The Grand Comics Database (GCD) is a nonprofit, internet-based organization of international volunteers dedicated to building an open database covering all printed comics throughout the world. Give our search a try, take a look at the menu to the left to see how you can help us improve the site, or use my.comics.org to track and manage your comic collection.
International Milestones!We recently got our 30,000 comic from Norway indexed, and with French we now have six languages with more than 10,000 issues indexed.
Volunteers Wanted For Adding New Comics
Each week, a small number of GCD volunteers add listings to our database for the new comics released that week in North America. These are just the basic listings, not full indexes. This makes it easier for other volunteers who upload covers and for indexers, as well as for people using my.comics.org.
Each volunteer covers one publisher or a small group of publishers (“D publishers except DC”, for example). From public sources such as ComicsList and Diamond Previews online, they add the issues and make note of the prices and a few other details. We are looking for additional volunteers for this weekly task.Follow this link for a description of the process and a list of which publishers are currently covered.
GCD Comics Timeline
His work is known for combining the traditional rubbery appearance of Disney characters with realistic illustration of technological gadgets and machinery. This style has had a big influence on many Disney illustrators of the new generation, especially the Italians.
Cavazzano has been a major writer of ‘Donald Duck’ and ‘Mickey Mouse’ stories in the Italian market for decades. He has also written non-Disney stories for other publishers throughout Europe.
At Comiclopedia — https://www.lambiek.net/artists/c/cavazzano.htm
At Wikipedia — https://en.wikipedia.org/wiki/Giorgio_Cavazzano
In the GCD — https://tinyurl.com/yatlcwsn
(Cavazzano created this cover art on “Walt Disney Showcase” #3, IDW: March 2018)
10 May 1936 - 18 October 2018
From the Guardian:
Anthea Bell, 'magnificent' translator of Asterix and Kafka, dies aged 82
She first began translating Asterix in 1969, coming up with some of its best jokes and puns. In her version, Obelix’s small dog Idéfix became Dogmatix, and the druid Panoramix became Getafix. The Oxford Guide to Literature in English Translation describes her work on Asterix as ingenious and superbly recreated, displaying “the art of the translator at its best”.
He began his comics series “The Magic Whistle” in 1993 (now published by Alternative Comics). He also began the long-running silent strip ‘Scene but Not Heard’ in “Nickelodeon Magazine” that year.
He wrote and did storyboard directing on the “SpongeBob SquarePants” animated show in the early 2000s. He has drawn cartoons and written stories in ‘SpongeBob’ comic books, as well.
He has both written and drawn stories for DC’s animation-related comics, such as “Looney Tunes” and ‘Scooby Doo’, and contributed to the “Bizaroo Comics” anthology (2001).
At Comiclopedia — https://www.lambiek.net/artists/h/henderson.htm
At Wikipedia — https://en.wikipedia.org/wiki/Sam_Henderson
In the GCD — https://tinyurl.com/y89tw89s (some explicit images)
In the IMDb — http://www.imdb.com/name/nm1153490/
(Henderson created the cover art on “Measles” #7, Fantagraphics: New Year 2001)
He and Arthur Leon (17 August 1867 – December 1943) founded the publisher Cupples & Leon in 1902. They had a broad catalog of books, especially juveniles, but are known to comics fans for their collections of syndicated strips.
From 1903 to 1934, they published more than 100 books reprinting ‘The Katzenjammer Kids’, ‘Bringing Up Father’, ‘Little Orphan Annie’, ‘Tillie the Toiler’, ‘Mutt and Jeff’, and other features.
Their main competition was from Frederick A. Stokes (4 November 1857 – 15 November 1939), who collected strips such as ‘Foxy Grandpa’.
Ironically, they left the comics field to focus on their children’s books just as the first modern comic books were appearing — “Gulf Comics Weekly” and “Mickey Mouse Magazine” in 1933, “Famous Funnies” in 1934.
Cupples & Leon at Wikipedia — https://en.wikipedia.org/wiki/Cupples_%26_Leon
Cupples & Leon in the GCD — https://tinyurl.com/ybec3sz5
(Bud Fisher created the cover art on “Mutt and Jeff” #18, Cupples & Leon: 1933)
His feature ‘xkcd’ (2005+) uses stick-figure graphics to tell stories and jokes about science, humans, and other funny topics.
At Comiclopedia — https://www.lambiek.net/artists/m/munroe_randall.htm
At Wikipedia — https://en.wikipedia.org/wiki/Randall_Munroe
In the GCD — https://tinyurl.com/y73pujdq
(Munroe created the cover art on “xkcd - Volume 0”, Breadpig: 2009)
After serving in the Pacific in World War II, he studied art and became a magazine illustrator and comic-book artist.
From the late 1940s through the 1950s, he published genre stories (romance, true crime, western, mystery) at a variety of comics publishers — Hillman (1949–1953), Ziff-Davis (1950–1952), Prize (1951–1959), and Harvey (1953–1957), among others.
At DC (1950–1958) his work included the earliest issues of “My Greatest Adventure” and “Frontier Fighters” (Davy Crockett) and the ‘Fireman Farrell’ stories in “Showcase” #1 (1956).
In 1956, Prentice took over the art on the ‘Rip Kirby’ syndicated strip when creator Alex Raymond died unexpectedly. In the mid-1980s, he became the writer as well.
He created ‘Rip Kirby’ for 43 years, until his own death in 1999, and it is the work for which he is widely known. IDW began an archival reprinting of the feature in 2009 and Prentice’s work begins in Volume 6 (2013).
Prentice received the Story Comic Strip Award from the National Cartoonists Society in 1966, 1967, and 1986.
At Comiclopedia — https://www.lambiek.net/artists/p/prentice_j.htm
At Wikipedia — https://en.wikipedia.org/wiki/John_Prentice_(cartoonist)
In the GCD — https://tinyurl.com/y9c6ovqf
(Prentice created the cover art on “Showcase” #1 - Fireman Farrell, DC: March-April 1956)
His family emigrated when he was very young and he grew up in the USA. As an adult, he struggled his way into possession of a printing company founded by his brothers, which he funded with services to organized crime.
In 1937, he and accountant Jack Liebowitz (10 October 1900 – 11 December 2000) joined Malcom Wheeler-Nicholson (7 January 1890 – 1 January 1968) to found Detective Comics, Inc. in order to fund Nicholson’s third comics title, “Detecive Comics”. Nicholson was forced out of the company in 1938.
In 1939, Liebowitz and Max Gaines (21 September 1894 – 20 August 1947) founded All-American Comics. Donenfeld published their comics, which shared branding with the Detecive Comics titles. In 1944, Gaines sold his interest in AA to Donenfeld.
In the mid-1940s, Detective Comics, Inc. and All-American Comics merged to form National Comics Publications. Since 1940, all of the comics involved had been branded with a ‘Superman-DC’ bullet and few consumers noticed the corporate changes happening behind the logos.
The company was renamed National Periodical Publications in 1961 and DC Comics in 1977. It is currently owned by Warner Bros.
Back in 1943, Donenfeld had also taken a stake in Benjamin W. Sangor’s new company, American Comics Group (ACG). ACG published until 1967, just a few years after Donenfeld’s death.
At Wikipedia — https://en.wikipedia.org/wiki/Harry_Donenfeld
DC Comics publisher history in GCD — http://www.comics.org/publisher/54/
(Wayne Boring and Stan Kaye created the cover art on “Action Comics” #105, DC/National Comics Publications: February 1947, the first issue with that indicia publisher)
His style of over-sized heads on small bodies has been embraced by political and social caricaturists ever since.
His earliest work was in “Le Journal Amusant” and he became well-known while publishing at “La Lune” (1865–1868), which ended when the paper was banned.
When the publisher of “La Lune” was told by the authorities that “The moon will have to undergo an eclipse”, he named his new paper “L’Éclipse”, to which Gill continued to contribute.
After “L’Éclipse” closed, Gill himself served as the editor of the replacement “La Lune Rousse” (1876–1879). France ended prior censorship in 1881 but by then Gill was in a psychiatric hospital, where he died a few years later.
At Comiclopedia — https://www.lambiek.net/artists/g/gill_andre.htm
At Wikipedia — https://en.wikipedia.org/wiki/Andr%C3%A9_Gill
In the GCD — https://tinyurl.com/y7d99ohc
(Gill created the cover cartoon on “La Lune” #78, Tallandier: 1 September 1867)
In the GCD — https://tinyurl.com/y7qgkazq
(Doug Wheatley created the cover art on “Star Wars: Bounty Killers - Kenix Kil”, Dark Horse: October 1999, edited by Janes)
He is best known for his long stint on “Fantastic Four” (1965–1981), initially over the pencils of Jack Kirby.
During his sixty years as a Marvel freelancer and then salaried artist working from home, he inked nearly every major title at the company, with notable runs on “The Avengers”, “The Defenders”, and “Thor”.
Sinnott received an Inkpot Award at San Diego in 1995 and was inducted into the Will Eisner Awards Hall of Fame in 2013.
In 2008, he shared the inaugural Inkwell Award for Favorite Inker (Retro) with Terry Austin and received the first Inkwell Joe Sinnott Hall of Fame Award, or ‘Joe Sinnott Award’.
At Comiclopedia — https://www.lambiek.net/artists/s/sinnott_joe.htm
At Wikipedia — https://en.wikipedia.org/wiki/Joe_Sinnott
In the GCD — https://tinyurl.com/y87nxf33
(Sinnott created the cover art on “Arrowhead” #1, Marvel/Atlas: April 1954)
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97,642 variant issues
318,816 issue indexes