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Die tollsten Geschichten von Donald Duck #273

65.000 Titelbilder von deutschsprachigen Comics!

Mit dem Titelbild von Die tollsten Geschichten von Donald Duck #273 von Egmont Ehapa haben wir einen weiteren Meilenstein genommen.

GCD Comics Timeline

Luana Paesani (born 23 April 1970, Italy) is a comics artist who published in “Il Monello” and “Intrepido” in the 1990s. She has also illustrated books, CD covers, and video cassettes.

She has contributed to various series at Bonelli Editore, published in volumes of “Mister No” (2005), “Demian” (2006–2007), and “Universo Alfa” (2010).

At Comiclopedia — https://www.lambiek.net/artists/p/paesani_luana.htm
In the GCD — http://ow.ly/4n0yhz

(Robert Diso created the cover of “Mister No” #212, 1 January 1993, with the inside story by Paesani and Fabrizio Busticchi)

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Edmond Baudoin (born 23 April 1942) became a comics creator in his 30s, after working as an accountant. From the mid-1970s, he published stories in “Pilote”, “L’Écho des Savanes”, and other magazines.

His first album was “Les Centiers Cimentés” (Futuropolis, 1981). In addition to his personal work, he has collaborated with writers such as Frank Pé (“Le Théâtre d’Ombres”) and Cécile Wagner (“Les Yeux dans le Mur”).

His distinct style of stark black-and-white images with little text is suggestive, not explicit. In the early 1990s, he moved to independent publisher L’Association, whose younger artists regard him as an ‘elder statesman’ of the art.

Baudoin has received awards at Angoulême for Best French Comic (1992) and for Best Scenario (1997 and 2001). From 1999 to 2003, he was an art professor at the University of Quebec.

At Comiclopedia — https://www.lambiek.net/artists/b/baudion.htm
At Wikipedia — https://en.wikipedia.org/wiki/Edmond_Baudoin
In the GCD — http://ow.ly/4n0xEy

(Baudoin created the cover of “De Ruitenwissers”, November 2006)

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‘Teri S. Wood’ was the name of fantasy and science-fiction artist Resa Challender (born 21 April 1965, USA) until 2008. Her best-known comics work is the “Wandering Star” saga.

In the 1980s, she began publishing in fanzines and small presses and showing at conventions. From 1988, her strip ‘The Cartoonist’ ran in the magazine “Amazing Heroes”.

In the 1990s, she drew most of Dwight Decker’s “Rhudiprrt, Prince of Fur” (MU Press, 1990–1991, 2003–2004) and self-published “Wandering Star” (1993–1997) She created the fantasy feature ‘Darklight’ in “Mythography” (Bardic Press, 1997) and its own mini-series (Sirius, 2000).

Living in Forks, Washington, Challender’s current project is the webcomic ‘Yet Untitled’ about life in the real-world setting of the “Twilight” television series.

Dover published a hard-cover, single-volume edition of “Wandering Star” in 2016.

At Comiclopedia — https://www.lambiek.net/artists/w/wood_teri-s.htm
At Women in Comics — http://womenincomics.wikia.com/wiki/Teresa_Challender
In the GCD — http://ow.ly/3l6P30b2o93

(Challender created the cover of “Wandering Star”, 2016)

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José-Luis Munuera (born 21 April 1972, Spain) is a comics creator whose career began in 1995 with the Spanish publisher Lunáticos. His subsequent work has been with French publishers such as Delcourt and Dupuis.

In 1999, he collaborated for the first time with writer Jean-David Morvan, creating a feature in “Langeust Mag” (Soleil). Morvan also wrote for ‘Merlin’ (Delcourt, 2002 and 2003), which Munuera had created with Joann Sfar (1999–2001).

Munuera and Morvan created the children’s feature “Nävis” (Delcourt, 2003–2009). During this time, they also produced the ‘Spirou et Fantasio’ feature (Dupuis, 2004–2006).

At Dargaud he created the dramatic feature ‘Le Signe de la Lune’ (2009) and the funny-animal feature ‘Walter le Loup’ (2010).

From 2014, he has created the pirate feature ‘Les Campbell’ (Dupuis).

At Comiclopedia — https://www.lambiek.net/artists/m/munuera_jl.htm
At Wikipedia — https://en.wikipedia.org/wiki/Jos%C3%A9_Luis_Munuera
In the GCD — http://ow.ly/4mVtNx
(Munuera created the cover of “Les Campbell” #1 – ‘Inferno’, January 2014)

Do you collect “Les Campbell”? The series is not yet in the GCD. If you are interested in contributing cover scans or data, go to the Grand Comics Database website (www.comics.org) and click “How To Help” on the left side of the page.

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Christopher Nielsen (born 20 April 1963, Norway) is a well-known underground comix creator. He began self-publishing in the 1980s.

In the late 1980s, he published at Semic. From 1990, he published in “Fidus” (No Comprende Press).

Nielsen’s best-known work is “To Trøtte Typer” (“Two Wasted Wankers”). It was adapted to an award-winning television cartoon.

At Comiclopedia — https://www.lambiek.net/artists/n/nielsen_christopher.htm
At Wikipedia — https://en.wikipedia.org/wiki/Christopher_Nielsen
In the GCD — http://ow.ly/4mSNRE (some explicit covers)

(Nielsen created the cover of “Rummpfftillfftoooo?”, 1984)

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Barnaby (http://ow.ly/Pb6S30aXa8l) was a comic strip which began 20 April 1942 in the newspaper PM and was later syndicated in 64 American newspapers (for a combined circulation of more than 5,500,000).

Created by Crockett Johnson, who is best known today for his children's book Harold and the Purple Crayon, the strip featured a cherubic-looking five-year-old and his far-from-cherubic fairy godfather, Jackeen J. O'Malley, a short, cigar-smoking man with four tiny wings. With a distinctive appearance because of its use of typography, the strip had numerous reprints and was adapted into a 1940s stage production. The usually caustic Dorothy Parker had nothing but praise: "I think, and I'm trying to talk calmly, that Barnaby and his friends and oppressors are the most important additions to American Arts and Letters in Lord knows how many years."

In 1946–47, when Johnson began to concentrate on his children's books, the strip was drawn by Johnson's Connecticut neighbor, artist Jack Morley. For a year, Morley collaborated on the writing of the strip with Ted Ferro.

In September 1947, Johnson began scripting again, with Morley doing the art. Johnson assisted Morley by giving him specific layouts for each panel, and the credit "Jack Morley and CJ" was then used on the strip. The final story reached a conclusion on 2 February 1952.

Barnaby received much critical praise when it first appeared, and it has been reprinted in Barnaby Quarterly (three issues, 1940s), by Henry Holt and Company (two hardcover books, with strips redrawn), Dover books (reprinting the first hardcover, 1960s), Ballantine Books (six paperbacks, 1980s) and in Comics Revue magazine.

Fantagraphics Books has begun publishing a five-volume series of collections designed by Daniel Clowes, reprinting the entire original run (1942-1952) of the strip. The first volume became available in June 2013, and the second in June 2014; the series is estimated to complete in 2017.


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Luciana Giussani (19 April 1928 – 31 March 2001, Italy) was a comics writer and publisher.

In 1962, her sister Angela Giussani (10 June 1922 – 12 February 1987) founded the publishing house Astorina, whose first title was her own creation, “Diabolik”.

Luciana joined the company the following year, also writing for “Diabolik”. She stayed until her retirement in 1999, having taken over as publisher on Angela’s death in 1987.

“Diabolik” was the first Italian comic in pocket-book format. The character is a master thief, created as an anti-hero but over time becoming more inclined to steal from and to thwart only other criminals.

He became very popular and the comic is still published. He has appeared in a movie and on the radio, as a TV series and as an animated TV series, and in a video game.

At Wikipedia — https://en.wikipedia.org/wiki/Angela_and_Luciana_Giussani
“Diabolik” in the GCD — http://ow.ly/4mQbBU

Do you collect “Diabolik”? The entire series needs to be indexed in the GCD. If you are interested in contributing, go to the Grand Comics Database website (www.comics.org) and click “How To Help” on the left side of the page.

(We don’t yet know the cover artist on “Diabolik” v26#1 [#507], January 1987)

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Carl Burgos (18 April 1917 – 1 March 1984, USA) was a comics creator in the early USA industry, beginning his career at the Chesler shop in 1938. He produced work for Centaur Publications, creating ‘Iron Skull’ in “Amazing-Man Comics”, among other work.

In 1939 he moved to a new studio, Funnies, Inc., joining Bill Everett there. They created ‘The Human Torch’ and ‘Sub-Mariner’, respectively, for publisher Martin Goodman’s also-new Timely Comics.

Burgos wrote and drew ‘The Human Torch’ in “Marvel Mystery Comics”, “The Human Torch”, and “All-Winners Comics” through 1942, as well as other stories for Timely.

During this time, he also created ‘The White Streak’ in “Target Comics” (Novelty, 1940–1941).

Burgos joined the US Air Force in 1942 and served in World War II. After the war, he worked primarily in advertising, with occasional freelance work in comics.

In the 1950s, he published with Goodman again, whose company was now called Atlas Comics. In particular, he drew ‘Human Torch’ stories and covers in the brief Atomic Age super-hero revival, in “Young Men” and “Human Torch” (1953–1954).

He did little comics work in the 1960s, although he did draw one Johnny Storm ‘Human Torch’ story in “Strange Tales” for the publisher now called Marvel Comics.

He also created “Captain Marvel” in 1966 for MF Enterprises, his last comics art.

During the 1970s, he edited the line of black-and-white horror magazines from Eerie Publications.

Burgos was inducted into the Jack Kirby Hall of Fame in 1996.

At Comiclopedia — https://www.lambiek.net/artists/b/burgos_carl.htm
At Wikipedia — https://en.wikipedia.org/wiki/Carl_Burgos
In the GCD — http://ow.ly/4mNt23

(Burgos penciled and Leon Francho inked the cover of “Captain Marvel” #1, April 1966)

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André Beautemps (16 April 1948 – 14 April 1978, Belgium) was a comics creator who died unexpectedly at age thirty.

He studied with comics artist Eddy Paape following art school, and began his career in “Tintin” in 1973.

In 1975, he created the adventure feature ‘Michael Logan’, set in Australia and the South Pacific. With the third story, Jean Van Hamme took over the writing. Six albums were released.

With writer Henri Vernes, he created the fantasy feature ‘Karga’. Its sole album, “Le 7e Univers”, was published in 1979.

At Comiclopedia — https://www.lambiek.net/artists/b/beautemps.htm
At BDgest’ (in French) — http://www.bedetheque.com/auteur-282-BD-Beautemps-Andre.html
in the GCD — http://ow.ly/4mKXdx

(Beautemps created the cover of “Favorietenreeks” 35, 1975)

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Auf der Suche nach einem bestimmten Comic ? Oben in der Suchbox den Begriff eingeben und los geht es.
GCD auf Deutsch
Der restlichen Seiten der GCD sind bisher nur auf Englisch verfügbar, das wird sich erst im Laufe der Zeit ändern. Es gibt aber einige deutschsprachige Mitwirkende bei der GCD und auch einen deutschsprachigen Email-Verteiler.
Zur Datenbank beitragen
Um Daten oder Titelbilder zur Datenbank beizutragen ist eine Registrierung erforderlich. Wie alle weiterführenden Seiten sind auch die Seiten zur Registrierung, Datenerfassung und der Dokumentations-Wiki bisher auf Englisch gehalten. Falls Fragen auftreten, neben dem deutschsprachigen Email-Verteiler kann man auch direkt per Email Kontakt auf Deutsch aufnehmen.
Titelbilder hinzufügen
Die vielleicht einfachste und schnellste Möglichkeit bei der GCD mitzuwirken ist es Titelbilder hochzuladen. Entweder sieht man die Lücken beim durchschauen der Webseite, oder sucht mit Hilfe der erweiterten Suche nach benötigten Titelbilder, dort dafür 'Cover is Needed' anklicken. Bevor neue Titelbilder auf der Seite zu sehen sind müssen diese dann noch, wie alle Beiträge, von einem anderen GCD-Mitarbeiter freigeschaltet werden.
Informationen beitragen
Fehlt ein Comic, eine Serie oder gar ein Verlag ? Willst du Informationen zu Autor, Zeichner, eine kurze Inhaltsangabe, die auftretenden Charaktere, ... eintragen ? Oder einfach nur einen nervigen Tippfehler korrigieren ? Sofern man angemeldet ist findet man auf allen Seiten die Möglichkeit die Einträge zu editieren und neue Informationen beizutragen. Da wir das Ziel verfolgen möglichst strukturierte und korrekte Daten zu haben, die es ermöglichen genaue Suchen durchzuführen, gibt es einige Regeln wie das erfolgen sollte. Nach dem Submitten der Beiträge gibt dann ein GCD-Mitarbeiter Rückmeldung ob die verschiedenen Informationen an den richtigen Stellen stehen.
Technische Unterstützung
Wir können Mitarbeit auch auf der technischen Ebene gebrauchen. Webdesigner, Webprogrammierer (HTML / JavaScript / Django), oder auch Kenntnisse in Python oder MySQL können uns weiterhelfen.
Import von existierenden Daten
Wer schon Daten in einer Datenbank oder einer Textdatei hat kann diese unter Umständen in die Datenbank importieren. Zu jedem Comic kann man mit Hilfe einer Textdatei bestehende Informationen hochladen. Genauere Informationen zum Format einer solchen Datei gibt es hier.
Das Grand Comics Database Projekt (GCD) ist ein Projekt von Freiwilligen mit dem Ziel alle Comics zu dokumentieren und zu erfassen und diese Informationen zur freien Verfügung, insbesondere durch Wissenschaftler, Historiker und Fans, bereit zu stellen.
Die GCD weist darauf hin, dass im Zuge einer solch umfassenden Forschungsarbeit möglicherweise Titelbilder dargestellt werden, die manch einer verwerflich findet.
Bitte entscheide nach eigenem Ermessen.
Das Grand Comics Database Team
Comics Calendar
Statistiken zu deutschen Comics
15,027 Serien
125,420 Comics
1,521 Variantausgaben
11,754 Comics erfasst
67,042 Titelbilder
64,526 Geschichten
Zuletzt geänderte Comics
10,338 Verlagsgruppen
6,605 Verlagslogo
5,376 Verlage
108,419 Serien
1,370,461 Comics
72,477 Variantausgaben
278,189 Comics erfasst
670,950 Titelbilder
1,978,493 Geschichten