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Vi är en icke-kommersiell, internetbaserad organisation med internatioella frivilliga som hjälper till att bygga en databas som täcker alla tryckta serier i hela världen. Vi är glada att du har hittat oss! Prova gärna att söka i databasen eller undersök menyn till höger för att se hur du kan bidra till projektet.

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Det svenska språket är än så länge blygsamt representerat. Det är bara denna sida som än så länge är översatt. Resten är på engelska. Planen är dock att få en mer "svensk" touch på fler sidor framöver.

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GCD Comics Timeline

Sam Henderson (born 18 October 1969, USA) is a cartoonist and writer and an expert on American comedy history. He has been publishing mini-comics since he was a child.

He began his comics series “The Magic Whistle” in 1993 (now published by Alternative Comics). He also began the long-running silent strip ‘Scene but Not Heard’ in “Nickelodeon Magazine” that year.

He wrote and did storyboard directing on the “SpongeBob SquarePants” animated show in the early 2000s. He has drawn cartoons and written stories in ‘SpongeBob’ comic books, as well.

He has both written and drawn stories for DC’s animation-related comics, such as “Looney Tunes” and ‘Scooby Doo’, and contributed to the “Bizaroo Comics” anthology (2001).

At Comiclopedia — https://www.lambiek.net/artists/h/henderson.htm
At Wikipedia — https://en.wikipedia.org/wiki/Sam_Henderson
In the GCD — https://tinyurl.com/y89tw89s (some explicit images)
In the IMDb — http://www.imdb.com/name/nm1153490/

(Henderson created the cover art on “Measles” #7, Fantagraphics: New Year 2001)

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Victor Cupples (18 October 1863 – July 1941, USA) was an early publisher of collections of newspaper strips.

He and Arthur Leon (17 August 1867 – December 1943) founded the publisher Cupples & Leon in 1902. They had a broad catalog of books, especially juveniles, but are known to comics fans for their collections of syndicated strips.

From 1903 to 1934, they published more than 100 books reprinting ‘The Katzenjammer Kids’, ‘Bringing Up Father’, ‘Little Orphan Annie’, ‘Tillie the Toiler’, ‘Mutt and Jeff’, and other features.

Their main competition was from Frederick A. Stokes (4 November 1857 – 15 November 1939), who collected strips such as ‘Foxy Grandpa’.

Ironically, they left the comics field to focus on their children’s books just as the first modern comic books were appearing — “Gulf Comics Weekly” and “Mickey Mouse Magazine” in 1933, “Famous Funnies” in 1934.

Cupples & Leon at Wikipedia — https://en.wikipedia.org/wiki/Cupples_%26_Leon
Cupples & Leon in the GCD — https://tinyurl.com/ybec3sz5

(Bud Fisher created the cover art on “Mutt and Jeff” #18, Cupples & Leon: 1933)

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Randall Munroe (born 17 October 1984, USA) is a software programmer, former NASA robooticist, and webcomic creator.

His feature ‘xkcd’ (2005+) uses stick-figure graphics to tell stories and jokes about science, humans, and other funny topics.

At Comiclopedia — https://www.lambiek.net/artists/m/munroe_randall.htm
At Wikipedia — https://en.wikipedia.org/wiki/Randall_Munroe
In the GCD — https://tinyurl.com/y73pujdq

(Munroe created the cover art on “xkcd - Volume 0”, Breadpig: 2009)

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John Prentice (17 October 1920 – 23 May 1999, USA) was a comics artist who worked primarily in newspaper strips.

After serving in the Pacific in World War II, he studied art and became a magazine illustrator and comic-book artist.

From the late 1940s through the 1950s, he published genre stories (romance, true crime, western, mystery) at a variety of comics publishers — Hillman (1949–1953), Ziff-Davis (1950–1952), Prize (1951–1959), and Harvey (1953–1957), among others.

At DC (1950–1958) his work included the earliest issues of “My Greatest Adventure” and “Frontier Fighters” (Davy Crockett) and the ‘Fireman Farrell’ stories in “Showcase” #1 (1956).

In 1956, Prentice took over the art on the ‘Rip Kirby’ syndicated strip when creator Alex Raymond died unexpectedly. In the mid-1980s, he became the writer as well.

He created ‘Rip Kirby’ for 43 years, until his own death in 1999, and it is the work for which he is widely known. IDW began an archival reprinting of the feature in 2009 and Prentice’s work begins in Volume 6 (2013).

Prentice received the Story Comic Strip Award from the National Cartoonists Society in 1966, 1967, and 1986.

At Comiclopedia — https://www.lambiek.net/artists/p/prentice_j.htm
At Wikipedia — https://en.wikipedia.org/wiki/John_Prentice_(cartoonist)
In the GCD — https://tinyurl.com/y9c6ovqf

(Prentice created the cover art on “Showcase” #1 - Fireman Farrell, DC: March-April 1956)

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Harry Donenfeld (17 October 1893 – 1 February 1965; Romania, USA) was an early comics publisher, one of the men involved in various companies that became DC Comics and an investor in ACG.

His family emigrated when he was very young and he grew up in the USA. As an adult, he struggled his way into possession of a printing company founded by his brothers, which he funded with services to organized crime.

In 1937, he and accountant Jack Liebowitz (10 October 1900 – 11 December 2000) joined Malcom Wheeler-Nicholson (7 January 1890 – 1 January 1968) to found Detective Comics, Inc. in order to fund Nicholson’s third comics title, “Detecive Comics”. Nicholson was forced out of the company in 1938.

In 1939, Liebowitz and Max Gaines (21 September 1894 – 20 August 1947) founded All-American Comics. Donenfeld published their comics, which shared branding with the Detecive Comics titles. In 1944, Gaines sold his interest in AA to Donenfeld.

In the mid-1940s, Detective Comics, Inc. and All-American Comics merged to form National Comics Publications. Since 1940, all of the comics involved had been branded with a ‘Superman-DC’ bullet and few consumers noticed the corporate changes happening behind the logos.

The company was renamed National Periodical Publications in 1961 and DC Comics in 1977. It is currently owned by Warner Bros.

Back in 1943, Donenfeld had also taken a stake in Benjamin W. Sangor’s new company, American Comics Group (ACG). ACG published until 1967, just a few years after Donenfeld’s death.

At Wikipedia — https://en.wikipedia.org/wiki/Harry_Donenfeld
DC Comics publisher history in GCD — http://www.comics.org/publisher/54/

(Wayne Boring and Stan Kaye created the cover art on “Action Comics” #105, DC/National Comics Publications: February 1947, the first issue with that indicia publisher)

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‘André Gill’ was the pen name of Louis-Alexandre Gosset de Guines (17 October 1840 – 1 May 1885, France) was an influential caricaturist.

His style of over-sized heads on small bodies has been embraced by political and social caricaturists ever since.

His earliest work was in “Le Journal Amusant” and he became well-known while publishing at “La Lune” (1865–1868), which ended when the paper was banned.

When the publisher of “La Lune” was told by the authorities that “The moon will have to undergo an eclipse”, he named his new paper “L’Éclipse”, to which Gill continued to contribute.

After “L’Éclipse” closed, Gill himself served as the editor of the replacement “La Lune Rousse” (1876–1879). France ended prior censorship in 1881 but by then Gill was in a psychiatric hospital, where he died a few years later.

At Comiclopedia — https://www.lambiek.net/artists/g/gill_andre.htm
At Wikipedia — https://en.wikipedia.org/wiki/Andr%C3%A9_Gill
In the GCD — https://tinyurl.com/y7d99ohc

(Gill created the cover cartoon on “La Lune” #78, Tallandier: 1 September 1867)

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Pete Janes (born 16 October 1966, USA) edited ‘Star Wars’ comics at Dark Horse (1992–2000) and is a former managing editor of “Cracked”.

In the GCD — https://tinyurl.com/y7qgkazq

(Doug Wheatley created the cover art on “Star Wars: Bounty Killers - Kenix Kil”, Dark Horse: October 1999, edited by Janes)

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Joe Sinnott (born 16 October 1926, USA) is a comic book artist who has worked primarily as an inker.

He is best known for his long stint on “Fantastic Four” (1965–1981), initially over the pencils of Jack Kirby.

During his sixty years as a Marvel freelancer and then salaried artist working from home, he inked nearly every major title at the company, with notable runs on “The Avengers”, “The Defenders”, and “Thor”.

Sinnott received an Inkpot Award at San Diego in 1995 and was inducted into the Will Eisner Awards Hall of Fame in 2013.

In 2008, he shared the inaugural Inkwell Award for Favorite Inker (Retro) with Terry Austin and received the first Inkwell Joe Sinnott Hall of Fame Award, or ‘Joe Sinnott Award’.

At Comiclopedia — https://www.lambiek.net/artists/s/sinnott_joe.htm
At Wikipedia — https://en.wikipedia.org/wiki/Joe_Sinnott
In the GCD — https://tinyurl.com/y87nxf33

(Sinnott created the cover art on “Arrowhead” #1, Marvel/Atlas: April 1954)

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EDIT — Rodolfo Cimino (16 October 1927 – 31 March 2012, Italy)
At Wikipedia (in Italian) — https://it.wikipedia.org/wiki/Rodolfo_Cimino

(I apologize for posting this without double-checking whether it was up-to-date. — DH)

Rodolfo Cimino (born 16 October 1927, Italy) initially inked Romano Scarpa on stories in “Topolino”, the Italian Disney comic series named for Mickey Mouse.

He later became a popular writer, producing many stories about Scrooge’s treasure hunts, for example.

He created ‘Reginella’, a duck queen from another planet who is in unrequited love with Donald Duck.

In the GCD — https://tinyurl.com/y957nh9l

(Romano Scarpa and Cimino created the cover art on “Disney Masters” #1 - Walt Disney Mickey Mouse: The Delta Dimension, Fantagraphics: 2018)

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Charles Knauf (born 15 October, USA) is a comics writer who often collaborates with his father, David Knauf.

At Marvel, the two have written “Iron Man” / “The Invincible Iron Man” (2006–2008), “The Eternals” (2008–2009), and issues of “The Last Defenders”, “Young X-Men”, and other titles.

Knauf wrote “The Heap” (Moonstone, 2011), a one-shot that continued online.

In the GCD — https://tinyurl.com/y7rpts9u

(Daniel Acuña created this cover art on “The Eternals” #1, Marvel: August 2008)

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Grand Comics Database-projektet (GCD) är ett frivilligprojekt med målet att dokumentera och indexera alla serier. Informationen får fritt användas av alla, från forskare till seriefan.
GCD tillstår, att då målet är att innefatta alla serier i världen, så kan det resultera i att omslagsbilder med stötande innehåll kan förekomma.
Omdömesgillt användande anmodas!
/Grand Comics Database Team
Comics Calendar
Statistik: Svenska serier
4,232 serier
58,332 publikationer
121 variant issues
4,401 indexerade
25,565 omslag
29,705 sekvenser
Statistik: Alla länder
11,643 förlagsgrupp
21,251 creators
125,853 serier
1,490,166 publikationer
97,602 variant issues
318,764 indexerade
746,012 omslag
2,433,013 sekvenser