- Script
- Mark Kidwell (credited)
- Pencils
- Jeff Zornow (credited) (signed as ) (signed on pages 2, 14, 22)
- Inks
- Jeff Zornow (credited) (signed as ) (signed on pages 2, 14, 22)
- Colors
- Jay Fotos (credited)
- Letters
- Tom B. Long (credited)
- First Line of Dialogue or Text
- Cambodia - December 25th, 1967
- Genre
- horror-suspense; war
- Reprints
- Script
- Mark Kidwell ?
- Pencils
- ? (photograph)
- Inks
- ? (photograph)
- Colors
- ? (photograph)
- Letters
- typeset
- Genre
- history; war
- Reprints
Series of historical facts related to the places and events in the main story, placing those elements in a historical context. Accompanied by photographs.
- Script
- Mark Kidwell (credited)
- Pencils
- Jeff Zornow (credited) (signed as ) (signed on pages 2, 15, 22)
- Inks
- Jeff Zornow (credited) (signed as ) (signed on pages 2, 15, 22)
- Colors
- Jay Fotos (credited)
- Letters
- Tom B. Long (credited)
- First Line of Dialogue or Text
- December 26th, 1967.
- Genre
- horror-suspense; war
- Reprints
- Script
- Mark Kidwell ?
- Pencils
- ? (photograph)
- Inks
- ? (photograph)
- Colors
- ? (photograph)
- Letters
- typeset
- Genre
- history; war
- Reprints
Series of historical facts related to the places and events in the main story, placing those elements in a historical context. Accompanied by photographs.
- Script
- Mark Kidwell (credited)
- Pencils
- Jeff Zornow (credited) (signed as ) (signed on page 2)
- Inks
- Jeff Zornow (credited) (signed as ) (signed on page 2)
- Colors
- Jay Fotos (credited)
- Letters
- Tom B. Long (credited)
- First Line of Dialogue or Text
- In the city of Hue - South Vietnam
- Genre
- horror-suspense; war
- Reprints
- Script
- Mark Kidwell ?
- Pencils
- ? (photograph)
- Inks
- ? (photograph)
- Colors
- ? (photograph)
- Letters
- typeset
- Genre
- history; war
- Reprints
Series of historical facts related to the places and events in the main story, placing those elements in a historical context. Accompanied by photographs.
- Script
- Mark Kidwell (credited)
- Pencils
- Jeff Zornow (credited) (signed as ) (signed on pages 12, 17)
- Inks
- Jeff Zornow (credited) (signed as ) (signed on pages 12, 17)
- Colors
- Jay Fotos (credited)
- Letters
- Tom B. Long (credited)
- First Line of Dialogue or Text
- You wanna know how it ends, huh?
- Genre
- horror-suspense; war
- Reprints
- Script
- Mark Kidwell ?
- Pencils
- ? (photograph)
- Inks
- ? (photograph)
- Colors
- ? (photograph)
- Letters
- typeset
- Genre
- history; war
- Reprints
Series of historical facts related to the places and events in the main story, placing those elements in a historical context. Accompanied by photographs.
- Script
- Mark Kidwell (credited)
- Pencils
- Kyle Charles (credited); Josh Medors (credited) (layouts, pages 1-6)
- Inks
- Kyle Charles (credited)
- Colors
- Jay Fotos (credited)
- Letters
- Tom B. Long (credited)
- First Line of Dialogue or Text
- Streiner, Mississippi, February 13, 1968.
- Genre
- horror-suspense; war
- Reprints
- Script
- Mark Kidwell ?
- Pencils
- ? (photograph)
- Inks
- ? (photograph)
- Colors
- ? (photograph)
- Letters
- typeset
- Genre
- historical; war
- Reprints
Series of historical facts related to the places and events in the main story, placing those elements in a historical context. Accompanied by photographs.
- Script
- Mark Kidwell ?
- Pencils
- Josh Medors; ? (photograph)
- Inks
- ? (photograph)
- Colors
- ? (photograph)
- Letters
- typeset
- Genre
- biography
- Synopsis
- Mixture of published obituary and reminiscence about Josh Medors from within the comics industry. Accompanied by personal photos and a couple of rough sketches
- Reprints
'68 Hallowed Ground's front cover and layouts of the first six pages represents the final published work of Josh Medors before losing his battle with cancer.
- Pencils
- Nat Jones (credited) (signed as ) (painting)
- Inks
- Nat Jones (credited) (signed as ) (painting)
- Colors
- Nat Jones (credited) (signed as ) (painting)
- Genre
- horror-suspense; war
- Reprints
- Pencils
- Clayton Crain (credited); Chris McFann (signed as )
- Inks
- Clayton Crain (credited); Chris McFann (signed as )
- Colors
- Clayton Crain (credited); Chris McFann (signed as )
- Genre
- horror-suspense; war
- Reprints
Wraparound cover
- Pencils
- Nat Jones (credited) (signed as )
- Inks
- Nat Jones (credited) (signed as )
- Colors
- Jay Fotos (credited) (signed as )
- Genre
- horror-suspense; war
- Reprints
- Keywords
- brain
- Pencils
- Jeff Zornow (credited) (signed as )
- Inks
- Jeff Zornow (credited) (signed as )
- Colors
- Jay Fotos (credited)
- Genre
- horror-suspense; war
- Reprints
- Pencils
- Nat Jones (credited) (signed as )
- Inks
- Nat Jones (credited) (signed as )
- Colors
- Jay Fotos (credited) (signed as )
- Genre
- horror-suspense; war
- Reprints
Wraparound cover.
- Pencils
- Tim Vigil (credited) (signed as )
- Inks
- Tim Vigil (credited) (signed as )
- Colors
- Jay Fotos (credited) (signed as )
- Genre
- horror-suspense; war
- Reprints
- Pencils
- Nat Jones (credited) (signed as )
- Inks
- Nat Jones (credited) (signed as )
- Colors
- Nat Jones (credited) (signed as )
- Genre
- horror-suspense; war
- Reprints
- Pencils
- Riley Rossmo (credited)
- Inks
- Riley Rossmo (credited)
- Colors
- Riley Rossmo (credited)
- Genre
- horror-suspense; war
- Reprints
- Pencils
- Bernie Wrightson (credited) (signed as )
- Inks
- Nat Jones (credited) (signed as Jones)
- Colors
- Jay Fotos (credited) (signed as )
- Genre
- horror-suspense; war
- Reprints
- Pencils
- Josh Medors (credited) (signed as ) (front cover); Nat Jones (credited) (signed as ) (back cover)
- Inks
- Kyle Charles ?
- Colors
- Jay Fotos (credited) (signed as )
- Genre
- horror-suspense; war
- Reprints
- Pencils
- Josh Medors (credited) (signed as )
- Inks
- ?
- Colors
- Jay Fotos (credited) (signed as )
- Genre
- horror-suspense; war
Raw pencils for the cover to '68: Hallowed Ground #1, cover A. Finished colored art inset.
- Script
- Mark Kidwell
- Pencils
- Jeff Zornow (pages 2, 4, 6); Josh Medors (page 8)
- Inks
- Jeff Zornow (pages 2, 4, 6); Kyle Charles (page 8)
- Letters
- typeset
Series of 2-page spreads. Issue 1, p25; issue 2, p18; issue 3, p4; and Hallowed Ground, p1. Each has typed script pages on the left, and corresponding inked page on the right, before lettering and coloring were done.