(1943)

Simon and Schuster, 1943 Series
Published in English (United States) United States
 
Price
[None]
Pages
470
Indicia / Colophon Publisher
Simon & Schuster Inc.
Brand
Simon and Schuster
Editing
Thomas Craven (credited) (editor)
Color
black and white interior
Dimensions
8.625" wide x 11.25" high
Paper Stock
bond
Binding
hardcover; no dustjacket
Publishing Format
one-shot

Issue Notes

No price listed on the book. Hardcover with no dustjacket. Magazine cartoons and newspaper strips from 1883 to 1943, arranged in chronological order.

Red binding. Apparently reprinted in 1945 by Consolidated Book Publishers, Inc., Chicago, for Peoples Book Club with green binding.

[no title indexed] (Table of Contents)

cover / 1 page (report information)

Pencils
various
Inks
various

Genre
humor
Characters
The Little King; Casper Milquetoast

[Title Page and Credits] (Table of Contents: 1)

credits, title page / 2 pages (report information)

Letters
typeset

Editor's Note (Table of Contents: 2)

foreword, introduction, preface, afterword / 1 page (report information)

Script
Thomas Craven (credited)
Letters
typeset

Contents (Table of Contents: 3)

table of contents / 1 page (report information)

Letters
typeset

American Humor and the New Century (Table of Contents: 4)

text article / 16 pages (report information)

Script
Thomas Craven
Letters
typeset

A Slippery Day (Table of Contents: 5)

comic story / 1 page (report information)

Script
A. B. Frost (credited)
Pencils
A. B. Frost (credited)
Inks
A. B. Frost (credited)
Letters
typeset

Genre
humor
Reprints
  • from Harper's Weekly (1883)

The Fatal Mistake: A Tale of a Cat (Table of Contents: 6)

comic story / 2 pages (report information)

Script
A. B. Frost (credited)
Pencils
A. B. Frost (credited)
Inks
A. B. Frost (credited)
Letters
typeset

Genre
humor
Reprints

A Few Things the Versatile Yellow Kid Might Do for a Living (Table of Contents: 7)

The Yellow Kid / comic story / 1 page (report information)

Script
R. F. Outcault (credited)
Pencils
R. F. Outcault (credited)
Inks
R. F. Outcault (credited)
Letters
typeset

Genre
humor
Characters
Yellow Kid
Reprints
  • from New York Evening Journal (1896)

Wall Street's New Guardian (Table of Contents: 8)

cartoon / 1 page (report information)

Script
Homer Calvin Davenport (credited, signed)
Pencils
Homer Calvin Davenport (credited, signed)
Inks
Homer Calvin Davenport (credited, signed)
Letters
typeset

Genre
humor; advocacy
Reprints
  • from New York Evening Journal (1898)

Who Trusts Trusts Is Sure to Be Robbed (Table of Contents: 9)

cartoon / 1 page (report information)

Script
Homer Calvin Davenport (credited, signed)
Pencils
Homer Calvin Davenport (credited, signed)
Inks
Homer Calvin Davenport (credited, signed)
Letters
typeset

Genre
humor; advocacy
Reprints
  • from New York Evening Journal (1899)

[no title indexed] (Table of Contents: 10)

cartoon / 0.5 page (report information)

Script
M. A. Woolf (credited)
Pencils
M. A. Woolf (credited)
Inks
M. A. Woolf (credited)
Letters
typeset

First Line of Dialogue or Text
Has father got here yet?
Genre
humor
Reprints
  • from Sketches of Lowly Life in a Great City (1899)

The Course of True Love, Etc. (Table of Contents: 11)

cartoon / 0.5 page (report information)

Script
M. A. Woolf (credited)
Pencils
M. A. Woolf (credited)
Inks
M. A. Woolf (credited)
Letters
typeset

Genre
humor
Reprints
  • from Sketches of Lowly Life in a Great City (1899)

[no title indexed] (Table of Contents: 12)

cartoon / 1 page (report information)

Script
M. A. Woolf (credited)
Pencils
M. A. Woolf (credited)
Inks
M. A. Woolf (credited)
Letters
typeset

First Line of Dialogue or Text
If yer please, mum, Santa Claus can't get into our room 'cause they ain't...
Genre
humor
Reprints

The First New England Pie (Table of Contents: 13)

cartoon / 0.5 page (report information)

Script
C. H. Ebert (credited)
Pencils
C. H. Ebert (credited)
Inks
C. H. Ebert (credited)
Letters
typeset

Genre
humor
Reprints
  • from Scribner's (1901)

[no title indexed] (Table of Contents: 14)

comic story / 0.5 page (report information)

Script
T. S. Sullivant (credited)
Pencils
T. S. Sullivant (credited)
Inks
T. S. Sullivant (credited)
Letters
typeset

First Line of Dialogue or Text
It's run down.
Genre
humor
Reprints
  • from Scribner's (1900)

Tale of Spooney Island (Table of Contents: 15)

comic story / 1 page (report information)

Script
Carl Hauser (credited)
Pencils
Carl Hauser (credited)
Inks
Carl Hauser (credited)
Letters
typeset

Genre
humor
Reprints
  • from Fun for the Millions (1900)

[no title indexed] (Table of Contents: 16)

cartoon / 1 page (report information)

Script
Frederick Burr Opper (credited) (signed as F. Opper)
Pencils
Frederick Burr Opper (credited) (signed as F. Opper)
Inks
Frederick Burr Opper (credited) (signed as F. Opper)
Letters
typeset

First Line of Dialogue or Text
If Willie is a good boy, and minds Papa and Nursie, they will try to let him...
Genre
humor; advocacy
Reprints
  • from New York Evening Journal (1901)

The Greatest Game in the World - His Move (Table of Contents: 17)

cartoon / 0.5 page (report information)

Script
Charles Dana Gibson (credited, signed)
Pencils
Charles Dana Gibson (credited, signed)
Inks
Charles Dana Gibson (credited, signed)
Letters
typeset

Genre
humor
Reprints
  • from Collier's (1903)

When Doctors Disagree (Table of Contents: 18)

cartoon / 0.5 page (report information)

Script
Charles Dana Gibson (credited, signed)
Pencils
Charles Dana Gibson (credited, signed)
Inks
Charles Dana Gibson (credited, signed)
Letters
typeset

Genre
humor
Reprints
  • from Life (1897)

The Eternal Question (Table of Contents: 19)

cartoon / 0.5 page (report information)

Script
Charles Dana Gibson (credited, signed)
Pencils
Charles Dana Gibson (credited, signed)
Inks
Charles Dana Gibson (credited, signed)
Letters
typeset

Genre
humor
Reprints
  • from Collier's (1903)

Wireless Telegraphy (Table of Contents: 20)

cartoon / 0.5 page (report information)

Script
Charles Dana Gibson (credited, signed)
Pencils
Charles Dana Gibson (credited, signed)
Inks
Charles Dana Gibson (credited, signed)
Letters
typeset

Genre
humor
Reprints
  • from Life (1901)

[no title indexed] (Table of Contents: 21)

cartoon / 0.25 page (report information)

Script
Walt Kuhn (credited) (signed as Walt Kuhn)
Pencils
Walt Kuhn (credited) (signed as Walt Kuhn)
Inks
Walt Kuhn (credited) (signed as Walt Kuhn)
Letters
typeset

First Line of Dialogue or Text
That is certainly a queer place for a cherry to grow!
Genre
humor; anthropomorphic-funny animals
Reprints

Law Enforcement at Whiskey Gulch (Table of Contents: 22)

cartoon / 0.25 page (report information)

Script
Charles Dana Gibson (credited, signed)
Pencils
Charles Dana Gibson (credited, signed)
Inks
Charles Dana Gibson (credited, signed)
Letters
typeset

Genre
humor
Reprints
  • from Collier's (1903)

The Weaker Sex (Table of Contents: 23)

cartoon / 0.5 page (report information)

Script
H. Wood (credited)
Pencils
H. Wood (credited)
Inks
H. Wood (credited)
Letters
typeset

Genre
humor
Reprints
  • from Judge (1907)

Jilted (Table of Contents: 24)

cartoon / 1 page (report information)

Script
W. O. Wilson (credited, signed)
Pencils
W. O. Wilson (credited, signed)
Inks
W. O. Wilson (credited, signed)
Letters
typeset

Genre
humor
Reprints

A Realistic Romance of Perils, Privations and Plunder (Table of Contents: 25)

cartoon / 1 page (report information)

Script
Frederick Burr Opper (credited)
Pencils
Frederick Burr Opper (credited)
Inks
Frederick Burr Opper (credited)
Letters
Frederick Burr Opper (credited)

Genre
humor
Reprints
  • from New York Evening Journal (1903)

Happy Hooligan Takes His Nephews to the Trained Dog Show. (Table of Contents: 26)

Happy Hooligan / comic story / 1 page (report information)

Script
Frederick Burr Opper (credited) (signed as F. Opper)
Pencils
Frederick Burr Opper (credited) (signed as F. Opper)
Inks
Frederick Burr Opper (credited) (signed as F. Opper)
Letters
Frederick Burr Opper (credited) (signed as F. Opper)

Genre
humor
Characters
Happy Hooligan
Reprints
  • from New York American (1903)

Alphonse, Gaston and Their Friend Leon Meet by Chance (Table of Contents: 27)

Alphonse and Gaston / comic story / 1.5 pages (report information)

Script
Frederick Burr Opper (credited)
Pencils
Frederick Burr Opper (credited); James Swinnerton (credited)
Inks
Frederick Burr Opper (credited); James Swinnerton (credited)
Letters
Frederick Burr Opper (credited)

Genre
humor
Reprints
  • from New York American (1904)

[no title indexed] (Table of Contents: 28)

illustration / 0.25 page (report information)

Pencils
F. Fithian (credited)
Inks
F. Fithian (credited)

Reprints
  • from Judge (1905)

The Idea (Table of Contents: 29)

cartoon / 0.25 page (report information)

Script
Fred Nankivel (credited)
Pencils
Fred Nankivel (credited)
Inks
Fred Nankivel (credited)
Letters
typeset

Genre
humor
Reprints
  • from Puck (1903)

Hubby Writes Her a Love Poem Out of His Own Head (Table of Contents: 30)

The Newlyweds / comic story / 1 page (report information)

Script
George McManus (credited, signed)
Pencils
George McManus (credited, signed)
Inks
George McManus (credited, signed)
Letters
George McManus (credited, signed)

Genre
humor; domestic
Reprints
  • from New York Evening Journal (1904)

Hubby's First Day of Vacation (Table of Contents: 31)

The Newlyweds / comic story / 1 page (report information)

Script
George McManus (credited, signed)
Pencils
George McManus (credited, signed)
Inks
George McManus (credited, signed)
Letters
George McManus (credited, signed)

Genre
humor; domestic
Reprints
  • from New York Evening Journal (1904)

Busy Little Buster Brown (Table of Contents: 32)

Buster Brown / comic story / 2 pages (report information)

Script
R. F. Outcault (credited)
Pencils
R. F. Outcault (credited)
Inks
R. F. Outcault (credited)
Letters
R. F. Outcault (credited)

Genre
humor
Reprints
  • from New York Herald (1905)

Buster Brown Goes Shooting (Table of Contents: 33)

Buster Brown / comic story / 2 pages (report information)

Script
R. F. Outcault (credited)
Pencils
R. F. Outcault (credited)
Inks
R. F. Outcault (credited)
Letters
R. F. Outcault (credited)

Genre
humor
Reprints
  • from New York Herald (1905)

The Katzenjammer Kids take a Photograph by Flashlight (Table of Contents: 34)

The Katzenjammer Kids / comic story / 1 page (report information)

Script
Rudolph Dirks (credited, signed)
Pencils
Rudolph Dirks (credited, signed)
Inks
Rudolph Dirks (credited, signed)
Letters
Rudolph Dirks (credited, signed)

Genre
humor; children
Reprints
  • from New York American (1901)

The Boys Were in a Very Mischievous Mood, But Grandpa Soon Cured Them (Table of Contents: 35)

Foxy Grandpa / comic story / 0.5 page (report information)

Script
Carl E. Schultze (credited)
Pencils
Carl E. Schultze (credited)
Inks
Carl E. Schultze (credited)
Letters
typeset

Genre
humor
Reprints
  • from New York Evening Journal (1904)

A Look Ahead (Table of Contents: 36)

cartoon / 0.5 page (report information)

Script
Samuel Ehrhart (credited)
Pencils
Samuel Ehrhart (credited)
Inks
Samuel Ehrhart (credited)
Letters
typeset

Genre
humor
Reprints
  • from Puck (1905)

[no title indexed] (Table of Contents: 37)

Nervy Nat / comic story / 1 page (report information)

Script
James Montgomery Flagg (credited)
Pencils
James Montgomery Flagg (credited)
Inks
James Montgomery Flagg (credited)
Letters
typeset

First Line of Dialogue or Text
Now, isn't that disgraceful?
Genre
humor
Reprints

[no title indexed] (Table of Contents: 38)

cartoon / 0.5 page (report information)

Script
Harrison Cady (credited) (signed as Harrison Cady)
Pencils
Harrison Cady (credited) (signed as Harrison Cady)
Inks
Harrison Cady (credited) (signed as Harrison Cady)
Letters
typeset

First Line of Dialogue or Text
Gee! I'll have to give it up.
Genre
humor; anthropomorphic-funny animals
Reprints
  • from Life (1905)

Gossip (Table of Contents: 39)

cartoon / 0.5 page (report information)

Script
Fred Nankivel (credited, signed)
Pencils
Fred Nankivel (credited, signed)
Inks
Fred Nankivel (credited, signed)
Letters
typeset

Genre
humor
Reprints
  • from Puck (1902)

A Fourth of July Soliloquy (Table of Contents: 40)

cartoon / 0.25 page (report information)

Script
Frederick Burr Opper (credited) (signed as F. Opper)
Pencils
Frederick Burr Opper (credited) (signed as F. Opper)
Inks
Frederick Burr Opper (credited) (signed as F. Opper)
Letters
typeset

Genre
humor; advocacy
Reprints
  • from New York Evening Journal (1903)

[no title indexed] (Table of Contents: 41)

cartoon / 0.25 page (report information)

Script
E. W. Kemble (credited) (signed as Kemble)
Pencils
E. W. Kemble (credited) (signed as Kemble)
Inks
E. W. Kemble (credited) (signed as Kemble)
Letters
typeset

First Line of Dialogue or Text
Good Heavens! I've gone and hatched those China eggs.
Genre
humor; anthropomorphic-funny animals
Reprints
  • from Scribner's (1901)

[no title indexed] (Table of Contents: 42)

cartoon / 0.25 page (report information)

Script
J. R. Shaver (credited, signed)
Pencils
J. R. Shaver (credited, signed)
Inks
J. R. Shaver (credited, signed)
Letters
typeset

First Line of Dialogue or Text
Cold feet are usually caused by indigestion brought on by overeating.
Genre
humor
Reprints
  • from Scribner's (1905)

[no title indexed] (Table of Contents: 43)

cartoon / 0.25 page (report information)

Script
Carey (credited)
Pencils
Carey (credited)
Inks
Carey (credited)
Letters
typeset

First Line of Dialogue or Text
Well, Hank, I reckon we're goin' to have an early winter.
Genre
humor
Reprints
  • from Life (1908)

On the Diamond (Table of Contents: 44)

cartoon / 0.25 page (report information)

Script
Walt Kuhn (credited) (signed as Walt Kuhn)
Pencils
Walt Kuhn (credited) (signed as Walt Kuhn)
Inks
Walt Kuhn (credited) (signed as Walt Kuhn)
Letters
typeset

Genre
humor; anthropomorphic-funny animals
Reprints

Going Down? (Table of Contents: 45)

cartoon / 0.25 page (report information)

Script
A. D. Blashfield (credited)
Pencils
A. D. Blashfield (credited)
Inks
A. D. Blashfield (credited)
Letters
typeset

Genre
humor
Characters
Satan
Reprints
  • from Life (1906)

Powers' Presidential Possibilities - Republican (Table of Contents: 46)

cartoon / 0.5 page (report information)

Script
T. E. Powers (credited, signed)
Pencils
T. E. Powers (credited, signed)
Inks
T. E. Powers (credited, signed)
Letters
T. E. Powers (credited, signed)

Genre
humor; advocacy
Reprints
  • from New York Evening Journal (1903)

He Hadn't Been on a Bicycle for a Long Time, But Nevertheless He Had Not Lost His Skill. (Table of Contents: 47)

Foxy Grandpa / comic story / 0.5 page (report information)

Script
Carl E. Schultze (credited)
Pencils
Carl E. Schultze (credited)
Inks
Carl E. Schultze (credited)
Letters
typeset

Genre
humor
Reprints
  • from New York Evening Journal (1905)

Locating the Injury (Table of Contents: 48)

cartoon / 0.5 page (report information)

Script
Harrison Cady (credited) (signed as Harrison Cady)
Pencils
Harrison Cady (credited) (signed as Harrison Cady)
Inks
Harrison Cady (credited) (signed as Harrison Cady)
Letters
typeset

Genre
humor; anthropomorphic-funny animals
Reprints
  • from Puck (1905)

[no title indexed] (Table of Contents: 49)

Mr. Jack / comic story / 1 page (report information)

Script
James Swinnerton (credited) (signed as Swinnerton)
Pencils
James Swinnerton (credited) (signed as Swinnerton)
Inks
James Swinnerton (credited) (signed as Swinnerton)
Letters
James Swinnerton (credited) (signed as Swinnerton)

First Line of Dialogue or Text
Sh-h-h! I want to surprise my husband Mr. Jack
Genre
humor; anthropomorphic-funny animals
Reprints
  • from New York American (1904)

[no title indexed] (Table of Contents: 50)

comic story / 1 page (report information)

Script
Charles Dana Gibson (credited, signed)
Pencils
Charles Dana Gibson (credited, signed)
Inks
Charles Dana Gibson (credited, signed)
Letters
typeset

First Line of Dialogue or Text
Two strikes and the bases full
Genre
humor
Reprints
  • from Collier's (1904)
Keywords
baseball

The Champion (Table of Contents: 51)

cartoon / 0.5 page (report information)

Script
Charles Dana Gibson (credited, signed)
Pencils
Charles Dana Gibson (credited, signed)
Inks
Charles Dana Gibson (credited, signed)
Letters
typeset

Genre
humor
Reprints
  • from Collier's (1904)

Barnyard Reasoning (Table of Contents: 52)

cartoon / 0.5 page (report information)

Script
Walt Kuhn (credited) (signed as Walt Kuhn)
Pencils
Walt Kuhn (credited) (signed as Walt Kuhn)
Inks
Walt Kuhn (credited) (signed as Walt Kuhn)
Letters
typeset

Genre
humor; anthropomorphic-funny animals
Reprints

A Boy in Springtime (Table of Contents: 53)

cartoon / 1 page (report information)

Script
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Pencils
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Inks
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Letters
typeset

Genre
humor
Reprints

Nervy Nat Flags a Train (Table of Contents: 54)

Nervy Nat / comic story / 1 page (report information)

Script
James Montgomery Flagg (credited)
Pencils
James Montgomery Flagg (credited)
Inks
James Montgomery Flagg (credited)
Letters
typeset

Genre
humor
Reprints

Inflexible (Table of Contents: 55)

cartoon / 0.5 page (report information)

Script
Rose O'Neill (credited, signed)
Pencils
Rose O'Neill (credited, signed)
Inks
Rose O'Neill (credited, signed)
Letters
typeset

Genre
humor
Reprints
  • from Puck (1903)

[no title indexed] (Table of Contents: 56)

cartoon / 0.25 page (report information)

Script
John Conacher (credited)
Pencils
John Conacher (credited)
Inks
John Conacher (credited)
Letters
typeset

First Line of Dialogue or Text
Honk!
Genre
humor
Reprints
  • from Life (1907)

Dead Reckoning (Table of Contents: 57)

cartoon / 0.25 page (report information)

Script
Louis Glackens (credited as L. M. Glackens) (signed)
Pencils
Louis Glackens (credited as L. M. Glackens) (signed)
Inks
Louis Glackens (credited as L. M. Glackens) (signed)
Letters
typeset

Genre
humor
Reprints
  • from Puck (1908)

The First Automobile (Table of Contents: 58)

cartoon / 1 page (report information)

Script
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Pencils
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Inks
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Letters
typeset

Genre
humor
Reprints

A Pictorial Sermonette (Table of Contents: 59)

comic story / 1 page (report information)

Script
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Pencils
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Inks
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Letters
typeset

Genre
humor
Reprints

What Is the Most Intense Happiness That a Human Can Feel? (Table of Contents: 60)

comic story / 1 page (report information)

Script
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Pencils
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Inks
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Letters
typeset

Genre
humor
Reprints
  • from The Mysterious Stranger and Other Cartoons (1905)

Mrs. Scadsworth Goes Away for Her Health (Table of Contents: 61)

comic story / 1 page (report information)

Script
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Pencils
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Inks
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Letters
typeset

Genre
humor
Reprints
  • from The Mysterious Stranger and Other Cartoons (1905)

The Farmer of Fiction and Reality (Table of Contents: 62)

comic story / 1 page (report information)

Script
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Pencils
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Inks
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Letters
typeset

Genre
humor
Reprints
  • from The Mysterious Stranger and Other Cartoons (1905)

Maud! Hooligan! Alphonse! Gaston! Count Aloysius! Gee! (Table of Contents: 63)

Alphonse and Gaston / comic story / 1.25 pages (report information)

Script
Frederick Burr Opper (credited)
Pencils
Frederick Burr Opper (credited)
Inks
Frederick Burr Opper (credited)
Letters
Frederick Burr Opper (credited)

Genre
humor
Reprints
  • from New York American (1907)

[no title indexed] (Table of Contents: 64)

cartoon / 0.5 page (report information)

Script
T. S. Sullivant (credited, signed)
Pencils
T. S. Sullivant (credited, signed)
Inks
T. S. Sullivant (credited, signed)
Letters
typeset

First Line of Dialogue or Text
I lost my balance as the street car started today and sat right in a monkey's lap.
Genre
humor; anthropomorphic-funny animals
Reprints
  • from Harper's Weekly (1912)

Stylish (Table of Contents: 65)

cartoon / 0.25 page (report information)

Script
Walt Kuhn (credited) (signed as Walt Kuhn)
Pencils
Walt Kuhn (credited) (signed as Walt Kuhn)
Inks
Walt Kuhn (credited) (signed as Walt Kuhn)
Letters
typeset

Genre
humor; anthropomorphic-funny animals
Reprints

The football game was waxing hot. (Table of Contents: 66)

comic story / 1 page (report information)

Script
Wallace Morgan (credited)
Pencils
Wallace Morgan (credited)
Inks
Wallace Morgan (credited)
Letters
typeset

Genre
humor
Reprints
  • from New York Herald (1907)

Trying to Square Himself (Table of Contents: 67)

comic story / 0.5 page (report information)

Script
E. W. Kemble (credited) (signed as Kemble)
Pencils
E. W. Kemble (credited) (signed as Kemble)
Inks
E. W. Kemble (credited) (signed as Kemble)
Letters
typeset

Genre
humor
Reprints
  • from Harper's Weekly (1909)

[no title indexed] (Table of Contents: 68)

comic story / 0.5 page (report information)

Script
Louis Glackens (credited as L. M. Glackens) (signed)
Pencils
Louis Glackens (credited as L. M. Glackens) (signed)
Inks
Louis Glackens (credited as L. M. Glackens) (signed)
Letters
typeset

First Line of Dialogue or Text
I can't reach it, Gran'pa.
Genre
humor
Reprints
  • from Puck (1907)

The Gentle Sex (Table of Contents: 69)

comic story / 0.5 page (report information)

Script
T. E. Powers (credited, signed)
Pencils
T. E. Powers (credited, signed)
Inks
T. E. Powers (credited, signed)
Letters
T. E. Powers (credited, signed)

Genre
humor
Reprints
  • from New York Evening Journal (1907)

[no title indexed] (Table of Contents: 70)

cartoon / 0.25 page (report information)

Script
George R. Brill (credited)
Pencils
George R. Brill (credited)
Inks
George R. Brill (credited)
Letters
typeset

First Line of Dialogue or Text
I ketched this here mutt pinchin' bananas off a fruit stand
Genre
humor
Reprints
  • from Life (1914)

A Little Problem in Millinery (Table of Contents: 71)

comic story / 0.25 page (report information)

Script
Gordon Grant (credited)
Pencils
Gordon Grant (credited)
Inks
Gordon Grant (credited)
Letters
typeset

Genre
humor
Reprints
  • from Puck (1907)

As Good As the Best of Them (Table of Contents: 72)

cartoon / 0.5 page (report information)

Script
H. C. Greening (credited, signed)
Pencils
H. C. Greening (credited, signed)
Inks
H. C. Greening (credited, signed)
Letters
typeset

Genre
humor
Reprints

[no title indexed] (Table of Contents: 73)

cartoon / 0.5 page (report information)

Script
Mark Fenderson (credited)
Pencils
Mark Fenderson (credited)
Inks
Mark Fenderson (credited)
Letters
typeset

First Line of Dialogue or Text
Oh, if you were only a horse!
Genre
humor
Reprints
  • from Harper's Weekly (1909)

[no title indexed] (Table of Contents: 74)

Little Nemo in Slumberland / comic story / 2 pages (report information)

Script
Winsor McCay (credited, signed)
Pencils
Winsor McCay (credited, signed)
Inks
Winsor McCay (credited, signed)
Letters
Winsor McCay (credited, signed)

First Line of Dialogue or Text
Oh! You got it back again.
Genre
humor; fantasy-supernatural
Characters
Little Nemo; Flip
Reprints
  • from New York Herald (1908)

[no title indexed] (Table of Contents: 75)

cartoon / 1 page (report information)

Script
Harrison Cady (credited) (signed as Harrison Cady)
Pencils
Harrison Cady (credited) (signed as Harrison Cady)
Inks
Harrison Cady (credited) (signed as Harrison Cady)
Letters
typeset

First Line of Dialogue or Text
Hurrah! The first potato vine is up!
Genre
humor; anthropomorphic-funny animals
Reprints

Home from Harvard (Table of Contents: 76)

cartoon / 1 page (report information)

Script
Harrison Cady (credited) (signed as Harrison Cady)
Pencils
Harrison Cady (credited) (signed as Harrison Cady)
Inks
Harrison Cady (credited) (signed as Harrison Cady)
Letters
typeset

Genre
humor
Reprints
  • from Life (1909)

Chips from the Diamond (Table of Contents: 77)

comic story / 1 page (report information)

Script
E. W. Kemble (credited) (signed as Kemble)
Pencils
E. W. Kemble (credited) (signed as Kemble)
Inks
E. W. Kemble (credited) (signed as Kemble)
Letters
E. W. Kemble (credited) (signed as Kemble)

Genre
humor
Reprints
  • from Harper's Weekly (1909)
Keywords
baseball

The Regatta of the Future (Table of Contents: 78)

cartoon / 1 page (report information)

Script
Al Walker (credited as A. B. Walker)
Pencils
Al Walker (credited as A. B. Walker)
Inks
Al Walker (credited as A. B. Walker)
Letters
typeset

Genre
humor
Reprints
  • from Life (1909)

[no title indexed] (Table of Contents: 79)

cartoon / 0.5 page (report information)

Script
Al Walker (credited as A. B. Walker)
Pencils
Al Walker (credited as A. B. Walker)
Inks
Al Walker (credited as A. B. Walker)
Letters
typeset

First Line of Dialogue or Text
Great Scott! I thought he'd gone to Africa!
Genre
humor
Characters
Theodore Roosevelt
Reprints
  • from Life (1909)

Good Advice (Table of Contents: 80)

cartoon / 0.25 page (report information)

Script
Walt Kuhn (credited) (signed as Walt Kuhn)
Pencils
Walt Kuhn (credited) (signed as Walt Kuhn)
Inks
Walt Kuhn (credited) (signed as Walt Kuhn)
Letters
typeset

Genre
humor; anthropomorphic-funny animals
Reprints

All the Gnus That's Fit to Print (Table of Contents: 81)

cartoon / 0.25 page (report information)

Script
T. S. Sullivant (credited, signed)
Pencils
T. S. Sullivant (credited, signed)
Inks
T. S. Sullivant (credited, signed)
Letters
typeset

Genre
humor
Reprints
  • from Harper's Weekly (1909)

Getting Even (Table of Contents: 82)

cartoon / 0.5 page (report information)

Script
Ralph Briggs Fuller (credited as R. B. Fuller) (signed as R. B. Fuller)
Pencils
Ralph Briggs Fuller (credited as R. B. Fuller) (signed as R. B. Fuller)
Inks
Ralph Briggs Fuller (credited as R. B. Fuller) (signed as R. B. Fuller)
Letters
typeset

Genre
humor
Reprints

[no title indexed] (Table of Contents: 83)

cartoon / 0.5 page (report information)

Script
T. S. Allen (credited)
Pencils
T. S. Allen (credited)
Inks
T. S. Allen (credited)
Letters
typeset

First Line of Dialogue or Text
Do you know, John, this is the first time I've really enjoyed riding in this thing since you got it?
Genre
humor
Reprints
  • from Life (1909)

[no title indexed] (Table of Contents: 84)

cartoon / 0.5 page (report information)

Script
Crosly (credited)
Pencils
Crosly (credited)
Inks
Crosly (credited)
Letters
typeset

First Line of Dialogue or Text
How can you sleep so late in the morning?
Genre
humor
Reprints
  • from Life (1909)

The Advancement of Women (Table of Contents: 85)

cartoon / 0.5 page (report information)

Script
Homer Fleming (credited)
Pencils
Homer Fleming (credited)
Inks
Homer Fleming (credited)
Letters
typeset

Genre
humor
Reprints
  • from Life (1909)

When the News of President Roosevelt's Visit Reached Africa (Table of Contents: 86)

comic story / 1 page (report information)

Script
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Pencils
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Inks
John McCutcheon (credited as John T. McCutcheon) (signed as McCutcheon)
Letters
typeset

Genre
humor
Reprints
  • from Theodore Roosevelt in Cartoons (1910)

[no title indexed] (Table of Contents: 87)

cartoon / 0.33 page (report information)

Script
T. S. Sullivant (credited, signed)
Pencils
T. S. Sullivant (credited, signed)
Inks
T. S. Sullivant (credited, signed)
Letters
typeset

First Line of Dialogue or Text
What do you think of his riding?
Genre
humor
Reprints
  • from Life (1910)
Keywords
centaur

[no title indexed] (Table of Contents: 88)

cartoon / 0.33 page (report information)

Script
Louis Glackens (credited as L. M. Glackens) (signed)
Pencils
Louis Glackens (credited as L. M. Glackens) (signed)
Inks
Louis Glackens (credited as L. M. Glackens) (signed)
Letters
typeset

First Line of Dialogue or Text
'Hould th' wire' says he. Begorry!
Genre
humor
Reprints
  • from Puck (1909)

Lo, the Poor Indian (Table of Contents: 89)

cartoon / 0.34 page (report information)

Script
T. S. Sullivant (credited, signed)
Pencils
T. S. Sullivant (credited, signed)
Inks
T. S. Sullivant (credited, signed)
Letters
typeset

Genre
humor
Reprints
  • from Life (1911)

They Are Simply Rolling in Wealth - in the Moving Pictures (Table of Contents: 90)

The Hall Room Boys / comic story / 1 page (report information)

Script
H. A. MacGill (credited, signed)
Pencils
H. A. MacGill (credited, signed)
Inks
H. A. MacGill (credited, signed)
Letters
H. A. MacGill (credited, signed)

Genre
humor
Reprints
  • from New York Evening Journal (1911)

Getting Square with Maud! (Table of Contents: 91)

And Her Name Was Maud / comic story / 2 pages (report information)

Script
Frederick Burr Opper (credited) (signed as F. Opper)
Pencils
Frederick Burr Opper (credited) (signed as F. Opper)
Inks
Frederick Burr Opper (credited) (signed as F. Opper)
Letters
Frederick Burr Opper (credited) (signed as F. Opper)

Genre
humor; animal
Reprints
  • from New York American (1912)

That's What They All Say (Table of Contents: 92)

comic story / 1 page (report information)

Script
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])
Pencils
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])
Inks
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])
Letters
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])

Genre
humor
Reprints
  • from New York Evening Journal (1912)

It Might Have Been Worse (Table of Contents: 93)

comic story / 1 page (report information)

Script
T. E. Powers (credited, signed)
Pencils
T. E. Powers (credited, signed)
Inks
T. E. Powers (credited, signed)
Letters
T. E. Powers (credited, signed)

Genre
humor
Reprints
  • from New York American (1912)

[no title indexed] (Table of Contents: 94)

cartoon / 0.5 page (report information)

Script
Oliver Herford (credited)
Pencils
Oliver Herford (credited)
Inks
Oliver Herford (credited)
Letters
typeset

First Line of Dialogue or Text
If you should ask me, whether Dante...
Genre
humor
Reprints
  • from Harper's Weekly (1913)

The Only Way (Table of Contents: 95)

cartoon / 0.5 page (report information)

Script
John Held (credited as John Held Jr.) (signed)
Pencils
John Held (credited as John Held Jr.) (signed)
Inks
John Held (credited as John Held Jr.) (signed)
Letters
typeset

Genre
humor
Reprints

[no title indexed] (Table of Contents: 96)

cartoon / 0.5 page (report information)

Script
Oliver Herford (credited)
Pencils
Oliver Herford (credited)
Inks
Oliver Herford (credited)
Letters
typeset

First Line of Dialogue or Text
I love to picture Daniel Frohman...
Genre
humor
Reprints
  • from Harper's Weekly (1913)

[no title indexed] (Table of Contents: 97)

cartoon / 0.5 page (report information)

Script
Art Young (credited)
Pencils
Art Young (credited)
Inks
Art Young (credited)
Letters
typeset

First Line of Dialogue or Text
I gorry, I'm tired!
Genre
humor
Reprints
  • from The Masses (1913)

Noticeable (Table of Contents: 98)

cartoon / 0.5 page (report information)

Script
H. Hart (credited)
Pencils
H. Hart (credited)
Inks
H. Hart (credited)
Letters
typeset

Genre
humor
Reprints
  • from Life (1909)

[no title indexed] (Table of Contents: 99)

cartoon / 0.5 page (report information)

Script
Bayard Jones (credited)
Pencils
Bayard Jones (credited)
Inks
Bayard Jones (credited)
Letters
typeset

First Line of Dialogue or Text
There, but by the grace of graft, sit I.
Genre
humor
Reprints
  • from Life (1913)

[no title indexed] (Table of Contents: 100)

cartoon / 0.5 page (report information)

Script
Horace Taylor (credited)
Pencils
Horace Taylor (credited)
Inks
Horace Taylor (credited)
Letters
typeset

Genre
humor; advocacy
Reprints
  • from The Masses (1911)

[no title indexed] (Table of Contents: 101)

cartoon / 0.5 page (report information)

Script
H. Imbrie (credited)
Pencils
H. Imbrie (credited)
Inks
H. Imbrie (credited)
Letters
typeset

First Line of Dialogue or Text
Let's go in and bust up the meeting
Genre
humor; anthropomorphic-funny animals
Reprints
  • from Life (1913)
Keywords
Women's Suffrage

Playing to Empty Seats (Table of Contents: 102)

cartoon / 1 page (report information)

Script
John Sloan (credited)
Pencils
John Sloan (credited)
Inks
John Sloan (credited)
Letters
typeset

Genre
humor
Reprints
  • from Harper's Weekly (1913)

[no title indexed] (Table of Contents: 103)

cartoon / 1 page (report information)

Script
George Bellows (credited)
Pencils
George Bellows (credited)
Inks
George Bellows (credited)
Letters
typeset

First Line of Dialogue or Text
Dey's woims in it!
Genre
humor
Reprints
  • from The Masses (1914)

At the End of the War (Table of Contents: 104)

cartoon / 1 page (report information)

Script
John Sloan (credited)
Pencils
John Sloan (credited)
Inks
John Sloan (credited)
Letters
typeset

Genre
humor
Characters
Satan; St. Peter
Reprints
  • from Harper's Weekly (1914)

[no title indexed] (Table of Contents: 105)

cartoon / 1 page (report information)

Script
Boardman Robinson (credited, signed)
Pencils
Boardman Robinson (credited, signed)
Inks
Boardman Robinson (credited, signed)
Letters
typeset

First Line of Dialogue or Text
What's the celebration about, M's Milligan?
Genre
humor
Reprints
  • from The Masses (1915)

[no title indexed] (Table of Contents: 106)

cartoon / 1 page (report information)

Script
Glenn O. Coleman (credited)
Pencils
Glenn O. Coleman (credited)
Inks
Glenn O. Coleman (credited)
Letters
typeset

First Line of Dialogue or Text
I thought there was to be a funeral here.
Genre
humor
Reprints
  • from The Masses (1915)

[no title indexed] (Table of Contents: 107)

cartoon / 0.5 page (report information)

Script
Robert Minor (credited)
Pencils
Robert Minor (credited)
Inks
Robert Minor (credited)
Letters
typeset

First Line of Dialogue or Text
Your Honor, this woman gave birth to a naked child!
Genre
humor
Reprints
  • from The Masses (1915)

The Poet's Plaint (Table of Contents: 108)

cartoon / 0.5 page (report information)

Script
Donald McKee (credited) (signed as Donald McKee)
Pencils
Donald McKee (credited) (signed as Donald McKee)
Inks
Donald McKee (credited) (signed as Donald McKee)
Letters
typeset

Genre
humor
Reprints

Styles for Men, 1915 (Table of Contents: 109)

comic story / 1 page (report information)

Script
Hy Mayer (credited)
Pencils
Hy Mayer (credited)
Inks
Hy Mayer (credited)
Letters
Hy Mayer (credited)

Genre
humor
Reprints
  • from Puck (1915)

When a Feller Needs a Friend (Table of Contents: 110)

cartoon / 1 page (report information)

Script
Clare Briggs (credited) (signed as Briggs)
Pencils
Clare Briggs (credited) (signed as Briggs)
Inks
Clare Briggs (credited) (signed as Briggs)
Letters
Clare Briggs (credited) (signed as Briggs)

Genre
humor
Reprints
  • from New York Herald Tribune (1916)

[no title indexed] (Table of Contents: 111)

Tad's Favorite Indoor Sports / comic story / 1 page (report information)

Script
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])
Pencils
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])
Inks
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])
Letters
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])

First Line of Dialogue or Text
Reading the paper on the train as you scamper home
Reprints
  • from New York Evening Journal (1916)

World War I and the Impudent Decade (Table of Contents: 112)

text article / 10 pages (report information)

Script
Thomas Craven
Letters
typeset

[no title indexed] (Table of Contents: 113)

cartoon / 1 page (report information)

Script
Bruce Bairnsfather (credited) (signed as Bruce Bairnsfather)
Pencils
Bruce Bairnsfather (credited) (signed as Bruce Bairnsfather)
Inks
Bruce Bairnsfather (credited) (signed as Bruce Bairnsfather)
Letters
typeset

First Line of Dialogue or Text
Well, if you knows a better 'ole, go to it.
Genre
humor; war
Reprints
  • from The Bellman (1916)

A Moving Pitcher (Table of Contents: 114)

comic story / 1 page (report information)

Script
Crawford Young (credited) (signed as Crawford Young)
Pencils
Crawford Young (credited) (signed as Crawford Young)
Inks
Crawford Young (credited) (signed as Crawford Young)
Letters
typeset

Genre
humor
Reprints
Keywords
baseball

Movie of a Man and a Night Thunderstorm (Table of Contents: 115)

comic story / 1 page (report information)

Script
Clare Briggs (credited) (signed as Briggs)
Pencils
Clare Briggs (credited) (signed as Briggs)
Inks
Clare Briggs (credited) (signed as Briggs)
Letters
Clare Briggs (credited) (signed as Briggs)

Genre
humor
Reprints
  • from New York Tribune (1917)

Saturday, When Suckers Is a Biting. (Table of Contents: 116)

cartoon / 1 page (report information)

Script
Eugene Zimmerman (credited as Zim) (signed as Zim)
Pencils
Eugene Zimmerman (credited as Zim) (signed as Zim)
Inks
Eugene Zimmerman (credited as Zim) (signed as Zim)
Letters
Eugene Zimmerman (credited as Zim) (signed as Zim)

Genre
humor
Reprints

[no title indexed] (Table of Contents: 117)

cartoon / 1 page (report information)

Script
Charles Forbell (credited) (signed as Forbell)
Pencils
Charles Forbell (credited) (signed as Forbell)
Inks
Charles Forbell (credited) (signed as Forbell)
Letters
typeset

First Line of Dialogue or Text
Don't fall, Henry, or you'll break the picture
Genre
humor
Reprints
  • from Life (1917)

Girth Control (Table of Contents: 118)

cartoon / 1 page (report information)

Script
Orson Lowell (credited) (signed as Orson Lowell)
Pencils
Orson Lowell (credited) (signed as Orson Lowell)
Inks
Orson Lowell (credited) (signed as Orson Lowell)
Letters
typeset

Genre
humor
Reprints

[no title indexed] (Table of Contents: 119)

cartoon / 0.5 page (report information)

Script
Tony Sarg (credited, signed)
Pencils
Tony Sarg (credited, signed)
Inks
Tony Sarg (credited, signed)
Letters
typeset

First Line of Dialogue or Text
I say, Corporal Jenkins, have you seen my baggage about anywhere?
Genre
humor; military
Reprints

One in a Thousand (Table of Contents: 120)

cartoon / 0.5 page (report information)

Script
John Conacher (credited)
Pencils
John Conacher (credited)
Inks
John Conacher (credited)
Letters
typeset

Genre
humor
Reprints

[no title indexed] (Table of Contents: 121)

cartoon / 0.5 page (report information)

Script
T. S. Sullivant (credited, signed)
Pencils
T. S. Sullivant (credited, signed)
Inks
T. S. Sullivant (credited, signed)
Letters
typeset

First Line of Dialogue or Text
I've often heard of the horrors of war, but I never expected to be one
Genre
humor
Reprints
  • from Life (1918)

Combining Beauty and Utility; or, Some 1917 Model Hats (Table of Contents: 122)

comic story / 0.5 page (report information)

Script
Al Merrick (credited)
Pencils
Al Merrick (credited)
Inks
Al Merrick (credited)
Letters
typeset

Genre
humor
Reprints

[no title indexed] (Table of Contents: 123)

cartoon / 0.5 page (report information)

Script
John Conacher (credited)
Pencils
John Conacher (credited)
Inks
John Conacher (credited)
Letters
typeset

First Line of Dialogue or Text
Second-Lieutenant and Private Tomlinson (own brothers in private life) meet...
Genre
humor; military
Reprints
  • from Life (1918)

A Newly-Minted Corp'ral, Comin' Down the Line (Table of Contents: 124)

cartoon / 0.5 page (report information)

Script
Wally Wallgren (credited)
Pencils
Wally Wallgren (credited)
Inks
Wally Wallgren (credited)
Letters
typeset

Genre
humor; military
Reprints

How We Forced Germany into the War (Table of Contents: 125)

comic story / 1 page (report information)

Script
J. N. Ding (credited)
Pencils
J. N. Ding (credited)
Inks
J. N. Ding (credited)
Letters
J. N. Ding (credited)

Genre
humor
Reprints
  • from Des Moines Register (1918)

Hindenburg's Day (Table of Contents: 126)

comic story / 1 page (report information)

Script
Gluyas Williams (credited)
Pencils
Gluyas Williams (credited)
Inks
Gluyas Williams (credited)
Letters
Gluyas Williams (credited)

Genre
humor
Reprints
  • from Life (1918)

[no title indexed] (Table of Contents: 127)

cartoon / 1 page (report information)

Script
Percy Crosby (credited) (signed as P. L. Crosby)
Pencils
Percy Crosby (credited) (signed as P. L. Crosby)
Inks
Percy Crosby (credited) (signed as P. L. Crosby)
Letters
Percy Crosby (credited) (signed as P. L. Crosby)

First Line of Dialogue or Text
Good Heavens!!! I must have been an awfully sick man
Genre
humor
Reprints
  • from Between Shots (1918)

My, How She Has Changed (Table of Contents: 128)

cartoon / 1 page (report information)

Script
Wally Wallgren (credited as A. A. Wallgren) (signed)
Pencils
Wally Wallgren (credited as A. A. Wallgren) (signed)
Inks
Wally Wallgren (credited as A. A. Wallgren) (signed)
Letters
Wally Wallgren (credited as A. A. Wallgren) (signed)

Genre
humor; advocacy
Reprints

Dog-Gone It (Table of Contents: 129)

comic story / 1 page (report information)

Script
Claude Shafer (credited) (signed as Shafer)
Pencils
Claude Shafer (credited) (signed as Shafer)
Inks
Claude Shafer (credited) (signed as Shafer)
Letters
Claude Shafer (credited) (signed as Shafer)

Genre
humor
Reprints
  • from Cincinnati Post (1919)

A Few Days with Lenine and Trotzky, According to the Newspapers (Table of Contents: 130)

comic story / 1 page (report information)

Script
Ellison Hoover (credited) (signed as Ellison Hoover)
Pencils
Ellison Hoover (credited) (signed as Ellison Hoover)
Inks
Ellison Hoover (credited) (signed as Ellison Hoover)
Letters
Ellison Hoover (credited) (signed as Ellison Hoover)

Genre
humor
Reprints
  • from Life (1920)

[no title indexed] (Table of Contents: 131)

cartoon / 0.5 page (report information)

Script
Art Young (credited)
Pencils
Art Young (credited)
Inks
Art Young (credited)
Letters
typeset

First Line of Dialogue or Text
Say, Bill, do you know what we made out of the World War...
Genre
humor
Reprints
  • from The Liberator (1919)

[no title indexed] (Table of Contents: 132)

cartoon / 0.5 page (report information)

Script
T. S. Sullivant (credited, signed)
Pencils
T. S. Sullivant (credited, signed)
Inks
T. S. Sullivant (credited, signed)
Letters
typeset

First Line of Dialogue or Text
I can't make up my mind whether to buy my wife a milkin' stool...
Genre
humor
Reprints
  • from Life (1920)

[no title indexed] (Table of Contents: 133)

cartoon / 1 page (report information)

Script
Rollin Kirby (credited) (signed as Rollin Kirby)
Pencils
Rollin Kirby (credited) (signed as Rollin Kirby)
Inks
Rollin Kirby (credited) (signed as Rollin Kirby)
Letters
typeset

First Line of Dialogue or Text
Now then, all together, 'My Country 'Tis of Thee'
Genre
humor
Reprints
  • from The World (1920)

If Senators Talked at Home as They Do in Congress (Table of Contents: 134)

comic story / 1 page (report information)

Script
Gluyas Williams (credited, signed)
Pencils
Gluyas Williams (credited, signed)
Inks
Gluyas Williams (credited, signed)
Letters
typeset

Genre
humor
Reprints
  • from Life (1920)

Somebody Is Always Taking the Joy Out of Life (Table of Contents: 135)

comic story / 0.75 page (report information)

Script
Clare Briggs (credited) (signed as Briggs)
Pencils
Clare Briggs (credited) (signed as Briggs)
Inks
Clare Briggs (credited) (signed as Briggs)
Letters
Clare Briggs (credited) (signed as Briggs)

Genre
humor
Reprints
  • from New York Tribune (1920)

Inventions of Professor Lucifer Butts (Table of Contents: 136)

comic story / 0.25 page (report information)

Script
Rube Goldberg (credited) (signed as R L Goldberg)
Pencils
Rube Goldberg (credited) (signed as R L Goldberg)
Inks
Rube Goldberg (credited) (signed as R L Goldberg)
Letters
Rube Goldberg (credited) (signed as R L Goldberg)

Genre
humor
Reprints
  • from Collier's (1920)

[no title indexed] (Table of Contents: 137)

Mr. and Mrs. / comic story / 2 pages (report information)

Script
Clare Briggs (credited) (signed as Briggs)
Pencils
Clare Briggs (credited) (signed as Briggs)
Inks
Clare Briggs (credited) (signed as Briggs)
Letters
Clare Briggs (credited) (signed as Briggs)

First Line of Dialogue or Text
We're ruining this child but I can't help it
Genre
humor; domestic
Reprints
  • from New York Tribune (1920)

A Day in the Life of the One-Note Man (Table of Contents: 138)

comic story / 2 pages (report information)

Script
H. M. Bateman (credited, signed)
Pencils
H. M. Bateman (credited, signed)
Inks
H. M. Bateman (credited, signed)
Letters
typeset

Genre
humor
Reprints
  • from Golden Book (1921)

Outspeeding Father Time (Table of Contents: 139)

Mutt and Jeff / comic story / 2 pages (report information)

Script
Bud Fisher (credited)
Pencils
Bud Fisher (credited)
Inks
Bud Fisher (credited)
Letters
Bud Fisher (credited)

Genre
humor
Characters
Jeff; Mutt
Reprints
  • from The World (1921)

A Valentine (Table of Contents: 140)

Gasoline Alley / comic story / 0.25 page (report information)

Script
Frank King (credited, signed)
Pencils
Frank King (credited, signed)
Inks
Frank King (credited, signed)
Letters
Frank King (credited, signed)

Genre
humor; drama
Reprints
  • from Gasoline Alley daily (Chicago Tribune) 1921-xx-xx

[no title indexed] (Table of Contents: 141)

Ain't It a Grand and Glorious Feelin'? / comic story / 0.75 page (report information)

Script
Clare Briggs (credited) (signed as Briggs)
Pencils
Clare Briggs (credited) (signed as Briggs)
Inks
Clare Briggs (credited) (signed as Briggs)
Letters
Clare Briggs (credited) (signed as Briggs)

First Line of Dialogue or Text
When your landlord has given you notice to vacate
Genre
humor
Reprints
  • from New York Tribune (1920)

The Days of Real Sport (Table of Contents: 142)

cartoon / 0.75 page (report information)

Script
Clare Briggs (credited) (signed as Briggs)
Pencils
Clare Briggs (credited) (signed as Briggs)
Inks
Clare Briggs (credited) (signed as Briggs)
Letters
typeset

Genre
humor
Reprints
  • from New York Tribune (1922)

Barney Runs a Real Coup (Table of Contents: 143)

Barney Google / comic story / 0.25 page (report information)

Script
Billy DeBeck (credited) (signed as DeBeck)
Pencils
Billy DeBeck (credited) (signed as DeBeck)
Inks
Billy DeBeck (credited) (signed as DeBeck)
Letters
Billy DeBeck (credited) (signed as DeBeck)

Genre
humor
Characters
Barney Google; Sparky
Reprints
  • from New York American (1922)

Sparky Is a Loving Old Soul (Table of Contents: 144)

Barney Google / comic story / 0.25 page (report information)

Script
Billy DeBeck (credited) (signed as DeBeck)
Pencils
Billy DeBeck (credited) (signed as DeBeck)
Inks
Billy DeBeck (credited) (signed as DeBeck)
Letters
Billy DeBeck (credited) (signed as DeBeck)

Genre
humor
Characters
Barney Google; Sparky
Reprints
  • from New York American (1922)

It Happens in the Best Regulated Families! (Table of Contents: 145)

cartoon / 0.75 page (report information)

Script
Clare Briggs (credited) (signed as Briggs)
Pencils
Clare Briggs (credited) (signed as Briggs)
Inks
Clare Briggs (credited) (signed as Briggs)
Letters
Clare Briggs (credited) (signed as Briggs)

Genre
humor
Reprints
  • from New York Tribune (1922)

Learning to Shift Gears (Table of Contents: 146)

Gasoline Alley / comic story / 0.25 page (report information)

Script
Frank King (credited, signed)
Pencils
Frank King (credited, signed)
Inks
Frank King (credited, signed)
Letters
Frank King (credited, signed)

Genre
humor; drama
Reprints
  • from Gasoline Alley daily (Chicago Tribune) 1922-xx-xx

[no title indexed] (Table of Contents: 147)

Ain't It a Grand and Glorious Feelin'? / cartoon / 0.75 page (report information)

Script
Clare Briggs (credited) (signed as Briggs)
Pencils
Clare Briggs (credited) (signed as Briggs)
Inks
Clare Briggs (credited) (signed as Briggs)
Letters
Clare Briggs (credited) (signed as Briggs)

First Line of Dialogue or Text
When, on a hot night you flop on the bed to read a few chapters...
Genre
humor
Reprints
  • from New York Tribune (1922)

[no title indexed] (Table of Contents: 148)

Little Jimmy / comic story / 0.33 page (report information)

Script
James Swinnerton (credited) (signed as Swinnerton)
Pencils
James Swinnerton (credited) (signed as Swinnerton)
Inks
James Swinnerton (credited) (signed as Swinnerton)
Letters
James Swinnerton (credited) (signed as Swinnerton)

First Line of Dialogue or Text
I don't like li'l boys a tall!
Genre
humor; children; domestic
Reprints
  • from New York American (1922)

[no title indexed] (Table of Contents: 149)

cartoon / 0.33 page (report information)

Script
Gene Carr (credited)
Pencils
Gene Carr (credited)
Inks
Gene Carr (credited)
Letters
typeset

First Line of Dialogue or Text
C'mon, Mary Pickford, an' git busy with them supper dishes!
Genre
humor
Reprints
  • from Kid Kartoons (1922)

[no title indexed] (Table of Contents: 150)

cartoon / 0.34 page (report information)

Script
T. S. Sullivant (credited)
Pencils
T. S. Sullivant (credited)
Inks
T. S. Sullivant (credited)
Letters
typeset

First Line of Dialogue or Text
There goes Willie Kangaroo.
Genre
humor; anthropomorphic-funny animals
Reprints
  • from Life (1922)

[no title indexed] (Table of Contents: 151)

cartoon / 0.25 page (report information)

Script
Percy Crosby (credited) (signed as P. L. Crosby)
Pencils
Percy Crosby (credited) (signed as P. L. Crosby)
Inks
Percy Crosby (credited) (signed as P. L. Crosby)
Letters
typeset

First Line of Dialogue or Text
Why don't they get up some flower that means a bust in the nose?
Genre
humor
Reprints
  • from Life (1922)

[no title indexed] (Table of Contents: 152)

cartoon / 0.75 page (report information)

Script
Art Young (credited, signed)
Pencils
Art Young (credited, signed)
Inks
Art Young (credited, signed)
Letters
typeset

First Line of Dialogue or Text
Chee, Annie, look at de stars - thick as bed-bugs!
Genre
humor
Reprints

[no title indexed] (Table of Contents: 153)

Tad's Favorite Indoor Sports / comic story / 3 pages (report information)

Script
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])
Pencils
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])
Inks
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])
Letters
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])

First Line of Dialogue or Text
Lamping the boss who left the office for an out of town call...
Reprints
  • from New York Evening Journal (1922)

The Five Senses (Table of Contents: 154)

comic story / 1 page (report information)

Script
Nell Brinkley (credited)
Pencils
Nell Brinkley (credited)
Inks
Nell Brinkley (credited)
Letters
Nell Brinkley (credited)

Genre
humor
Reprints
  • from New York American (1923)

An Educational-Travel Reel (Table of Contents: 155)

cartoon / 1.5 pages (report information)

Script
McGurk (credited)
Pencils
McGurk (credited)
Inks
McGurk (credited)
Letters
McGurk (credited)

Genre
humor
Reprints
  • from New York American (1923)

Further Instructions Needed (Table of Contents: 156)

Jerry on the Job / comic story / 0.25 page (report information)

Script
Walter Hoban (credited)
Pencils
Walter Hoban (credited)
Inks
Walter Hoban (credited)
Letters
Walter Hoban (credited)

First Line of Dialogue or Text
You stand guard at the door and if anybody wants to see me tell him I'm out.
Genre
humor
Reprints
  • from New York Evening Journal (1923)

He Wants What's Coming to Him (Table of Contents: 157)

Abie the Agent / comic story / 0.25 page (report information)

Script
Harry Hershfield (credited)
Pencils
Harry Hershfield (credited)
Inks
Harry Hershfield (credited)
Letters
Harry Hershfield (credited)

Genre
humor
Reprints
  • from New York Evening Journal (1923)

[no title indexed] (Table of Contents: 158)

Tad's Favorite Indoor Sports / comic story / 2 pages (report information)

Script
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])
Pencils
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])
Inks
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])
Letters
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])

First Line of Dialogue or Text
Waiting for the boss to faint as the book keeper starts to ask for a slight raise
Reprints
  • from New York Evening Journal (1923)

The First Shave (Table of Contents: 159)

When a Feller Needs a Friend / cartoon / 1 page (report information)

Script
Clare Briggs (credited) (signed as Briggs)
Pencils
Clare Briggs (credited) (signed as Briggs)
Inks
Clare Briggs (credited) (signed as Briggs)
Letters
Clare Briggs (credited) (signed as Briggs)

Genre
humor
Reprints
  • from New York Herald Tribune (1923)

[no title indexed] (Table of Contents: 160)

Ain't It a Grand and Glorious Feelin'? / comic story / 0.75 page (report information)

Script
Clare Briggs (credited) (signed as Briggs)
Pencils
Clare Briggs (credited) (signed as Briggs)
Inks
Clare Briggs (credited) (signed as Briggs)
Letters
Clare Briggs (credited) (signed as Briggs)

First Line of Dialogue or Text
When you've been reading about a terrible kidnapping case...
Genre
humor
Reprints
  • from New York Tribune (1924)

The Inferiority Complex (Table of Contents: 161)

cartoon / 0.25 page (report information)

Script
Art Young (credited)
Pencils
Art Young (credited)
Inks
Art Young (credited)
Letters
typeset

Genre
humor
Reprints
  • from The Saturday Evening Post (1924)

Moments We'd Like to Live Over - Fifth Grade Photo (Table of Contents: 162)

cartoon / 0.75 page (report information)

Script
J. R. Williams (credited) (signed as J. R. Williams)
Pencils
J. R. Williams (credited) (signed as J. R. Williams)
Inks
J. R. Williams (credited) (signed as J. R. Williams)
Letters
J. R. Williams (credited) (signed as J. R. Williams)

Genre
humor
Reprints
  • from The World (1920)

[no title indexed] (Table of Contents: 163)

cartoon / 0.25 page (report information)

Script
Alice Harvey (credited) (signed as Alice Harvey)
Pencils
Alice Harvey (credited) (signed as Alice Harvey)
Inks
Alice Harvey (credited) (signed as Alice Harvey)
Letters
typeset

First Line of Dialogue or Text
Do you like Kipling?
Genre
humor
Reprints
  • from Life (1924)

Bridge (Table of Contents: 164)

comic story / 3 pages (report information)

Script
Harold Tucker Webster (credited as H. T. Webster) (signed as Webster)
Pencils
Harold Tucker Webster (credited as H. T. Webster) (signed as Webster)
Inks
Harold Tucker Webster (credited as H. T. Webster) (signed as Webster)
Letters
Harold Tucker Webster (credited as H. T. Webster) (signed as Webster)

Genre
humor
Reprints
  • from Bridge (1924)

Why Not? (Table of Contents: 165)

cartoon / 1 page (report information)

Script
Rollin Kirby (credited) (signed as Rollin Kirby)
Pencils
Rollin Kirby (credited) (signed as Rollin Kirby)
Inks
Rollin Kirby (credited) (signed as Rollin Kirby)
Letters
typeset

Genre
humor
Reprints
  • from The World (1925)

[no title indexed] (Table of Contents: 166)

cartoon / 0.5 page (report information)

Script
Art Young (credited, signed)
Pencils
Art Young (credited, signed)
Inks
Art Young (credited, signed)
Letters
typeset

First Line of Dialogue or Text
What's he been doin'?
Genre
humor
Reprints

[no title indexed] (Table of Contents: 167)

cartoon / 0.5 page (report information)

Script
Marge Buell (credited as Marge) (signed as Marge)
Pencils
Marge Buell (credited as Marge) (signed as Marge)
Inks
Marge Buell (credited as Marge) (signed as Marge)
Letters
typeset

First Line of Dialogue or Text
Joe Goof! Take off my best sheet this instant!
Genre
humor
Reprints
  • from The Saturday Evening Post (1925)
Keywords
Ku Klux Klan

[no title indexed] (Table of Contents: 168)

cartoon / 0.5 page (report information)

Script
Art Young (credited, signed)
Pencils
Art Young (credited, signed)
Inks
Art Young (credited, signed)
Letters
typeset

First Line of Dialogue or Text
Just set the organ for ten, Jenkins, I gotta be up early, t'morra.
Genre
humor
Reprints
  • from The Saturday Evening Post (1925)

[no title indexed] (Table of Contents: 169)

cartoon / 0.5 page (report information)

Script
Gardner Rea (credited)
Pencils
Gardner Rea (credited)
Inks
Gardner Rea (credited)
Letters
typeset

First Line of Dialogue or Text
That's right! Stand there like a fool!
Genre
humor; anthropomorphic-funny animals
Reprints
  • from The New Yorker (1925)

[no title indexed] (Table of Contents: 170)

Skippy / comic story / 1.75 pages (report information)

Script
Percy Crosby (credited)
Pencils
Percy Crosby (credited)
Inks
Percy Crosby (credited)
Letters
typeset

First Line of Dialogue or Text
Do ya know what ya wanta do if a cop chases ya?
Genre
humor; children
Reprints

What We're Coming To (Table of Contents: 171)

comic story / 0.25 page (report information)

Script
Rube Goldberg (credited) (signed as R L Goldberg)
Pencils
Rube Goldberg (credited) (signed as R L Goldberg)
Inks
Rube Goldberg (credited) (signed as R L Goldberg)
Letters
Rube Goldberg (credited) (signed as R L Goldberg)

Genre
humor
Reprints
  • from New York Evening Journal (1925)

[no title indexed] (Table of Contents: 172)

Skippy / comic story / 0.5 page (report information)

Script
Percy Crosby (credited)
Pencils
Percy Crosby (credited)
Inks
Percy Crosby (credited)
Letters
typeset

First Line of Dialogue or Text
Gawd help anybody that spits on the flag today.
Genre
humor; children
Reprints

[no title indexed] (Table of Contents: 173)

cartoon / 0.5 page (report information)

Script
John Held (credited as John Held Jr.) (signed as John Held Jr.)
Pencils
John Held (credited as John Held Jr.) (signed as John Held Jr.)
Inks
John Held (credited as John Held Jr.) (signed as John Held Jr.)
Letters
typeset

First Line of Dialogue or Text
Is my nose shiny, dearie?
Genre
humor
Reprints
  • from Life (1925)

[no title indexed] (Table of Contents: 174)

Skippy / comic story / 0.5 page (report information)

Script
Percy Crosby (credited)
Pencils
Percy Crosby (credited)
Inks
Percy Crosby (credited)
Letters
typeset

First Line of Dialogue or Text
And now, little kiddies, what do you think Peter Rabbit answered?
Genre
humor; children
Reprints

[no title indexed] (Table of Contents: 175)

cartoon / 0.5 page (report information)

Script
Nate Collier (credited) (signed as Nate Collier)
Pencils
Nate Collier (credited) (signed as Nate Collier)
Inks
Nate Collier (credited) (signed as Nate Collier)
Letters
typeset

First Line of Dialogue or Text
Reginald! How often have I told you not to play in the mud?
Genre
humor
Reprints
  • from The Saturday Evening Post (1925)

[no title indexed] (Table of Contents: 176)

cartoon / 0.33 page (report information)

Script
Alan Dunn (credited, signed)
Pencils
Alan Dunn (credited, signed)
Inks
Alan Dunn (credited, signed)
Letters
typeset

First Line of Dialogue or Text
Oh goody! Douglas Fairbanks is showing tonight at the Teatro Romano.
Genre
humor
Reprints
  • from The New Yorker (1925)

Started on His Career (Table of Contents: 177)

Gasoline Alley / comic story / 0.33 page (report information)

Script
Frank King (credited, signed)
Pencils
Frank King (credited, signed)
Inks
Frank King (credited, signed)
Letters
Frank King (credited, signed)

Genre
humor; drama
Reprints
  • from Gasoline Alley daily (Chicago Tribune) 1926-xx-xx

Long Island Nights (Table of Contents: 178)

cartoon / 0.34 page (report information)

Script
Reginald Marsh (credited)
Pencils
Reginald Marsh (credited)
Inks
Reginald Marsh (credited)
Letters
typeset

Genre
humor
Reprints
  • from The New Yorker (1926)

Abercrombie & Fitch Break in a New Clerk (Table of Contents: 179)

comic story / 1 page (report information)

Script
Frueh (credited as Al Frueh)
Pencils
Frueh (credited as Al Frueh)
Inks
Frueh (credited as Al Frueh)
Letters
Frueh (credited as Al Frueh)

Genre
humor
Reprints
  • from The New Yorker (1926)

The Fresh Paint Complex (Table of Contents: 180)

comic story / 1 page (report information)

Script
Gardner Rea (credited) (signed as Gardner Rea.)
Pencils
Gardner Rea (credited) (signed as Gardner Rea.)
Inks
Gardner Rea (credited) (signed as Gardner Rea.)
Letters
typeset

Genre
humor
Reprints
  • from The New Yorker (1926)

An Elephant Never Forgets (Table of Contents: 181)

comic story / 2 pages (report information)

Script
Rea Irvin (credited) (signed as Rea Irvin)
Pencils
Rea Irvin (credited) (signed as Rea Irvin)
Inks
Rea Irvin (credited) (signed as Rea Irvin)
Letters
typeset

Genre
humor
Reprints
  • from The New Yorker (1926)

Hiawatta witt No Odder Poems (Table of Contents: 182)

comic story / 4 pages (report information)

Script
Milt Gross (credited)
Pencils
Milt Gross (credited)
Inks
Milt Gross (credited)
Letters
typeset

Genre
humor
Reprints
  • from Hiawatta (1926)

[no title indexed] (Table of Contents: 183)

cartoon / 0.5 page (report information)

Script
S. J. Perelman (credited, signed)
Pencils
S. J. Perelman (credited, signed)
Inks
S. J. Perelman (credited, signed)
Letters
typeset

First Line of Dialogue or Text
I will never assist your wicked designs...
Genre
humor
Reprints

[no title indexed] (Table of Contents: 184)

cartoon / 0.5 page (report information)

Script
S. J. Perelman (credited, signed)
Pencils
S. J. Perelman (credited, signed)
Inks
S. J. Perelman (credited, signed)
Letters
typeset

First Line of Dialogue or Text
Quick, Watson, the needle...
Genre
humor
Reprints

Stern Devotion to Duty (Table of Contents: 185)

cartoon / 0.5 page (report information)

Script
Ralph Barton (credited)
Pencils
Ralph Barton (credited)
Inks
Ralph Barton (credited)
Letters
typeset

Genre
humor
Reprints
  • from Liberty Magazine (1926)

The Big Parade (Table of Contents: 186)

The Gumps / comic story / 0.5 page (report information)

Script
Sidney Smith (credited) (signed as Sidney Smith)
Pencils
Sidney Smith (credited) (signed as Sidney Smith)
Inks
Sidney Smith (credited) (signed as Sidney Smith)
Letters
Sidney Smith (credited) (signed as Sidney Smith)

Genre
humor; domestic
Reprints
  • from the Gumps daily (Chicago Tribune) 1926-xx-xx

The Seven Infallible Signs of Senility (Table of Contents: 187)

cartoon / 0.5 page (report information)

Script
Ralph Barton (credited) (signed as Ralph Barton)
Pencils
Ralph Barton (credited) (signed as Ralph Barton)
Inks
Ralph Barton (credited) (signed as Ralph Barton)
Letters
typeset

Genre
humor
Reprints
  • from Liberty Magazine (1927)

[no title indexed] (Table of Contents: 188)

cartoon / 0.25 page (report information)

Script
Art Young (credited, signed)
Pencils
Art Young (credited, signed)
Inks
Art Young (credited, signed)
Letters
typeset

First Line of Dialogue or Text
Two eggs, three-minute boiled.
Genre
humor
Reprints

[no title indexed] (Table of Contents: 189)

cartoon / 0.25 page (report information)

Script
W. P. Trent (credited) (signed as Trent)
Pencils
W. P. Trent (credited) (signed as Trent)
Inks
W. P. Trent (credited) (signed as Trent)
Letters
typeset

First Line of Dialogue or Text
We can't have any children, you know.
Genre
humor
Reprints
  • from The New Yorker (1927)

[no title indexed] (Table of Contents: 190)

cartoon / 0.5 page (report information)

Script
George Shellhase (credited) (signed as Shellhase)
Pencils
George Shellhase (credited) (signed as Shellhase)
Inks
George Shellhase (credited) (signed as Shellhase)
Letters
typeset

First Line of Dialogue or Text
This is the young lady I want you to meet sometime, Bill.
Genre
humor
Reprints
  • from The New Yorker (1927)

[no title indexed] (Table of Contents: 191)

cartoon / 0.5 page (report information)

Script
Art Young (credited, signed)
Pencils
Art Young (credited, signed)
Inks
Art Young (credited, signed)
Letters
typeset

First Line of Dialogue or Text
Mother, when you were a girl, didn't you find it a bore to be a virgin?
Genre
humor
Reprints

The Dance-Mad Younger Set (Table of Contents: 192)

cartoon / 1 page (report information)

Script
John Held (credited as John Held Jr.) (signed as John Held Jr.)
Pencils
John Held (credited as John Held Jr.) (signed as John Held Jr.)
Inks
John Held (credited as John Held Jr.) (signed as John Held Jr.)
Letters
typeset

Genre
humor
Reprints
  • from Life (1927)

Slow-Motion Picture of a John Held Girl Crossing Her Legs (Table of Contents: 193)

comic story / 1 page (report information)

Script
Oliver Herford (credited, signed)
Pencils
Oliver Herford (credited, signed)
Inks
Oliver Herford (credited, signed)
Letters
typeset

Genre
humor
Reprints
  • from Life (1927)

[no title indexed] (Table of Contents: 194)

cartoon / 1 page (report information)

Script
Charles H. Sykes (credited) (signed as C. H. Sykes)
Pencils
Charles H. Sykes (credited) (signed as C. H. Sykes)
Inks
Charles H. Sykes (credited) (signed as C. H. Sykes)
Letters
typeset

First Line of Dialogue or Text
What've you got in that car?
Genre
humor
Reprints
  • from Life (1927)

Possible Influence of Al Smith on the National Council (Table of Contents: 195)

comic story / 1 page (report information)

Script
Frueh (credited as Al Frueh) (signed)
Pencils
Frueh (credited as Al Frueh) (signed)
Inks
Frueh (credited as Al Frueh) (signed)
Letters
Frueh (credited as Al Frueh) (signed)

Genre
humor
Reprints
  • from The New Yorker (1928)

The Cadet Who Had Dried Apples and Water for Lunch (Table of Contents: 196)

cartoon / 1 page (report information)

Script
George Shanks (credited)
Pencils
George Shanks (credited)
Inks
George Shanks (credited)
Letters
typeset

Genre
humor; military
Reprints
  • from The New Yorker (1928)

[no title indexed] (Table of Contents: 197)

cartoon / 0.5 page (report information)

Script
Carl Rose (credited)
Pencils
Carl Rose (credited)
Inks
Carl Rose (credited)
Letters
typeset

First Line of Dialogue or Text
It's broccoli, dear.
Genre
humor
Reprints
  • from The New Yorker (1928)

[no title indexed] (Table of Contents: 198)

cartoon / 0.5 page (report information)

Script
Leonard Dove (credited) (signed as Leonard Dove)
Pencils
Leonard Dove (credited) (signed as Leonard Dove)
Inks
Leonard Dove (credited) (signed as Leonard Dove)
Letters
typeset

First Line of Dialogue or Text
No - no inconvenience whatsoever, madam, I assure you.
Genre
humor
Reprints
  • from The New Yorker (1928)

Money Isn't All (Table of Contents: 199)

Polly and Her Pals / comic story / 0.25 page (report information)

Script
Cliff Sterrett (credited)
Pencils
Cliff Sterrett (credited)
Inks
Cliff Sterrett (credited)
Letters
Cliff Sterrett (credited)

First Line of Dialogue or Text
Take it off this instant!
Genre
humor
Reprints
  • from Polly and Her Pals daily (Newspaper Feature Services) 1928-xx-xx

[no title indexed] (Table of Contents: 200)

Outdoor Sports / cartoon / 0.75 page (report information)

Script
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])
Pencils
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])
Inks
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])
Letters
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])

First Line of Dialogue or Text
Working out in front of the boss and his gang when you're tired enough...
Genre
humor
Reprints
  • from Outdoor Sports daily (International Features) 1928-03-20

The Waiter Who Put a Check on the Table Face Up (Table of Contents: 201)

cartoon / 0.75 page (report information)

Script
Gluyas Williams (credited) (signed as Gluyas Williams)
Pencils
Gluyas Williams (credited) (signed as Gluyas Williams)
Inks
Gluyas Williams (credited) (signed as Gluyas Williams)
Letters
typeset

Genre
humor
Reprints
  • from Life (1928)

A Few for the Many (Table of Contents: 202)

Abie the Agent / comic story / 0.25 page (report information)

Script
Harry Hershfield (credited)
Pencils
Harry Hershfield (credited)
Inks
Harry Hershfield (credited)
Letters
Harry Hershfield (credited)

Genre
humor
Reprints
  • from New York Evening Journal (1928)

Industrial Crises: The Day a Cake of Soap Sank at Procter & Gamble's (Table of Contents: 203)

cartoon / 1 page (report information)

Script
Gluyas Williams (credited) (signed as Gluyas Williams)
Pencils
Gluyas Williams (credited) (signed as Gluyas Williams)
Inks
Gluyas Williams (credited) (signed as Gluyas Williams)
Letters
typeset

Genre
humor
Reprints
  • from The New Yorker (1928)

At the Life Insurance Agents' Banquet (Table of Contents: 204)

cartoon / 1 page (report information)

Script
Gluyas Williams (credited) (signed as Gluyas Williams)
Pencils
Gluyas Williams (credited) (signed as Gluyas Williams)
Inks
Gluyas Williams (credited) (signed as Gluyas Williams)
Letters
typeset

Genre
humor
Reprints
  • from Life (1928)

Crisis in Washington (Table of Contents: 205)

cartoon / 1 page (report information)

Script
Gluyas Williams (credited) (signed as Gluyas Williams)
Pencils
Gluyas Williams (credited) (signed as Gluyas Williams)
Inks
Gluyas Williams (credited) (signed as Gluyas Williams)
Letters
typeset

Genre
humor
Characters
Calvin Coolidge
Reprints
  • from Life (1928)

[no title indexed] (Table of Contents: 206)

cartoon / 0.75 page (report information)

Script
Alan Dunn (credited) (signed as Alan Dunn)
Pencils
Alan Dunn (credited) (signed as Alan Dunn)
Inks
Alan Dunn (credited) (signed as Alan Dunn)
Letters
typeset

First Line of Dialogue or Text
Just a minute, dearie, until I shut off Herbert Hoover.
Genre
humor
Reprints
  • from The New Yorker (1928)

[no title indexed] (Table of Contents: 207)

Toots and Casper / comic story / 0.25 page (report information)

Script
Jimmy Murphy (credited)
Pencils
Jimmy Murphy (credited)
Inks
Jimmy Murphy (credited)
Letters
Jimmy Murphy (credited)

First Line of Dialogue or Text
Don't tell me you got another one of those love letters today, Toots?
Genre
humor; domestic
Reprints
  • from Toots and Casper daily (King Features) 1928-06-19

[no title indexed] (Table of Contents: 208)

cartoon / 0.75 page (report information)

Script
Alan Dunn (credited) (signed as Alan Dunn)
Pencils
Alan Dunn (credited) (signed as Alan Dunn)
Inks
Alan Dunn (credited) (signed as Alan Dunn)
Letters
typeset

First Line of Dialogue or Text
But don't you understand?
Genre
humor
Reprints
  • from The New Yorker (1928)

[no title indexed] (Table of Contents: 209)

Toots and Casper / comic story / 0.5 page (report information)

Script
Jimmy Murphy (credited)
Pencils
Jimmy Murphy (credited)
Inks
Jimmy Murphy (credited)
Letters
Jimmy Murphy (credited)

First Line of Dialogue or Text
I'll be my devoted slave is a handsome boy, don't you, Uncle Everett?
Genre
humor; domestic
Reprints
  • from Toots and Casper daily (King Features) 1928-06-29

The Acccomplices (Table of Contents: 210)

Out Our Way / cartoon / 0.75 page (report information)

Script
J. R. Williams (credited) (signed as J. R. Williams)
Pencils
J. R. Williams (credited) (signed as J. R. Williams)
Inks
J. R. Williams (credited) (signed as J. R. Williams)
Letters
J. R. Williams (credited) (signed as J. R. Williams)

Genre
humor
Reprints
  • from Out Our Way daily (NEA) 1928-10-31

The Reaper (Table of Contents: 211)

Krazy Kat / comic story / 0.5 page (report information)

Script
George Herriman (credited) (signed as Herriman)
Pencils
George Herriman (credited) (signed as Herriman)
Inks
George Herriman (credited) (signed as Herriman)
Letters
George Herriman (credited) (signed as Herriman)

Genre
humor; anthropomorphic-funny animals
Characters
Ignatz Mouse; Krazy Kat; Offisa Bull Pupp
Reprints
  • from Krazy Kat daily (International Feature Services) 1929-03-29

[no title indexed] (Table of Contents: 212)

cartoon / 0.5 page (report information)

Script
Eldon Kelley (credited) (signed as Eldon Kelley)
Pencils
Eldon Kelley (credited) (signed as Eldon Kelley)
Inks
Eldon Kelley (credited) (signed as Eldon Kelley)
Letters
typeset

First Line of Dialogue or Text
My dear, your skirt is positively dragging!
Genre
humor
Reprints
  • from Life (1929)

[no title indexed] (Table of Contents: 213)

cartoon / 0.5 page (report information)

Script
Don Herold (credited) (signed as Don Herold)
Pencils
Don Herold (credited) (signed as Don Herold)
Inks
Don Herold (credited) (signed as Don Herold)
Letters
typeset

First Line of Dialogue or Text
Button me, big boy.
Genre
humor
Reprints
  • from Life (1928)

Keeping Ignatz Square (Table of Contents: 214)

Krazy Kat / comic story / 0.5 page (report information)

Script
George Herriman (credited) (signed as Herriman)
Pencils
George Herriman (credited) (signed as Herriman)
Inks
George Herriman (credited) (signed as Herriman)
Letters
George Herriman (credited) (signed as Herriman)

Genre
humor; anthropomorphic-funny animals
Characters
Ignatz Mouse; Offisa Bull Pupp
Reprints
  • from Krazy Kat daily (International Feature Services) 1929-10-25

[no title indexed] (Table of Contents: 215)

Tad's Favorite Indoor Sports / cartoon / 0.75 page (report information)

Script
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])
Pencils
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])
Inks
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])
Letters
Tad Dorgan (credited as TAD) (signed as Tad [t-with-tail])

First Line of Dialogue or Text
Giving the ears to two piffawmers from the nearby movie house...
Genre
humor
Reprints
  • from Tad's Favorite Indoor Sports daily (International Feature Service) 1929-07-09

Where Is When? (Table of Contents: 216)

Krazy Kat / comic story / 0.25 page (report information)

Script
George Herriman (credited) (signed as Herriman)
Pencils
George Herriman (credited) (signed as Herriman)
Inks
George Herriman (credited) (signed as Herriman)
Letters
George Herriman (credited) (signed as Herriman)

Genre
humor; anthropomorphic-funny animals
Characters
Ignatz Mouse; Krazy Kat; Offisa Bull Pupp
Reprints
  • from Krazy Kat daily (International Feature Services) 1929-07-14

Suggested Design (Table of Contents: 217)

cartoon / 1 page (report information)

Script
Frueh (credited as Al Frueh) (signed as Al Frueh)
Pencils
Frueh (credited as Al Frueh) (signed as Al Frueh)
Inks
Frueh (credited as Al Frueh) (signed as Al Frueh)
Letters
typeset

Genre
humor
Reprints
  • from The New Yorker (1929)

[no title indexed] (Table of Contents: 218)

cartoon / 0.5 page (report information)

Script
S. J. Perelman (credited, signed)
Pencils
S. J. Perelman (credited, signed)
Inks
S. J. Perelman (credited, signed)
Letters
typeset

First Line of Dialogue or Text
The score is forty love...
Genre
humor
Reprints

[no title indexed] (Table of Contents: 219)

cartoon / 0.5 page (report information)

Script
Garrett Price (credited, signed)
Pencils
Garrett Price (credited, signed)
Inks
Garrett Price (credited, signed)
Letters
typeset

First Line of Dialogue or Text
Off the lawn! Off the lawn!
Genre
humor
Reprints
  • from The New Yorker (1929)

[no title indexed] (Table of Contents: 220)

cartoon / 0.5 page (report information)

Script
Peter Arno (credited) (signed as Peter Arno)
Pencils
Peter Arno (credited) (signed as Peter Arno)
Inks
Peter Arno (credited) (signed as Peter Arno)
Letters
typeset

First Line of Dialogue or Text
Have you read any good books lately?
Genre
humor
Reprints
  • from The New Yorker (1929)

[no title indexed] (Table of Contents: 221)

cartoon / 0.5 page (report information)

Script
Don Herold (credited) (signed as Don Herold)
Pencils
Don Herold (credited) (signed as Don Herold)
Inks
Don Herold (credited) (signed as Don Herold)
Letters
typeset

First Line of Dialogue or Text
And these green pinheads are our field salesmen.
Genre
humor
Reprints
  • from The New Yorker (1929)

[no title indexed] (Table of Contents: 222)

comic story / 1 page (report information)

Script
Oliver Herford (credited, signed)
Pencils
Oliver Herford (credited, signed)
Inks
Oliver Herford (credited, signed)
Letters
Oliver Herford (credited, signed)

First Line of Dialogue or Text
Fire!
Genre
humor
Reprints
  • from The New Yorker (1929)

[no title indexed] (Table of Contents: 223)

cartoon / 0.5 page (report information)

Script
Peter Arno (credited) (signed as Peter Arno)
Pencils
Peter Arno (credited) (signed as Peter Arno)
Inks
Peter Arno (credited) (signed as Peter Arno)
Letters
typeset

First Line of Dialogue or Text
Gad! My wife looks terrible tonight.
Genre
humor
Reprints
  • from The New Yorker (1929)

[no title indexed] (Table of Contents: 224)

cartoon / 0.5 page (report information)

Script
Denys Wortman (credited, signed)
Pencils
Denys Wortman (credited, signed)
Inks
Denys Wortman (credited, signed)
Letters
typeset

First Line of Dialogue or Text
And did you have a nice time on your honeymoon?
Genre
humor
Reprints
  • from The New Yorker (1929)

[no title indexed] (Table of Contents: 225)

cartoon / 1 page (report information)

Script
Peter Arno (credited) (signed as Peter Arno)
Pencils
Peter Arno (credited) (signed as Peter Arno)
Inks
Peter Arno (credited) (signed as Peter Arno)
Letters
typeset

First Line of Dialogue or Text
...'But your body - your fair white body - belongs to me,' hissed Rudolph.
Genre
humor
Reprints
  • from The New Yorker (1929)

[no title indexed] (Table of Contents: 226)

cartoon / 1 page (report information)

Script
Peter Arno (credited) (signed as Peter Arno)
Pencils
Peter Arno (credited) (signed as Peter Arno)
Inks
Peter Arno (credited) (signed as Peter Arno)
Letters
typeset

First Line of Dialogue or Text
-And I consider your conduct unethical and lousy.
Genre
humor
Reprints

[no title indexed] (Table of Contents: 227)

cartoon / 1 page (report information)

Script
Peter Arno (credited) (signed as Peter Arno)
Pencils
Peter Arno (credited) (signed as Peter Arno)
Inks
Peter Arno (credited) (signed as Peter Arno)
Letters
typeset

First Line of Dialogue or Text
Have I ever told you about my operation?
Genre
humor
Reprints
Keywords
harem

[no title indexed] (Table of Contents: 228)

cartoon / 1 page (report information)

Script
Peter Arno (credited) (signed as Peter Arno)
Pencils
Peter Arno (credited) (signed as Peter Arno)
Inks
Peter Arno (credited) (signed as Peter Arno)
Letters
typeset

First Line of Dialogue or Text
Why, Auntie - what big eyes you have!
Genre
humor
Reprints

[no title indexed] (Table of Contents: 229)

cartoon / 1 page (report information)

Script
Peter Arno (credited) (signed as Peter Arno)
Pencils
Peter Arno (credited) (signed as Peter Arno)
Inks
Peter Arno (credited) (signed as Peter Arno)
Letters
typeset

First Line of Dialogue or Text
You're so kind to me, and I'm so tired of it all!
Genre
humor
Reprints

[no title indexed] (Table of Contents: 230)

cartoon / 1 page (report information)

Script
Peter Arno (credited) (signed as Peter Arno)
Pencils
Peter Arno (credited) (signed as Peter Arno)
Inks
Peter Arno (credited) (signed as Peter Arno)
Letters
typeset

First Line of Dialogue or Text
Boo! You pretty creature!
Genre
humor
Reprints
  • from The New Yorker (1929)

The Very Last Word in Motor Cars. (Table of Contents: 231)

cartoon / 0.5 page (report information)

Script
Ralph Barton (credited)
Pencils
Ralph Barton (credited)
Inks
Ralph Barton (credited)
Letters
typeset

Genre
humor
Reprints
  • from Liberty Magazine (1930)

[no title indexed] (Table of Contents: 232)

cartoon / 0.5 page (report information)

Script
Clive Weed (credited) (signed as Weed)
Pencils
Clive Weed (credited) (signed as Weed)
Inks
Clive Weed (credited) (signed as Weed)
Letters
typeset

First Line of Dialogue or Text
Watcha got in that bag?
Genre
humor
Characters
Santa Claus
Reprints
  • from The World (1929)

[Statue Loses Fig Leaf] (Table of Contents: 233)

comic story / 0.5 page (report information)

Script
Otto Soglow (credited as O. Soglow) (signed as O. Soglow)
Pencils
Otto Soglow (credited as O. Soglow) (signed as O. Soglow)
Inks
Otto Soglow (credited as O. Soglow) (signed as O. Soglow)

Genre
humor
Synopsis
A statue in a museum loses its fig leaf.
Reprints
  • from Collier's (1930)

The Champion of Champions (Table of Contents: 234)

cartoon / 0.5 page (report information)

Script
Ralph Barton (credited)
Pencils
Ralph Barton (credited)
Inks
Ralph Barton (credited)
Letters
typeset

Genre
humor
Reprints
  • from Liberty Magazine (1929)

[no title indexed] (Table of Contents: 235)

cartoon / 0.33 page (report information)

Script
Art Young (credited) (signed as Art Young)
Pencils
Art Young (credited) (signed as Art Young)
Inks
Art Young (credited) (signed as Art Young)
Letters
typeset

First Line of Dialogue or Text
Wilbur! You've got to see Santa Claus!
Genre
humor
Reprints
  • from The New Yorker (1929)
Keywords
Christmas

[no title indexed] (Table of Contents: 236)

cartoon / 0.33 page (report information)

Script
Gardner Rea (credited) (signed as Rea)
Pencils
Gardner Rea (credited) (signed as Rea)
Inks
Gardner Rea (credited) (signed as Rea)
Letters
typeset

First Line of Dialogue or Text
My Gawd, don't your kind never eat?
Genre
humor
Reprints
  • from The New Yorker (1930)

[no title indexed] (Table of Contents: 237)

cartoon / 0.34 page (report information)

Script
Ralph Briggs Fuller (credited as R. B. Fuller) (signed as R. B. Fuller)
Pencils
Ralph Briggs Fuller (credited as R. B. Fuller) (signed as R. B. Fuller)
Inks
Ralph Briggs Fuller (credited as R. B. Fuller) (signed as R. B. Fuller)
Letters
typeset

First Line of Dialogue or Text
Good gracious, Mrs. Snitkin! Startin' a farm?
Genre
humor
Reprints
  • from The Saturday Evening Post (1930)

[no title indexed] (Table of Contents: 238)

cartoon / 0.5 page (report information)

Script
Reginald Marsh (credited) (signed as Reginald Marsh)
Pencils
Reginald Marsh (credited) (signed as Reginald Marsh)
Inks
Reginald Marsh (credited) (signed as Reginald Marsh)
Letters
typeset

First Line of Dialogue or Text
Cripes! Look at the shoulder on them guys.
Genre
humor
Reprints
  • from The New Yorker (1930)

When It Wasn't Good Judgment to Try Anything New (Table of Contents: 239)

cartoon / 0.5 page (report information)

Script
Gaar Williams (credited)
Pencils
Gaar Williams (credited)
Inks
Gaar Williams (credited)
Letters
Gaar Williams (credited)

Genre
humor
Reprints
  • from New York Daily News (1930)

[no title indexed] (Table of Contents: 240)

cartoon / 1 page (report information)

Script
Peter Arno (credited) (signed as Peter Arno)
Pencils
Peter Arno (credited) (signed as Peter Arno)
Inks
Peter Arno (credited) (signed as Peter Arno)
Letters
typeset

First Line of Dialogue or Text
Good God! I forgot to get favors for the men!
Genre
humor
Reprints

[no title indexed] (Table of Contents: 241)

cartoon / 1 page (report information)

Script
Peter Arno (credited) (signed as Peter Arno)
Pencils
Peter Arno (credited) (signed as Peter Arno)
Inks
Peter Arno (credited) (signed as Peter Arno)
Letters
typeset

First Line of Dialogue or Text
May I?
Genre
humor
Reprints

[no title indexed] (Table of Contents: 242)

cartoon / 1 page (report information)

Script
Peter Arno (credited) (signed as Peter Arno)
Pencils
Peter Arno (credited) (signed as Peter Arno)
Inks
Peter Arno (credited) (signed as Peter Arno)
Letters
typeset

First Line of Dialogue or Text
We want to report a stolen car.
Genre
humor
Reprints

[no title indexed] (Table of Contents: 243)

cartoon / 1 page (report information)

Script
Peter Arno (credited) (signed as Peter Arno)
Pencils
Peter Arno (credited) (signed as Peter Arno)
Inks
Peter Arno (credited) (signed as Peter Arno)
Letters
typeset

First Line of Dialogue or Text
Wake up, you mutt!
Genre
humor
Reprints

As Others See Us (Table of Contents: 244)

comic story / 1 page (report information)

Script
J. Norman Lynd (credited)
Pencils
J. Norman Lynd (credited)
Inks
J. Norman Lynd (credited)
Letters
J. Norman Lynd (credited)

Genre
humor
Reprints
  • from Vignettes of Life (1930)

Metropolitan Movies (Table of Contents: 245)

cartoon / 1 page (report information)

Script
Denys Wortman (credited)
Pencils
Denys Wortman (credited)
Inks
Denys Wortman (credited)
Letters
typeset

Genre
humor
Reprints
  • from New York World-Telegram (1930-1931)

[no title indexed] (Table of Contents: 246)

cartoon / 0.5 page (report information)

Script
John Held (credited as John Held Jr.)
Pencils
John Held (credited as John Held Jr.)
Inks
John Held (credited as John Held Jr.)
Letters
typeset

First Line of Dialogue or Text
Today the stenographer is a 'private secretary' and she is radiant with joy, jazz and juniper
Genre
humor
Reprints
  • from Liberty Magazine (1931)

[no title indexed] (Table of Contents: 247)

cartoon / 0.25 page (report information)

Script
Ralph Briggs Fuller (credited as Ralph Fuller) (signed as Ralph Fuller)
Pencils
Ralph Briggs Fuller (credited as Ralph Fuller) (signed as Ralph Fuller)
Inks
Ralph Briggs Fuller (credited as Ralph Fuller) (signed as Ralph Fuller)
Letters
typeset

First Line of Dialogue or Text
How's de show, Mike - any new ideas we kin use?
Genre
humor
Reprints
  • from The Saturday Evening Post (1931)

[no title indexed] (Table of Contents: 248)

cartoon / 0.25 page (report information)

Script
James Thurber (credited) (signed as Thurber)
Pencils
James Thurber (credited) (signed as Thurber)
Inks
James Thurber (credited) (signed as Thurber)
Letters
typeset

First Line of Dialogue or Text
With you I've known peace, Lida, and now you say you're going crazy.
Genre
humor
Reprints
  • from The New Yorker (1931)

Wall Street Joys and Glooms (Table of Contents: 249)

comic story / 0.75 page (report information)

Script
T. E. Powers (credited, signed)
Pencils
T. E. Powers (credited, signed)
Inks
T. E. Powers (credited, signed)
Letters
T. E. Powers (credited, signed)

Genre
humor
Reprints
  • from New York Evening Journal (1931)

[no title indexed] (Table of Contents: 250)

Harold Teen / comic story / 0.25 page (report information)

Script
Carl Ed (credited) (signed as Carl Ed)
Pencils
Carl Ed (credited) (signed as Carl Ed)
Inks
Carl Ed (credited) (signed as Carl Ed)
Letters
Carl Ed (credited) (signed as Carl Ed)

First Line of Dialogue or Text
Hm! What did you train for this summer, son?
Genre
humor; teen
Reprints
  • from Harold Teen daily (Chicago Tribune) 1931-09-10

[no title indexed] (Table of Contents: 251)

Tillie the Toiler / comic story / 1.5 pages (report information)

Script
Russ Westover (credited) (signed as Russ Westover)
Pencils
Russ Westover (credited) (signed as Russ Westover)
Inks
Russ Westover (credited) (signed as Russ Westover)
Letters
Russ Westover (credited) (signed as Russ Westover)

First Line of Dialogue or Text
Wouldn't it be wonderful if Mac could look tall and handsome with curly hair!
Genre
humor
Reprints
  • from Tillie the Toiler daily (King Features) 1931-11-16 - 1931-12-28

[no title indexed] (Table of Contents: 252)

cartoon / 0.25 page (report information)

Script
Carl Rose (credited) (signed as Carl Rose)
Pencils
Carl Rose (credited) (signed as Carl Rose)
Inks
Carl Rose (credited) (signed as Carl Rose)
Letters
typeset

First Line of Dialogue or Text
If you get me outta this criminal-assault charge I can t'row a lot...
Genre
humor
Reprints
  • from The New Yorker (1931)

[no title indexed] (Table of Contents: 253)

cartoon / 0.25 page (report information)

Script
Garrett Price (credited) (signed as Garrett Price)
Pencils
Garrett Price (credited) (signed as Garrett Price)
Inks
Garrett Price (credited) (signed as Garrett Price)
Letters
typeset

First Line of Dialogue or Text
Get Mama a needle and thread like a good boy, and don't stand there gaping!
Genre
humor
Reprints
  • from The New Yorker (1931)

[no title indexed] (Table of Contents: 254)

cartoon / 0.75 page (report information)

Script
Garrett Price (credited) (signed as Garrett Price)
Pencils
Garrett Price (credited) (signed as Garrett Price)
Inks
Garrett Price (credited) (signed as Garrett Price)
Letters
typeset

First Line of Dialogue or Text
It's only a wild guess, but I'd say this end goes on that end over there.
Genre
humor
Reprints
  • from The New Yorker (1931)

Get One of Our Patent Fans and Keep Cool (Table of Contents: 255)

comic story / 0.25 page (report information)

Script
Rube Goldberg (credited)
Pencils
Rube Goldberg (credited)
Inks
Rube Goldberg (credited)
Letters
Rube Goldberg (credited)

Genre
humor
Reprints
  • from New York Evening Journal (1931)

[no title indexed] (Table of Contents: 256)

cartoon / 0.25 page (report information)

Script
Ralph Barton (credited) (signed as Ralph Barton)
Pencils
Ralph Barton (credited) (signed as Ralph Barton)
Inks
Ralph Barton (credited) (signed as Ralph Barton)
Letters
typeset

First Line of Dialogue or Text
The man who started the day by reading a tabloid newspaper...
Genre
humor
Reprints
  • from The New Yorker (1931)

[no title indexed] (Table of Contents: 257)

cartoon / 0.25 page (report information)

Script
Ronan (credited)
Pencils
Ronan (credited)
Inks
Ronan (credited)
Letters
typeset

First Line of Dialogue or Text
Yes, go on, dearie - I'm all ears!
Genre
humor
Reprints
  • from Ballyhoo (1931)

Pop Brings 'Em Back to Earth (Table of Contents: 258)

Harold Teen / comic story / 0.5 page (report information)

Script
Carl Ed (credited) (signed as Carl Ed)
Pencils
Carl Ed (credited) (signed as Carl Ed)
Inks
Carl Ed (credited) (signed as Carl Ed)
Letters
Carl Ed (credited) (signed as Carl Ed)

Genre
humor; teen
Reprints
  • from Harold Teen daily (Chicago Tribune) 1931-xx-xx

[no title indexed] (Table of Contents: 259)

cartoon / 0.25 page (report information)

Script
Ralph Barton (credited) (signed as Ralph Barton)
Pencils
Ralph Barton (credited) (signed as Ralph Barton)
Inks
Ralph Barton (credited) (signed as Ralph Barton)
Letters
typeset

First Line of Dialogue or Text
Added to the troubles of kings is the great difficulty of keeping...
Genre
humor
Reprints
  • from The New Yorker (1931)

[no title indexed] (Table of Contents: 260)

cartoon / 0.25 page (report information)

Script
Otto Soglow (credited as O. Soglow) (signed as O. Soglow)
Pencils
Otto Soglow (credited as O. Soglow) (signed as O. Soglow)
Inks
Otto Soglow (credited as O. Soglow) (signed as O. Soglow)
Letters
typeset

First Line of Dialogue or Text
That's the original shoestring I started on.
Genre
humor
Reprints
  • from The New Yorker (1931)

[no title indexed] (Table of Contents: 261)

cartoon / 0.5 page (report information)

Script
Jack Markow (credited)
Pencils
Jack Markow (credited)
Inks
Jack Markow (credited)
Letters
typeset

First Line of Dialogue or Text
I had a long chat with my barber today - he says business is going...
Genre
humor
Reprints
  • from Ballyhoo (1931)

[no title indexed] (Table of Contents: 262)

cartoon / 0.5 page (report information)

Script
Helen E. Hokinson (credited) (signed as Helen E. Hokinson)
Pencils
Helen E. Hokinson (credited) (signed as Helen E. Hokinson)
Inks
Helen E. Hokinson (credited) (signed as Helen E. Hokinson)
Letters
typeset

First Line of Dialogue or Text
Don't look now, but isn't that a porpoise over there?
Genre
humor
Reprints
  • from The New Yorker (1931)

[no title indexed] (Table of Contents: 263)

cartoon / 0.5 page (report information)

Script
Ralph Barton (credited)
Pencils
Ralph Barton (credited)
Inks
Ralph Barton (credited)
Letters
typeset

First Line of Dialogue or Text
Exclusive snapshot of Mr. Jack ("Legs") Diamond, as good as new...
Genre
humor
Reprints
  • from The New Yorker (1931)

[no title indexed] (Table of Contents: 264)

cartoon / 1 page (report information)

Script
Helen E. Hokinson (credited) (signed as Helen E. Hokinson)
Pencils
Helen E. Hokinson (credited) (signed as Helen E. Hokinson)
Inks
Helen E. Hokinson (credited) (signed as Helen E. Hokinson)
Letters
typeset

First Line of Dialogue or Text
You know damn well what I want for Christmas!
Genre
humor
Reprints
  • from The New Yorker (1931)
Keywords
Christmas

[no title indexed] (Table of Contents: 265)

cartoon / 1 page (report information)

Script
Helen E. Hokinson (credited) (signed as Helen E. Hokinson)
Pencils
Helen E. Hokinson (credited) (signed as Helen E. Hokinson)
Inks
Helen E. Hokinson (credited) (signed as Helen E. Hokinson)
Letters
typeset

First Line of Dialogue or Text
Avez-vous 'Ulysses'?
Genre
humor
Reprints
  • from The New Yorker (1931)

Life's Darkest Moment (Table of Contents: 266)

cartoon / 1 page (report information)

Script
Harold Tucker Webster (credited as H. T. Webster) (signed)
Pencils
Harold Tucker Webster (credited as H. T. Webster) (signed)
Inks
Harold Tucker Webster (credited as H. T. Webster) (signed)
Letters
Harold Tucker Webster (credited as H. T. Webster) (signed)

Genre
humor
Reprints
  • from New York Herald Tribune (1931)

[no title indexed] (Table of Contents: 267)

The Timid Soul / cartoon / 1 page (report information)

Script
Harold Tucker Webster (credited as H. T. Webster) (signed as Webster)
Pencils
Harold Tucker Webster (credited as H. T. Webster) (signed as Webster)
Inks
Harold Tucker Webster (credited as H. T. Webster) (signed as Webster)
Letters
Harold Tucker Webster (credited as H. T. Webster) (signed as Webster)

First Line of Dialogue or Text
Never mind putting that, Mr. Grouchmore.
Genre
humor
Reprints

Higher Education - and the Advanced Mathematics of the Rolling Bones (Table of Contents: 268)

cartoon / 0.5 page (report information)

Script
John Held (credited as John Held Jr.) (signed as John Held Jr.)
Pencils
John Held (credited as John Held Jr.) (signed as John Held Jr.)
Inks
John Held (credited as John Held Jr.) (signed as John Held Jr.)
Letters
typeset

Genre
humor
Reprints
  • from Liberty Magazine (1932)

[Nudists Gaze at Clothed Woman] (Table of Contents: 269)

cartoon / 0.5 page (report information)

Script
John Groth (credited, signed)
Pencils
John Groth (credited, signed)
Inks
John Groth (credited, signed)

Genre
humor
Synopsis
Men in a nudist camp all gaze at a passing clothed woman.
Reprints
  • from Pretty Pictures (1932)

[Milkman Reads Note] (Table of Contents: 270)

comic story / 1 page (report information)

Script
Perry Barlow (credited) (signed as PB)
Pencils
Perry Barlow (credited) (signed as PB)
Inks
Perry Barlow (credited) (signed as PB)

Genre
humor
Synopsis
A milkman pauses to enjoy the note left for him in a bottle.
Reprints
  • from The New Yorker (1932)

[no title indexed] (Table of Contents: 271)

cartoon / 0.5 page (report information)

Script
James Thurber (credited) (signed as JT)
Pencils
James Thurber (credited) (signed as JT)
Inks
James Thurber (credited) (signed as JT)
Letters
typeset

First Line of Dialogue or Text
Are you the young man that bit my daughter?
Genre
humor
Reprints
  • from The New Yorker (1932)

[no title indexed] (Table of Contents: 272)

cartoon / 0.5 page (report information)

Script
Helen E. Hokinson (credited) (signed as Helen E. Hokinson)
Pencils
Helen E. Hokinson (credited) (signed as Helen E. Hokinson)
Inks
Helen E. Hokinson (credited) (signed as Helen E. Hokinson)
Letters
typeset

First Line of Dialogue or Text
There is also another very grave question for us to decide: what shall we do with Germany?
Genre
humor
Reprints
  • from The New Yorker (1932)

[no title indexed] (Table of Contents: 273)

cartoon / 0.25 page (report information)

Script
James Thurber (credited) (signed as Thurber)
Pencils
James Thurber (credited) (signed as Thurber)
Inks
James Thurber (credited) (signed as Thurber)
Letters
typeset

First Line of Dialogue or Text
I don't know. George got it somewhere.
Genre
humor
Reprints
  • from The New Yorker (1932)

[no title indexed] (Table of Contents: 274)

cartoon / 0.25 page (report information)

Script
Otto Soglow (credited as O. Soglow) (signed as O. Soglow)
Pencils
Otto Soglow (credited as O. Soglow) (signed as O. Soglow)
Inks
Otto Soglow (credited as O. Soglow) (signed as O. Soglow)
Letters
typeset

First Line of Dialogue or Text
Goodness, I didn't think they wore those things any more.
Genre
humor
Reprints
  • from The New Yorker (1932)

[no title indexed] (Table of Contents: 275)

cartoon / 0.25 page (report information)

Script
George Shanks (credited) (signed as Shanks)
Pencils
George Shanks (credited) (signed as Shanks)
Inks
George Shanks (credited) (signed as Shanks)
Letters
typeset

First Line of Dialogue or Text
Oop - sorry.
Genre
humor
Reprints
  • from The New Yorker (1932)

[no title indexed] (Table of Contents: 276)

cartoon / 0.25 page (report information)

Script
Alan Dunn (credited) (signed as Alan Dunn)
Pencils
Alan Dunn (credited) (signed as Alan Dunn)
Inks
Alan Dunn (credited) (signed as Alan Dunn)
Letters
typeset

First Line of Dialogue or Text
Be on your toes this afternoon, Miss Adams.
Genre
humor
Reprints
  • from The New Yorker (1932)

[no title indexed] (Table of Contents: 277)

cartoon / 1 page (report information)

Script
William Crawford Galbraith (credited, signed)
Pencils
William Crawford Galbraith (credited, signed)
Inks
William Crawford Galbraith (credited, signed)
Letters
typeset

First Line of Dialogue or Text
Hello, folks. How was the show?
Genre
humor
Reprints
  • from The New Yorker (1932)

[no title indexed] (Table of Contents: 278)

cartoon / 1 page (report information)

Script
William Crawford Galbraith (credited, signed)
Pencils
William Crawford Galbraith (credited, signed)
Inks
William Crawford Galbraith (credited, signed)
Letters
typeset

First Line of Dialogue or Text
Now promise me you'll keep an eye on my little girl.
Genre
humor
Reprints
  • from The New Yorker (1932)

[Bribing for Knighthood] (Table of Contents: 279)

The Little King / comic story / 1 page (report information)

Script
Otto Soglow (credited as O. Soglow) (signed as O. Soglow)
Pencils
Otto Soglow (credited as O. Soglow) (signed as O. Soglow)
Inks
Otto Soglow (credited as O. Soglow) (signed as O. Soglow)

Genre
humor
Characters
The Little King
Synopsis
The Little King knights a man, then takes a bribe from him.
Reprints
  • from The New Yorker (1932)

[no title indexed] (Table of Contents: 280)

cartoon / 0.5 page (report information)

Script
William Crawford Galbraith (credited, signed)
Pencils
William Crawford Galbraith (credited, signed)
Inks
William Crawford Galbraith (credited, signed)
Letters
typeset

First Line of Dialogue or Text
We are going to hear from one who has sinned greatly.
Genre
humor
Reprints
  • from The New Yorker (1932)

[no title indexed] (Table of Contents: 281)

cartoon / 0.5 page (report information)

Script
James Thurber (credited) (signed as Thurber)
Pencils
James Thurber (credited) (signed as Thurber)
Inks
James Thurber (credited) (signed as Thurber)
Letters
typeset

First Line of Dialogue or Text
You and your horsie get away from me and stay away!
Genre
humor
Reprints
  • from The New Yorker (1932)

[Throwing the Pitch] (Table of Contents: 282)

The Little King / comic story / 1 page (report information)

Script
Otto Soglow (credited as O. Soglow) (signed as O. Soglow)
Pencils
Otto Soglow (credited as O. Soglow) (signed as O. Soglow)
Inks
Otto Soglow (credited as O. Soglow) (signed as O. Soglow)

Genre
humor
Characters
The Little King
Synopsis
The Little King throws the first pitch at a baseball game and breaks a window.
Reprints
  • from The New Yorker (1932)
Keywords
baseball

[no title indexed] (Table of Contents: 283)

cartoon / 0.5 page (report information)

Script
William Steig (credited, signed)
Pencils
William Steig (credited, signed)
Inks
William Steig (credited, signed)
Letters
typeset

First Line of Dialogue or Text
Wow!
Genre
humor
Reprints
  • from The New Yorker (1932)

[no title indexed] (Table of Contents: 284)

cartoon / 0.5 page (report information)

Script
James Thurber (credited) (signed as Thurber)
Pencils
James Thurber (credited) (signed as Thurber)
Inks
James Thurber (credited) (signed as Thurber)
Letters
typeset

First Line of Dialogue or Text
All right, have it your way - you heard a seal bark!
Genre
humor
Reprints
  • from The New Yorker (1932)

The Hound and the Bug (Table of Contents: 285)

comic story / 1.5 pages (report information)

Script
James Thurber (credited) (signed as Thurber)
Pencils
James Thurber (credited) (signed as Thurber)
Inks
James Thurber (credited) (signed as Thurber)
Letters
typeset

Genre
humor
Reprints
  • from The New Yorker (1932)

[no title indexed] (Table of Contents: 286)

cartoon / 0.5 page (report information)

Script
William Steig (credited, signed)
Pencils
William Steig (credited, signed)
Inks
William Steig (credited, signed)
Letters
typeset

First Line of Dialogue or Text
I feel like God!
Genre
humor
Reprints
  • from The New Yorker (1932)

[no title indexed] (Table of Contents: 287)

cartoon / 0.5 page (report information)

Script
Daniel Brustlein (credited as Alain) (signed as Alain)
Pencils
Daniel Brustlein (credited as Alain) (signed as Alain)
Inks
Daniel Brustlein (credited as Alain) (signed as Alain)
Letters
typeset

First Line of Dialogue or Text
Six weeks is a long time, Abdul, without seeing a woman!
Genre
humor
Reprints
  • from The New Yorker (1932)

[no title indexed] (Table of Contents: 288)

cartoon / 0.5 page (report information)

Script
William Steig (credited, signed)
Pencils
William Steig (credited, signed)
Inks
William Steig (credited, signed)
Letters
typeset

First Line of Dialogue or Text
Before showing you these reproductions of great paintings posed by living models...
Genre
humor
Reprints
  • from The New Yorker (1932)

[no title indexed] (Table of Contents: 289)

cartoon / 0.75 page (report information)

Script
William Steig (credited, signed)
Pencils
William Steig (credited, signed)
Inks
William Steig (credited, signed)
Letters
typeset

First Line of Dialogue or Text
You only think of one thing!
Genre
humor
Reprints
  • from Man about Town (1932)

Inventions of Professor Lucifer Butts (Table of Contents: 290)

comic story / 0.5 page (report information)

Script
Rube Goldberg (credited) (signed as R L Goldberg)
Pencils
Rube Goldberg (credited) (signed as R L Goldberg)
Inks
Rube Goldberg (credited) (signed as R L Goldberg)
Letters
Rube Goldberg (credited) (signed as R L Goldberg)

Genre
humor
Reprints
  • from Collier's (1932)

[no title indexed] (Table of Contents: 291)

cartoon / 0.75 page (report information)

Script
Daniel Brustlein (credited as Alain) (signed as Alain)
Pencils
Daniel Brustlein (credited as Alain) (signed as Alain)
Inks
Daniel Brustlein (credited as Alain) (signed as Alain)
Letters
typeset

First Line of Dialogue or Text
Doesn't he make a marvellous Coolidge?
Genre
humor
Reprints
  • from The New Yorker (1932)

[no title indexed] (Table of Contents: 292)

cartoon / 0.5 page (report information)

Script
James Thurber (credited) (signed as Thurber)
Pencils
James Thurber (credited) (signed as Thurber)
Inks
James Thurber (credited) (signed as Thurber)
Letters
typeset

First Line of Dialogue or Text
Touche!
Genre
humor
Reprints
  • from The New Yorker (1932)

[no title indexed] (Table of Contents: 293)

cartoon / 0.5 page (report information)

Script
James Thurber (credited) (signed as Thurber)
Pencils
James Thurber (credited) (signed as Thurber)
Inks
James Thurber (credited) (signed as Thurber)
Letters
typeset

First Line of Dialogue or Text
The father belonged to some people who were driving through in a Packard.
Genre
humor
Reprints
  • from The New Yorker (1932)

Impossible Interview (Table of Contents: 294)

cartoon / 1 page (report information)

Script
Miguel Covarrubias (credited) (signed as Covarrubias)
Pencils
Miguel Covarrubias (credited) (signed as Covarrubias)
Inks
Miguel Covarrubias (credited) (signed as Covarrubias)
Letters
typeset

Genre
humor
Reprints
  • from Vanity Fair (1932)

Democracy (Table of Contents: 295)

cartoon / 1 page (report information)

Script
Otto Soglow (credited as O. Soglow)
Pencils
Otto Soglow (credited as O. Soglow)
Inks
Otto Soglow (credited as O. Soglow)
Letters
typeset

Genre
humor
Reprints
  • from Wasn't the Depression Terrible? (1932)
Keywords
Great Depression

The New Deal (Table of Contents: 296)

text article / 9 pages (report information)

Script
Thomas Craven
Pencils
?
Inks
?
Letters
typeset

[no title indexed] (Table of Contents: 297)

cartoon / 0.5 page (report information)

Script
Robert Day (credited)
Pencils
Robert Day (credited)
Inks
Robert Day (credited)
Letters
typeset

First Line of Dialogue or Text
For gosh sakes, here comes Mrs. Roosevelt!
Genre
humor
Reprints
  • from The New Yorker (1933)

[no title indexed] (Table of Contents: 298)

cartoon / 0.5 page (report information)

Script
Ned Hilton (credited, signed)
Pencils
Ned Hilton (credited, signed)
Inks
Ned Hilton (credited, signed)
Letters
typeset

First Line of Dialogue or Text
Nothing fazes Hockwald.
Genre
humor
Reprints
  • from Collier's (1933)

[no title indexed] (Table of Contents: 299)

illustration / 2 pages (report information)

Pencils
?
Inks
?

Genre
anthropomorphic-funny animals

[no title indexed] (Table of Contents: 300)

cartoon / 0.5 page (report information)

Script
William Steig (credited) (signed as W. Steig)
Pencils
William Steig (credited) (signed as W. Steig)
Inks
William Steig (credited) (signed as W. Steig)
Letters
typeset

First Line of Dialogue or Text
What's wrong wi't oatmeal, if I ain't bein' too inquisitive?
Genre
humor
Reprints
  • from The New Yorker (1933)

Lady with Mirror (Table of Contents: 301)

comic story / 1 page (report information)

Script
William Steig (credited) (signed as W. Steig)
Pencils
William Steig (credited) (signed as W. Steig)
Inks
William Steig (credited) (signed as W. Steig)
Letters
typeset

Genre
humor
Reprints
  • from The New Yorker (1933)

[no title indexed] (Table of Contents: 302)

cartoon / 0.5 page (report information)

Script
William Steig (credited) (signed as W. Steig)
Pencils
William Steig (credited) (signed as W. Steig)
Inks
William Steig (credited) (signed as W. Steig)
Letters
typeset

First Line of Dialogue or Text
Soak Papa in the nose!
Genre
humor
Reprints
  • from The New Yorker (1933)

Drinkers (Table of Contents: