- Script
- Phil Interlandi [as Interlandi] (signed)
- Pencils
- Phil Interlandi [as Interlandi] (signed)
- Inks
- Phil Interlandi [as Interlandi] (signed)
- Colors
- Phil Interlandi [as Interlandi] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- Er ... it's the man from Edison—there was a malfunction in the electric blanket.
- Genre
- humor
- Synopsis
- A wife makes a flimsy excuse when her husband catches her in bed with another man.
- Reprints
- Keywords
- adultery; electric blanket
Page 69. Edison reference in punchline refers to either Consolidated Edison or Commonwealth Edison, electric companies based in New York and Chicago, respectively.
- Script
- Buck Brown (signed)
- Pencils
- Buck Brown (signed)
- Inks
- Buck Brown (signed)
- Colors
- Buck Brown (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- You were saying at the office today, Miss Dunsmore, that in this troubled world, we must learn to live together.
- Genre
- humor
- Synopsis
- A man takes a woman's casual comment at the office as an invitation to move in.
- Keywords
- African-American; black; cigarette; smoking
Page 79. Noteworthy for the time that the woman is African-American and the man is white.
- Script
- Dink Siegel (signed)
- Pencils
- Dink Siegel (signed)
- Inks
- Dink Siegel (signed)
- Colors
- Dink Siegel (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- Prepare for the worst, Harold, I only took along enough pills for the two-week cruise.
- Genre
- humor
- Synopsis
- A woman stranded with a man on a desert island after a shipwreck has some bad news.
- Keywords
- birth control; desert island; life preservers; palm tree; shipwreck
Page 85.
- Script
- Rowland B. Wilson (signed)
- Pencils
- Rowland B. Wilson (signed)
- Inks
- Rowland B. Wilson (signed)
- Colors
- Rowland B. Wilson (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- I'll be right with you, Captain. This will only take a minute!
- Genre
- humor; historical
- Synopsis
- A member of a Revolutionary War platoon takes time out to see a woman at a tavern.
- Keywords
- Minuteman; Revolutionary War; rifles; tavern
Page 95. Punchline is a play on the phrase "Minuteman."
- Script
- Eldon Dedini [as Dedini] (signed)
- Pencils
- Eldon Dedini [as Dedini] (signed)
- Inks
- Eldon Dedini [as Dedini] (signed)
- Colors
- Eldon Dedini [as Dedini] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- Do you REALLY love me, or are you just infatuated with the fact that you simulate intercourse on stage with me seven times a week?
- Genre
- humor
- Synopsis
- A stage actress has doubts about her leading man's love for her.
- Keywords
- actors; stage
Page 105.
- Script
- ?
- Pencils
- Alberto Vargas [as Vargas] (signed, painting)
- Inks
- Alberto Vargas [as Vargas] (signed, painting)
- Colors
- Alberto Vargas [as Vargas] (signed, painting)
- Letters
- typeset
- First Line of Dialogue or Text
- At the Fourth of July picnic, I'm providing the fireworks.
- Genre
- humor
- Synopsis
- A woman is clad in blue slacks, blue heels, red sash, red and blue headband, and an ultra-sheer white blouse.
- Keywords
- Fourth of July
Pages 112-113. A two-page pin-up. Unusual in that the woman is clothed.
- Script
- Erich Sokol [as Sokol] (signed)
- Pencils
- Erich Sokol [as Sokol] (signed)
- Inks
- Erich Sokol [as Sokol] (signed)
- Colors
- Erich Sokol [as Sokol] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- Ordinarily, it riles me when young'uns git too big for their britches!
- Genre
- humor
- Synopsis
- The town loafers are sitting on the porch of a rural Southern general store, watching a young woman walk by who's nearly outgrown her denim shorts.
- Keywords
- denim; geese; general store; pipe; shorts; smoking
Page 134.
- Script
- Alden Erikson [as A. Erikson] (signed)
- Pencils
- Alden Erikson [as A. Erikson] (signed)
- Inks
- Alden Erikson [as A. Erikson] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- Tonight at five-thirty ... on the Uptown Express ... a love-in ... Pass it on.
- Genre
- humor
- Synopsis
- A strap-hanger on the subway passes on news of a love-in later that day.
- Keywords
- counterculture; love-in; strap-hanger; subway
Page 143.
- Script
- Marty Murphy (signed)
- Pencils
- Marty Murphy (signed)
- Inks
- Marty Murphy (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- One of the ever-present dangers of being on the vice squad, men, is that there are times when we can't see the trees for the forest!
- Genre
- humor
- Synopsis
- The head of a police vice squad addresses his men, two of whom are holding hands.
- Keywords
- homosexual; police; vice squad
Page 144.
- Script
- Howard Shoemaker [as Shoemaker] (signed)
- Pencils
- Howard Shoemaker [as Shoemaker] (signed)
- Inks
- Howard Shoemaker [as Shoemaker] (signed)
- Genre
- humor
- Synopsis
- A young girl finds an intra-uterine device (IUD) as a prize in a box of Crackerjacks snacks.
- Keywords
- birth control; Crackerjack; IUD; prize
Page 145. A pantomime cartoon. The girl's hand obscures part of the package label, but the brand name is obvious.
- Script
- Brian Savage (signed)
- Pencils
- Brian Savage (signed)
- Inks
- Brian Savage (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- I've given you four years at Choate, four years at Princeton and three years at Harvard Business School. Now I'm turning over the business to you. OF COURSE it's bankrupt.
- Genre
- humor
- Synopsis
- A businessman gives his son an expensive education, then turns the bankrupt family business over to him.
- Keywords
- bankrupt; Harvard; Princeton
Page 146.
- Script
- B Kliban (signed)
- Pencils
- B Kliban (signed)
- Inks
- B Kliban (signed)
- Genre
- humor
- Synopsis
- A pair of man's and woman's clothes make love, while their human bodies are draped over chairs.
Page 147. A pantomime cartoon.
- Script
- Richard Taylor [as R. Taylor] (signed)
- Pencils
- Richard Taylor [as R. Taylor] (signed)
- Inks
- Richard Taylor [as R. Taylor] (signed)
- Colors
- Richard Taylor [as R. Taylor] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- No, I don't believe in love at first sight. I think we should wait until you take me home.
- Genre
- humor
- Synopsis
- A woman is receptive to a man's advances at a party, but would prefer to continue at her home.
- Reprints
- Keywords
- abstract art; cocktails; couch; party
Page 148.
- Script
- Michael Ffolkes [as ffolkes] (signed)
- Pencils
- Michael Ffolkes [as ffolkes] (signed)
- Inks
- Michael Ffolkes [as ffolkes] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- I thought I was tired of war movies.
- Genre
- humor
- Synopsis
- Two men leave a theatre that is has huge posters advertising its current fare—"Gestapo Ladies."
- Reprints
- Keywords
- Gestapo; movies; whips
Page 150.
- Script
- Vahan Shirvanian [as Shirvanian] (signed)
- Pencils
- Vahan Shirvanian [as Shirvanian] (signed)
- Inks
- Vahan Shirvanian [as Shirvanian] (signed)
- Genre
- humor
- Synopsis
- A woman is sitting in a swimsuit on a beach towel with Andy Warhol's Campbell's Soup can image on it. A man throws his beach towel beside her. It has the image of a can opener on it.
- Keywords
- beach; Pop art; towel
Page 151. A pantomime cartoon.
- Script
- John Dempsey (signed)
- Pencils
- John Dempsey (signed)
- Inks
- John Dempsey (signed)
- Colors
- John Dempsey (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- You Gordons would do anything to win a bet, wouldn't you?
- Genre
- humor
- Synopsis
- Two couples are playing golf. When one man prepares to putt, the other man pulls his wife's blouse up to distract him.
- Reprints
- Keywords
- golf
Page 153.
- Script
- Buck Brown (signed)
- Pencils
- Buck Brown (signed)
- Inks
- Buck Brown (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- And the white man wonders why we never attack at night!
- Genre
- humor; historical
- Synopsis
- Plains Indians men and women pair off and go to their teepees.
- Keywords
- Indians; teepees
Page 154.
- Script
- Malcolm Hancock [as Mal] (signed)
- Pencils
- Malcolm Hancock [as Mal] (signed)
- Inks
- Malcolm Hancock [as Mal] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- Please, Arthur ... come back to me.
- Genre
- humor
- Synopsis
- A wife's husband is living in a kangaroo's pouch.
- Keywords
- kangaroo
Page 155.
- Script
- Doug Sneyd [as Sneyd] (signed)
- Pencils
- Doug Sneyd [as Sneyd] (signed)
- Inks
- Doug Sneyd [as Sneyd] (signed)
- Colors
- Doug Sneyd [as Sneyd] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- Remember that rubbish we learned in high school about the human body being worth only ninety-seven cents?
- Genre
- humor
- Synopsis
- A woman gets dressed after sex and talks to another woman from the brothel.
- Keywords
- brothel; prostitution
Page 155. Part of the "Brothel" series.
- Script
- Peter Paul Porges [as Porges] (signed)
- Pencils
- Peter Paul Porges [as Porges] (signed)
- Inks
- Peter Paul Porges [as Porges] (signed)
- Letters
- typeset
- Genre
- humor
- Synopsis
- An actress reads a script while visualizing a virgin praying while being burned at the stake. The director, behind his desk, visualizes the same scene with the woman nude to the waist.
- Keywords
- movie-making; script
Page 160. A pantomime cartoon.
- Script
- Marty Murphy (signed)
- Pencils
- Marty Murphy (signed)
- Inks
- Marty Murphy (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- Oh, HERE you are, Gloria! I said we'd meet you under the big CLOCK!
- Genre
- humor
- Synopsis
- A woman mis-hears a meeting place and instead of going to the large clock in the art museum, stations herself under a huge statue of a nude man.
- Reprints
- Keywords
- art museum; clock; slang; statue
Page 161.
- Script
- Gahan Wilson (signed)
- Pencils
- Gahan Wilson (signed)
- Inks
- Gahan Wilson (signed)
- Colors
- Gahan Wilson (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- Beastly sorry about all these interruptions.
- Genre
- humor
- Synopsis
- A gentleman calmly talks on the telephone after shooting attackers of all types.
- Reprints
- Keywords
- blackjack; handgun; hypodermic needle; kris; lion; shooting; snake; telephone
Page 163.
- Script
- Bernard Wiseman [as B. Wiseman] (signed)
- Pencils
- Bernard Wiseman [as B. Wiseman] (signed)
- Inks
- Bernard Wiseman [as B. Wiseman] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- She was a great model!
- Genre
- humor
- Synopsis
- Two pallbearers bring a long, very thin casket from the church to the hearse after a funeral.
- Keywords
- casket; fashion model; funeral; hearse; pallbearers
Page 164. Punchline is based on the then-current trend for ultra-thin fashion models such as Twiggy.
- Script
- Michael Ffolkes [as ffolkes] (signed)
- Pencils
- Michael Ffolkes [as ffolkes] (signed)
- Inks
- Michael Ffolkes [as ffolkes] (signed)
- Colors
- Michael Ffolkes [as ffolkes] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- Haven't I raped you somewhere before?
- Genre
- humor; historical
- Synopsis
- A Roman soldier, in the midst of pillaging a city, thinks he recognizes one of his victims from a previous raid.
- Keywords
- pillage; rape; Roman
Page 167.
- Script
- Dana Fradon [as D. Fradon] (signed)
- Pencils
- Dana Fradon [as D. Fradon] (signed)
- Inks
- Dana Fradon [as D. Fradon] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- I ask you—would I be doing this to you if I didn't have an airtight case?
- Genre
- humor
- Synopsis
- A lawyer giving his summary to the jury thumbs his nose at them.
- Keywords
- courtroom; insult; judge; jury; lawyer
Page 168.
- Script
- ? [as Oldden] (signed)
- Pencils
- ? [as Oldden] (signed)
- Inks
- ? [as Oldden] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- Thar she blows.
- Genre
- humor
- Synopsis
- Fishermen in a rowboat see a mermaid on a rock tending to a nude man.
- Reprints
- Keywords
- boat; fishermen; mermaid; slang
Page 169.
- Script
- Francis Wilford-Smith [as Smilby] (signed)
- Pencils
- Francis Wilford-Smith [as Smilby] (signed)
- Inks
- Francis Wilford-Smith [as Smilby] (signed)
- Colors
- Francis Wilford-Smith [as Smilby] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- I just hate the way men undress you with their eyes.
- Genre
- humor
- Synopsis
- Two young women complain about men leering at them as they walk down the city sidewalk. One woman is wearing an ultra-sheer blouse, the other wears an open-weave crocheted dress, neither of which leaves anything to the imagination.
- Keywords
- fashion
Page 171.
- Script
- Sidney Harris [as S. Harris] (signed)
- Pencils
- Sidney Harris [as S. Harris] (signed)
- Inks
- Sidney Harris [as S. Harris] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- That's IT? A TWO-MINUTE mating season?
- Genre
- humor
- Synopsis
- A female buffalo is upset by the "hit-and-run" mating of the bull buffalo walking away.
- Reprints
- Keywords
- bison; buffalo; mating
Page 172.
- Script
- Buck Brown (signed)
- Pencils
- Buck Brown (signed)
- Inks
- Buck Brown (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- OK, I'll play for you guys, but I want a five-hundred-thousand dollar bonus, a three-year, no-cut contract and fifteen percent of the gate receipts.
- Genre
- humor; satire-parody
- Synopsis
- In a parody of the scene in Gulliver's Travels where Gulliver is tied down by an army of Lilliputians, this time they are just negotiating with him to play basketball for them.
- Keywords
- basketball; Gulliver's Travels; lilliputians; ropes
Page 173.
- Script
- John Dempsey (signed)
- Pencils
- John Dempsey (signed)
- Inks
- John Dempsey (signed)
- Colors
- John Dempsey (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- Nonsense, Hank. I don't think teenagers are any more promiscuous today than when I was a kid.
- Synopsis
- A middle-aged man in a deck chair at the nudist camp has a conversation with an older man, at the same time surreptitiously fondling the breast of a young girl sunning herself next to his chair.
- Keywords
- nudists
Page 175. Part of the "Nudist Camp" series.
- Script
- Bill Lee (signed)
- Pencils
- Bill Lee (signed)
- Inks
- Bill Lee (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- Ralph, leave your wife and children. Run away with me.
- Genre
- humor
- Synopsis
- A couple in bed has a disjointed conversation after the woman calls the man by the wrong name.
- Reprints
- Keywords
- adultery; bed
Page 177. A three-panel comic story.
- Script
- Don Madden (signed)
- Pencils
- Don Madden (signed)
- Inks
- Don Madden (signed)
- Colors
- Don Madden (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- As far as I'm concerned, Sheriff, you're one of the bad guys.
- Genre
- humor; western-frontier
- Synopsis
- A woman in a brass bed berates the sheriff's performance as he's getting dressed.
- Reprints
- Keywords
- brass bed; guns; sheriff
Page 178.
- Script
- Dana Fradon [as D. Fradon] (signed)
- Pencils
- Dana Fradon [as D. Fradon] (signed)
- Inks
- Dana Fradon [as D. Fradon] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- I suppose THAT'S not 'crime in the streets'!
- Genre
- humor
- Synopsis
- Two men walk down the sidewalk and see a sign in a store window advertising "Loans 10 1/2%."
- Reprints
- Keywords
- interest rate; loans
Page 180.
- Script
- Vahan Shirvanian [as Shirvanian] (signed)
- Pencils
- Vahan Shirvanian [as Shirvanian] (signed)
- Inks
- Vahan Shirvanian [as Shirvanian] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- Uh-uh-uh! Don't touch that dial!
- Genre
- humor
- Synopsis
- A television announcer makes an comment as a man in bed reaches for a woman's breast.
- Keywords
- catch-phrase; television
Page 182. The "Don't touch that dial" catch-phrase was common during the days of old-time radio, but was out-dated by the time this was printed.
- Script
- Phil Interlandi [as Interlandi] (signed)
- Pencils
- Phil Interlandi [as Interlandi] (signed)
- Inks
- Phil Interlandi [as Interlandi] (signed)
- Genre
- humor
- Synopsis
- A couple in a sports car stops when a naked young boy chases a naked young girl across the road.
- Keywords
- children; nude; sports car
Page 183. A pantomime cartoon. Sequence title is the sign at the side of the road.
- Script
- Buck Brown (signed)
- Pencils
- Buck Brown (signed)
- Inks
- Buck Brown (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- That COULDN'T be quicksand, dear, you fell in there over an hour ago!
- Genre
- humor; jungle
- Synopsis
- In the jungle, a man waits patiently for his wife to be swallowed up in a quicksand pit.
- Keywords
- jungle; quicksand
Page 184.
- Script
- Bill Hoest [as Hoest] (signed)
- Pencils
- Bill Hoest [as Hoest] (signed)
- Inks
- Bill Hoest [as Hoest] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- When are you going to make me a star, Mr. Hotchkiss?
- Genre
- humor
- Synopsis
- A director lives up to his promise to an aspiring actress when, after a session in bed, he cuts a star out of paper for her.
- Reprints
- Keywords
- casting couch; movie-making; scissors; starlet
Page 186.
- Script
- Sidney Harris [as S. Harris] (signed)
- Pencils
- Sidney Harris [as S. Harris] (signed)
- Inks
- Sidney Harris [as S. Harris] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- Hold it—this page is printed upside down.
- Genre
- humor
- Synopsis
- A woman in bed gets in an awkward position before the man reading a "Guide to Sexual Love" book realizes the page is misprinted.
- Reprints
- Keywords
- sex manual
Page 188.
- Script
- Bud Handelsman [as Handelsman] (signed)
- Pencils
- Bud Handelsman [as Handelsman] (signed)
- Inks
- Bud Handelsman [as Handelsman] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- Just one little thing. In the ideal city of the future, I don't think we want the main shopping center quite so close to the ghetto.
- Genre
- humor
- Synopsis
- Two city-planners run into a problem.
- Keywords
- city-planning; ghetto
Page 189.
- Script
- Cliff Roberts (signed)
- Pencils
- Cliff Roberts (signed)
- Inks
- Cliff Roberts (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- I'm a bed wetter.
- Genre
- humor
- Synopsis
- A psychiatrist is unsettled when the man on his couch says he's a bed-wetter.
- Reprints
- Keywords
- bed-wetter; couch; psychiatrist
Page 191.
- Script
- E. Simms Campbell (signed)
- Pencils
- E. Simms Campbell (signed)
- Inks
- E. Simms Campbell (signed)
- Colors
- E. Simms Campbell (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- Before I decide on any deal, I prefer to sleep on it.
- Genre
- humor
- Synopsis
- A sultan is undecided about buying an addition to his harem.
- Reprints
- Keywords
- camels; harem; nude; slave market; sultan
Page 193.
- Script
- Brian Savage (signed)
- Pencils
- Brian Savage (signed)
- Inks
- Brian Savage (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- We're going into our landing pattern now. Would you like something to read?
- Genre
- humor
- Synopsis
- When an airliner goes into its landing pattern, a stewardess hands out reading material for the passengers to pass the time until they actually start landing.
- Keywords
- airliner; magazines; stewardess
Page 194.
- Script
- Arnold Wiles (signed)
- Pencils
- Arnold Wiles (signed)
- Inks
- Arnold Wiles (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- Brother Anthony!
- Genre
- humor; religious
- Synopsis
- A monk disapproves when the halo over another monk's head is shaped like the medical symbol for woman.
- Reprints
- Keywords
- halo; monk
Page 195.
- Script
- Lee Lorenz [as Lorenz] (signed)
- Pencils
- Lee Lorenz [as Lorenz] (signed)
- Inks
- Lee Lorenz [as Lorenz] (signed)
- Letters
- typeset
- First Line of Dialogue or Text
- Blast it, Miss Honan—it's not the third-quarter figures on the Belding account I want—it's YOU!
- Genre
- humor
- Synopsis
- A businessman can't resist his secretary any longer.
- Keywords
- secretary
Page 196.
- Script
- Harvey Kurtzman
- Pencils
- Will Elder (painting)
- Inks
- Will Elder (painting)
- Colors
- Will Elder (painting)
- Letters
- ?
- Genre
- satire-parody
- Characters
- Benton Battbarton; Annie Fanny; Ralphie Towzer; Fabulous Furry Freak Brothers (cameo)
- Synopsis
- Spoof of underground newspapers.
- Reprints
- Keywords
- adult; underground comix; underground newspaper
Story contains Robert Crumb and Gilbert Shelton one page black and white stories (printed small) created especially for this story at Kurtzman's request. East Village Mother is a play on "East Village Other." Crumb and Shelton stories are indexed separately, with separate page counts. Credits read "by Harvey Kurtzman and Will Elder." Title from Kurtman's records. Story was originally five pages, but final page was condensed into part of page four by order of Hugh Hefner, who later wished the scene had been edited further. (from annotations in Playboy's Little Annie Fanny (Dark Horse, 2000 series) Volume 2.)
- Script
- Robert Crumb [as R. Crumb] (signed)
- Pencils
- Robert Crumb [as R. Crumb] (signed)
- Inks
- Robert Crumb [as R. Crumb] (signed)
- Letters
- Robert Crumb [as R. Crumb] (signed)
- Genre
- satire-parody
- Characters
- Angelfood McSpade; Mr. Natural; Hugh M. Hefner
- Synopsis
- Angelfood tries to become a Playboy bunny.
- Reprints
- Keywords
- adult; African-American; Playboy bunny; racism
Black and white story, used in small size as a page of an underground newspaper in Sequence 44. Drawn especially for the Little Annie Fanny story at Harvey Kurtzman's request.
- Script
- Gilbert Shelton
- Pencils
- Gilbert Shelton
- Inks
- Gilbert Shelton
- Letters
- Gilbert Shelton
- Genre
- satire-parody
- Characters
- Fabulous Furry Freak Brothers
- Synopsis
- The Freak Brothers smoke cannabis and get high.
- Reprints
- Keywords
- adult; marijuana; water pipe
Black and white story, used in small size as a page of an underground newspaper in Sequence 44; part of story copied from "The Freaks Pull a Heist", first printed in Radical America Volume III (SDS, 1969 series) #1. Story used as part of Little Annie Fanny story, created at the request of Harvey Kurtzman.