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Wir sind eine internationale und gemeinnützige Organisation mit dem Ziel umfassende Daten über alle weltweit erschienenen Comics zu erfassen und bereitzustellen. Der ursprüngliche Schwerpunkt sind amerikanische Comics, aber auch viele europäische Länder sind vertreten.

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15.000 erfasste deutschsprachigen Comics!

Mit dem Hethke Nachdruck von Illustrierte Klassiker #7 - Auf Tierfang im Dschungel, ursprünglich beim Verlag Internationale Klassiker / Bildschriftenverlag haben wir einen weiteren Meilenstein geschafft.


GCD Comics Timeline


R.I.P. Anthea Bell OBE
10 May 1936 - 18 October 2018
#InMemoriam2018

https://www.comics.org/credit/name/Anthea%20bell/sort/chrono/

From the Guardian:
Anthea Bell, 'magnificent' translator of Asterix and Kafka, dies aged 82

She first began translating Asterix in 1969, coming up with some of its best jokes and puns. In her version, Obelix’s small dog Idéfix became Dogmatix, and the druid Panoramix became Getafix. The Oxford Guide to Literature in English Translation describes her work on Asterix as ingenious and superbly recreated, displaying “the art of the translator at its best”.

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Sam Henderson (born 18 October 1969, USA) is a cartoonist and writer and an expert on American comedy history. He has been publishing mini-comics since he was a child.

He began his comics series “The Magic Whistle” in 1993 (now published by Alternative Comics). He also began the long-running silent strip ‘Scene but Not Heard’ in “Nickelodeon Magazine” that year.

He wrote and did storyboard directing on the “SpongeBob SquarePants” animated show in the early 2000s. He has drawn cartoons and written stories in ‘SpongeBob’ comic books, as well.

He has both written and drawn stories for DC’s animation-related comics, such as “Looney Tunes” and ‘Scooby Doo’, and contributed to the “Bizaroo Comics” anthology (2001).

At Comiclopedia — https://www.lambiek.net/artists/h/henderson.htm
At Wikipedia — https://en.wikipedia.org/wiki/Sam_Henderson
In the GCD — https://tinyurl.com/y89tw89s (some explicit images)
In the IMDb — http://www.imdb.com/name/nm1153490/

(Henderson created the cover art on “Measles” #7, Fantagraphics: New Year 2001)

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Victor Cupples (18 October 1863 – July 1941, USA) was an early publisher of collections of newspaper strips.

He and Arthur Leon (17 August 1867 – December 1943) founded the publisher Cupples & Leon in 1902. They had a broad catalog of books, especially juveniles, but are known to comics fans for their collections of syndicated strips.

From 1903 to 1934, they published more than 100 books reprinting ‘The Katzenjammer Kids’, ‘Bringing Up Father’, ‘Little Orphan Annie’, ‘Tillie the Toiler’, ‘Mutt and Jeff’, and other features.

Their main competition was from Frederick A. Stokes (4 November 1857 – 15 November 1939), who collected strips such as ‘Foxy Grandpa’.

Ironically, they left the comics field to focus on their children’s books just as the first modern comic books were appearing — “Gulf Comics Weekly” and “Mickey Mouse Magazine” in 1933, “Famous Funnies” in 1934.

Cupples & Leon at Wikipedia — https://en.wikipedia.org/wiki/Cupples_%26_Leon
Cupples & Leon in the GCD — https://tinyurl.com/ybec3sz5

(Bud Fisher created the cover art on “Mutt and Jeff” #18, Cupples & Leon: 1933)

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Randall Munroe (born 17 October 1984, USA) is a software programmer, former NASA robooticist, and webcomic creator.

His feature ‘xkcd’ (2005+) uses stick-figure graphics to tell stories and jokes about science, humans, and other funny topics.

At Comiclopedia — https://www.lambiek.net/artists/m/munroe_randall.htm
At Wikipedia — https://en.wikipedia.org/wiki/Randall_Munroe
In the GCD — https://tinyurl.com/y73pujdq

(Munroe created the cover art on “xkcd - Volume 0”, Breadpig: 2009)

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John Prentice (17 October 1920 – 23 May 1999, USA) was a comics artist who worked primarily in newspaper strips.

After serving in the Pacific in World War II, he studied art and became a magazine illustrator and comic-book artist.

From the late 1940s through the 1950s, he published genre stories (romance, true crime, western, mystery) at a variety of comics publishers — Hillman (1949–1953), Ziff-Davis (1950–1952), Prize (1951–1959), and Harvey (1953–1957), among others.

At DC (1950–1958) his work included the earliest issues of “My Greatest Adventure” and “Frontier Fighters” (Davy Crockett) and the ‘Fireman Farrell’ stories in “Showcase” #1 (1956).

In 1956, Prentice took over the art on the ‘Rip Kirby’ syndicated strip when creator Alex Raymond died unexpectedly. In the mid-1980s, he became the writer as well.

He created ‘Rip Kirby’ for 43 years, until his own death in 1999, and it is the work for which he is widely known. IDW began an archival reprinting of the feature in 2009 and Prentice’s work begins in Volume 6 (2013).

Prentice received the Story Comic Strip Award from the National Cartoonists Society in 1966, 1967, and 1986.

At Comiclopedia — https://www.lambiek.net/artists/p/prentice_j.htm
At Wikipedia — https://en.wikipedia.org/wiki/John_Prentice_(cartoonist)
In the GCD — https://tinyurl.com/y9c6ovqf

(Prentice created the cover art on “Showcase” #1 - Fireman Farrell, DC: March-April 1956)

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Harry Donenfeld (17 October 1893 – 1 February 1965; Romania, USA) was an early comics publisher, one of the men involved in various companies that became DC Comics and an investor in ACG.

His family emigrated when he was very young and he grew up in the USA. As an adult, he struggled his way into possession of a printing company founded by his brothers, which he funded with services to organized crime.

In 1937, he and accountant Jack Liebowitz (10 October 1900 – 11 December 2000) joined Malcom Wheeler-Nicholson (7 January 1890 – 1 January 1968) to found Detective Comics, Inc. in order to fund Nicholson’s third comics title, “Detecive Comics”. Nicholson was forced out of the company in 1938.

In 1939, Liebowitz and Max Gaines (21 September 1894 – 20 August 1947) founded All-American Comics. Donenfeld published their comics, which shared branding with the Detecive Comics titles. In 1944, Gaines sold his interest in AA to Donenfeld.

In the mid-1940s, Detective Comics, Inc. and All-American Comics merged to form National Comics Publications. Since 1940, all of the comics involved had been branded with a ‘Superman-DC’ bullet and few consumers noticed the corporate changes happening behind the logos.

The company was renamed National Periodical Publications in 1961 and DC Comics in 1977. It is currently owned by Warner Bros.

Back in 1943, Donenfeld had also taken a stake in Benjamin W. Sangor’s new company, American Comics Group (ACG). ACG published until 1967, just a few years after Donenfeld’s death.

At Wikipedia — https://en.wikipedia.org/wiki/Harry_Donenfeld
DC Comics publisher history in GCD — http://www.comics.org/publisher/54/

(Wayne Boring and Stan Kaye created the cover art on “Action Comics” #105, DC/National Comics Publications: February 1947, the first issue with that indicia publisher)

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‘André Gill’ was the pen name of Louis-Alexandre Gosset de Guines (17 October 1840 – 1 May 1885, France) was an influential caricaturist.

His style of over-sized heads on small bodies has been embraced by political and social caricaturists ever since.

His earliest work was in “Le Journal Amusant” and he became well-known while publishing at “La Lune” (1865–1868), which ended when the paper was banned.

When the publisher of “La Lune” was told by the authorities that “The moon will have to undergo an eclipse”, he named his new paper “L’Éclipse”, to which Gill continued to contribute.

After “L’Éclipse” closed, Gill himself served as the editor of the replacement “La Lune Rousse” (1876–1879). France ended prior censorship in 1881 but by then Gill was in a psychiatric hospital, where he died a few years later.

At Comiclopedia — https://www.lambiek.net/artists/g/gill_andre.htm
At Wikipedia — https://en.wikipedia.org/wiki/Andr%C3%A9_Gill
In the GCD — https://tinyurl.com/y7d99ohc

(Gill created the cover cartoon on “La Lune” #78, Tallandier: 1 September 1867)

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Pete Janes (born 16 October 1966, USA) edited ‘Star Wars’ comics at Dark Horse (1992–2000) and is a former managing editor of “Cracked”.

In the GCD — https://tinyurl.com/y7qgkazq

(Doug Wheatley created the cover art on “Star Wars: Bounty Killers - Kenix Kil”, Dark Horse: October 1999, edited by Janes)

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Joe Sinnott (born 16 October 1926, USA) is a comic book artist who has worked primarily as an inker.

He is best known for his long stint on “Fantastic Four” (1965–1981), initially over the pencils of Jack Kirby.

During his sixty years as a Marvel freelancer and then salaried artist working from home, he inked nearly every major title at the company, with notable runs on “The Avengers”, “The Defenders”, and “Thor”.

Sinnott received an Inkpot Award at San Diego in 1995 and was inducted into the Will Eisner Awards Hall of Fame in 2013.

In 2008, he shared the inaugural Inkwell Award for Favorite Inker (Retro) with Terry Austin and received the first Inkwell Joe Sinnott Hall of Fame Award, or ‘Joe Sinnott Award’.

At Comiclopedia — https://www.lambiek.net/artists/s/sinnott_joe.htm
At Wikipedia — https://en.wikipedia.org/wiki/Joe_Sinnott
In the GCD — https://tinyurl.com/y87nxf33

(Sinnott created the cover art on “Arrowhead” #1, Marvel/Atlas: April 1954)

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EDIT — Rodolfo Cimino (16 October 1927 – 31 March 2012, Italy)
At Wikipedia (in Italian) — https://it.wikipedia.org/wiki/Rodolfo_Cimino

(I apologize for posting this without double-checking whether it was up-to-date. — DH)

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Rodolfo Cimino (born 16 October 1927, Italy) initially inked Romano Scarpa on stories in “Topolino”, the Italian Disney comic series named for Mickey Mouse.

He later became a popular writer, producing many stories about Scrooge’s treasure hunts, for example.

He created ‘Reginella’, a duck queen from another planet who is in unrequited love with Donald Duck.

In the GCD — https://tinyurl.com/y957nh9l

(Romano Scarpa and Cimino created the cover art on “Disney Masters” #1 - Walt Disney Mickey Mouse: The Delta Dimension, Fantagraphics: 2018)

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GCD auf Deutsch
Der restlichen Seiten der GCD sind bisher nur auf Englisch verfügbar, das wird sich erst im Laufe der Zeit ändern. Es gibt aber einige deutschsprachige Mitwirkende bei der GCD und auch einen deutschsprachigen Email-Verteiler.
Zur Datenbank beitragen
Um Daten oder Titelbilder zur Datenbank beizutragen ist eine Registrierung erforderlich. Wie alle weiterführenden Seiten sind auch die Seiten zur Registrierung, Datenerfassung und der Dokumentations-Wiki bisher auf Englisch gehalten. Falls Fragen auftreten, neben dem deutschsprachigen Email-Verteiler kann man auch direkt per Email Kontakt auf Deutsch aufnehmen.
Titelbilder hinzufügen
Die vielleicht einfachste und schnellste Möglichkeit bei der GCD mitzuwirken ist es Titelbilder hochzuladen. Entweder sieht man die Lücken beim durchschauen der Webseite, oder sucht mit Hilfe der erweiterten Suche nach benötigten Titelbilder, dort dafür 'Cover is Needed' anklicken. Bevor neue Titelbilder auf der Seite zu sehen sind müssen diese dann noch, wie alle Beiträge, von einem anderen GCD-Mitarbeiter freigeschaltet werden.
Informationen beitragen
Fehlt ein Comic, eine Serie oder gar ein Verlag ? Willst du Informationen zu Autor, Zeichner, eine kurze Inhaltsangabe, die auftretenden Charaktere, ... eintragen ? Oder einfach nur einen nervigen Tippfehler korrigieren ? Sofern man angemeldet ist findet man auf allen Seiten die Möglichkeit die Einträge zu editieren und neue Informationen beizutragen. Da wir das Ziel verfolgen möglichst strukturierte und korrekte Daten zu haben, die es ermöglichen genaue Suchen durchzuführen, gibt es einige Regeln wie das erfolgen sollte. Nach dem Submitten der Beiträge gibt dann ein GCD-Mitarbeiter Rückmeldung ob die verschiedenen Informationen an den richtigen Stellen stehen.
Technische Unterstützung
Wir können Mitarbeit auch auf der technischen Ebene gebrauchen. Webdesigner, Webprogrammierer (HTML / JavaScript / Django), oder auch Kenntnisse in Python oder MySQL können uns weiterhelfen.
Import von existierenden Daten
Wer schon Daten in einer Datenbank oder einer Textdatei hat kann diese unter Umständen in die Datenbank importieren. Zu jedem Comic kann man mit Hilfe einer Textdatei bestehende Informationen hochladen. Genauere Informationen zum Format einer solchen Datei gibt es hier.
Hinweis
Das Grand Comics Database Projekt (GCD) ist ein Projekt von Freiwilligen mit dem Ziel alle Comics zu dokumentieren und zu erfassen und diese Informationen zur freien Verfügung, insbesondere durch Wissenschaftler, Historiker und Fans, bereit zu stellen.
Die GCD weist darauf hin, dass im Zuge einer solch umfassenden Forschungsarbeit möglicherweise Titelbilder dargestellt werden, die manch einer verwerflich findet.
Bitte entscheide nach eigenem Ermessen.
Das Grand Comics Database Team
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Comics Calendar
Zuletzt geänderte deutsche Comics
Statistiken zu deutschen Comics
17,360 Serien
135,516 Comics
2,920 Variantausgaben
16,893 Comics erfasst
74,967 Titelbilder
90,201 Geschichten
Statistiken
11,644 Verlagsgruppen
21,251 creators
125,861 Serien
1,490,199 Comics
97,642 Variantausgaben
318,815 Comics erfasst
746,107 Titelbilder
2,434,012 Geschichten