Scott) at All-American. He drew and Bill Finger wrote the feature in “All-American Comics”, “All Star Comics”, and “Green Lantern” through 1947.
He then went to Timely through the end of the decade. There, he drew stories of ‘Captain America’, ‘Human Torch’, and ‘Sub-Mariner’.
He left comics in 1950 for a career in commercial illustration.
In the 1980s, he published a few items at DC Comics and began to enjoy attention from fans. He was nominated for an Eisner Award the year of his death, 2011.
During his first year in comic books, he used the pen name ‘Mart Dellon’. He then signed his work with both ‘Mart Nodell’ and ‘Martin Nodell’.
Carrie Nodell was his wife from 1941. She assisted him, in a non-drawing capacity, on his work in comics and in commercial illustration. She is credited with lettering in some ‘Green Lantern’ stories.
At Comiclopedia — https://www.lambiek.net/artists/n/nodell_martin.htm
At Wikipedia — https://en.wikipedia.org/wiki/Martin_Nodell
‘Mart Nodell’ in the GCD — https://tinyurl.com/yahhwrc8
‘Martin Nodell’ in the GCD — https://tinyurl.com/yc9ox7lz
(Nodell created the cover art, here inked by Jerry Ordway, on “Golden Age Green Lantern Archives” #1, DC: 1999)
After being a musician in the 1960s, he began publishing in comics around 1970. His early work was in collaboration with his longtime friend, artist Ivo Milazzo.
The pair famously created the Western feature ‘Ken Parker’ at Sergio Bonelli in 1977. Berardi shared the writing with Maurizio Mantero and the series continued through 1998. He and Milazzo founded Parker Editore in 1989 to reprint ‘Ken Parker’ stories and publish new ones.
He created the detective procedural series “Julia - Le avventure di una criminologa” (1998), also at Sergio Bonelli. Drawn by Luca Vannini, Sergio Toppi, Luigi Pittaluga, and others, the series is approaching 250 albums.
Among other honors, Berardi has received the Haxtur Award for Best Script three times from 1985 to 2011 and he tied with Michael Kaluta for the Author That We Love award there in 2008. He received a Yellow Kid award in Rome in 1995.
At Wikipedia (in Italian) — https://it.wikipedia.org/wiki/Giancarlo_Berardi
In the GCD — https://tinyurl.com/ycl29lqx
(Marco Soldi created the cover art on “Julia” #1, Sergio Bonelli, October 1998)
While he has written comic stories and prose stories, as well as articles about comics and artists, he is most prolific as an editor and publisher.
He founded MU Press in 1990 and published nearly 300 comics through about 2006, primarily anthropomorphic titles.
Among his longest-running series were “Desert Peach” by Donna Barr (1990–1996) and “Rhudiprrt, Prince of Fur” by Dwight R. Decker and Teri S. Wood (1990–2004).
Another core title was the erotic anthology “Wild Kingdom” (1993–2003), followed by “Wild!” (2003–2005).
Vick added the Æon Press imprint in 1994. Through 1998, it published a mix of alternative titles such as “Those Annoying Post Brothers” (1994–1998) and other work by Matt Howarth.
Other Æon titles included “Boom Boom” by David Lasky (1994–1995) and Colin Upton’s “Buddha on the Road” (1996–1998).
In addition to his own books, he has edited for Phil and Kaja Foglio at Palliard Press and Xxxenophile Books (1992–1998).
MU Press in Wikipedia — https://en.wikipedia.org/wiki/MU_Press
Writing in the GCD — https://tinyurl.com/y9helst5 (some explicit images)
Editing in the GCD — https://tinyurl.com/yd44mu8a (some explicit images)
MU Press in the GCD — https://tinyurl.com/y77qmkoh (some explicit images)
(Phil Foglio created the cover art on “A Very MU Christmas”, MU Press: 1992)
His USA work is primarily for Marvel and DC. At Marvel, he is known for “X-Men” (1997–1998), “Avengers Forever” (1998–2000), “Captain America” (2013–2014), and other series.
In 2000, he wrote and Jose Ladron drew an “Inhumans” limited series there and in 2017, he drew the first story arc in a new “Cable” series.
At DC, he and inker Jesus Merino have drawn “JSA” (2003–2004), “Superman / Batman” and “Superman” (2005–2007), and other series.
They also joined writer Kurt Busiek on the creator-owned “Arrowsmith” for the WildStorm imprint (2003–2004).
At Comiclopedia — https://www.lambiek.net/artists/p/pacheco_carlos.htm
At Wikipedia — https://en.wikipedia.org/wiki/Carlos_Pacheco
In the GCD — https://tinyurl.com/yamhsjfc (some explicit images)
(Pacheco and Jesus Merino created the cover art on “Arrowswith: Så smarte i deres fine uniformer”, G. Floy Studio: 2005, a Danish edition)
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98,238 variant issues
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