- Script
- Joost Swarte (credited) (interviewee); Martijn Daalder (credited) (interviewer); Rentsje de Gruyter (credited) (translation)
- Pencils
- Joost Swarte (credited)
- Inks
- Joost Swarte (credited)
- Letters
- typeset
- First Line of Dialogue or Text
- His high school teacher knew it all along.
- Pages
- 33 - 38
Interview with Joost Swarte, conducted by Martijn Daalder. Translation by Rentsje de Gruyter.
- Script
- Greg Cwiklik (credited as Gregory Cwiklik)
- Pencils
- various
- Inks
- various
- Letters
- typeset
- First Line of Dialogue or Text
- Over the last few years Stan Lee has take a number of withering broadsides from the Comics Journal ...
- Synopsis
- A defense of Stan Lee as having a substantial role in Marvel's success in the 1960s.
- Pages
- 58 - 61
Includes a publicity photo of Stan Lee from the early 1970s.
- Script
- Paul Wardle (credited)
- Pencils
- various
- Inks
- various
- Letters
- typeset
- First Line of Dialogue or Text
- It's a pity that Two-Face, member of Batman's Rogues gallery, was not created by Stan Lee.
- Synopsis
- Paul Wardle contrasts the public side of Stan Lee with his dealings with creative personnel.
- Pages
- 63 - 63
Article has a screenshot/publicity photo of Stan Lee's appearance on the first episode of Dennis Miller's syndicated television talk show.
- Script
- Darcy Sullivan (credited)
- Pencils
- various
- Inks
- various
- Letters
- typeset
- First Line of Dialogue or Text
- Not real! Just a hoax! Entirely an Imaginary Story!
- Synopsis
- An alternate history of what might have happened if Jack Kirby had owned his Marvel heroes.
- Pages
- 64 - 66
- Script
- Stan Lee
- Pencils
- Jack Kirby
- Inks
- George Roussos
- Letters
- Artie Simek
- First Line of Dialogue or Text
- Captain America Lives Again!
- Genre
- superhero
- Characters
- The Avengers [Captain America [Steve Rogers]; Iron Man [Tony Stark]; Thor; Giant-Man [Hank Pym]; Wasp [Janet Van Dyne]]; Namor the Sub-Mariner
- Reprints
Grayscale reprint of color cover.
- Script
- Jeff Winbush (credited)
- Pencils
- various
- Inks
- various
- Letters
- typeset
- First Line of Dialogue or Text
- Vibe Magazine recently featured the prime movers of rap and hip-hop that have the most juice.
- Synopsis
- A look at the 1960s-70s Stan Lee from a black fan's viewpoint.
- Pages
- 68 - 69
- Script
- Earl Wells (credited)
- Pencils
- various
- Inks
- various
- Letters
- typeset
- First Line of Dialogue or Text
- The reputation of Stan Lee and Jack Kirby, two of the talents responsible for creating the comics books publishing by Marvel in the 1960s ...
- Synopsis
- An essay discussing who to assign credit for the early Marvel comics -- Stan Lee or Jack Kirby -- and why.
- Pages
- 70 - 78
Quotes are used from "The Encyclopedia of Science Fiction", an article in "New York" magazine in 1966 by Nat Freedland, an interview with Lee from "Castle of Frankenstein" #12, an article in "Rolling Stone" in 1971 by Robin Green, an interview with Kirby in "Marvel Collector's Handbook" #1 (early 1970s), an interview with Kirby in "The Comics Journal" in 1990, and an introduction by Lee in "Origins of Marvel Comics."
- Script
- Roy Thomas (credited); Grass Green (credited); Trina Robbins (credited); Eric Reynolds (credited); Dave Sim (credited); Bill Griffith (credited); John Buscema (credited); Heidi MacDonald (credited); Chris Oliveros (credited); Doug Moench (credited); Richard Corben (credited); John Romita (credited); Terry Moore (credited); Joe Sinnott (credited); Mike Allred (credited); Herb Trimpe (credited); David Collier (credited); Burne Hogarth (credited); Al Williamson (credited); Mike Mignola (credited); Gilbert Hernandez (credited); Spain Rodriguez (credited); Lee Marrs (credited); Ron Turner (credited); Gary Leib (credited); Martin Wagner (credited); Tom Sutton (credited); Danny Hellman (credited); Matt Howarth (credited); Terry LaBan (credited); Al Jaffee (credited); Pat Moriarity (credited); Bernie Mireault (credited); Kaz Prapuolenis (credited as Kaz); Fred Hembeck (credited); John Workman (credited); Larry Hama (credited); Kim Johnson (credited as Kim Howard Johnson); Paul Chadwick (credited); Mary Fleener (credited); Rich Tommaso (credited); Steve Lafler (credited); Will Eisner (credited)
- Pencils
- various
- Inks
- various
- Letters
- typeset
- First Line of Dialogue or Text
- The Comics Industry Sounds Off on Stan Lee
- Synopsis
- Various comics professionals give their opinion of Stan Lee.
- Pages
- 80 - 92
- Script
- Sam Henderson (credited)
- Pencils
- David Lasky (credited)
- Inks
- David Lasky (credited)
- Letters
- ?
- First Line of Dialogue or Text
- Twas an eve of Friday the 28th day of the 7th month of the 1995th year of our Lord in the fabled land of San Diego ...
- Characters
- Stan Lee; Joan Lee
- Synopsis
- A chance encounter between Stan Lee and random fans at the San Diego Comic Con.
"Special thanks to Peter Mark Roget!" Unclear if this was an actual encounter or just a parody.
- Script
- Stan Lee (credited) (interviewee); Ted White (credited) (interviewer)
- Pencils
- various
- Inks
- various
- Letters
- typeset
- First Line of Dialogue or Text
- In preparing material for this issue, the Journal ran across the following interview.
- Reprints
- Pages
- 93 - 96
An interview with Stan Lee, conducted by Ted White in 1968.
- Script
- Art Spiegelman (credited) (interviewee); Gary Groth (credited) (interviewer)
- Pencils
- various
- Inks
- various
- Letters
- typeset
- Pages
- 97 - 139
Part two of an interview with Art Spiegelman, conducted by Gary Groth.
- Pencils
- Jack Kirby (sourced)
- Inks
- Jack Kirby (sourced)
- Letters
- Ben Oda (sourced)
- First Line of Dialogue or Text
- I've told you before, Doug -- I won't have you laughing at my family
- Genre
- romance
- Reprints
Black and white reprint of color cover. The price and distributor's symbol are not on the reprinted cover, but the rest of the trade dress is.
- Script
- Art Spiegelman (credited)
- Pencils
- Art Spiegelman (credited)
- Inks
- Art Spiegelman (credited)
- Letters
- Art Spiegelman (credited)
- Genre
- satire-parody
- Synopsis
- Small children make paper hats with headlines of adult matters: O.J. Simpson, terrorists, drugs, and rape.
- Reprints
- from The New Yorker, 1995-09-11
Grayscale reprint of a color cover.
- Script
- Art Spiegelman (credited)
- Pencils
- Art Spiegelman (credited)
- Inks
- Art Spiegelman (credited)
- Letters
- typeset
- First Line of Dialogue or Text
- The Theology of the Tax-Cut
- Genre
- advocacy
- Synopsis
- A human-like rabbit crucified against a background of a 1040A Tax Form.
- Reprints
- from The New Yorker 1995-04-12
Grayscale reprint of a color cover.
- Script
- Art Spiegelman (signed as Spiegelman)
- Pencils
- Art Spiegelman (signed as Spiegelman)
- Inks
- Art Spiegelman (signed as Spiegelman)
- Genre
- satire-parody
- Synopsis
- A fashion show where all the judges and photographers are nude.
- Reprints
- from The New Yorker 1994-11-07
Grayscale reprint of a color cover.
- Script
- Robert Crumb (signed as R. Crumb)
- Pencils
- Robert Crumb (signed as R. Crumb)
- Inks
- Robert Crumb (signed as R. Crumb)
- Genre
- satire-parody
- Synopsis
- A parody of The New Yorker's mascot Eustace Tilley as one of a group of Gen-X urban youths.
- Reprints
- from The New Yorker 1994-02-21
Grayscale reprint of a color cover.
- Pencils
- David Mazzucchelli (credited) (painting)
- Inks
- David Mazzucchelli (credited) (painting)
- Letters
- typeset
- Genre
- drama; crime; detective-mystery
- Reprints
The "Neon Lit" insignia is in the upper-left-hand corner. Grayscale reprint of a color cover.
- Script
- Art Spiegelman (signed as Art Spiegelman)
- Pencils
- Art Spiegelman (signed as Art Spiegelman)
- Inks
- Art Spiegelman (signed as Art Spiegelman)
- Letters
- Art Spiegelman (signed as Art Spiegelman)
- First Line of Dialogue or Text
- - You mean you can't remember Tonya Harding
- Genre
- humor
- Synopsis
- The old year 1994 can't remember much of what happened during the year.
- Reprints
- from The New Yorker 1994-xx-xx