Once & Future #25 [Jonboy Meyers Cover]
(May 2022)

Boom! Studios, 2019 Series
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Price
4.99 USD
Pages
?
On-sale Date
2022-05-04
Indicia / Colophon Publisher
Boom! Studios
Brand
Boom! Studios [Rectangle]
Barcode
844284007351 02531
Printer
Printed in Canada
Editing
Dafna Pleban (credited) (editor); Gwen Waller (credited) (assistant editor); Madison Goyette (credited) (designer)

Issue Notes

This issue is a variant of Once & Future (Boom! Studios, 2019 series) #25. There exist further variants:

[no title indexed] (Table of Contents)

Once & Future / cover / 1 page (report information)

Pencils
JonBoy Meyers (credited) (signed as JonBoy!)
Inks
JonBoy Meyers (credited) (signed as JonBoy!)
Colors
JonBoy Meyers (credited) (signed as JonBoy!)
Genre
fantasy-supernatural
No image yet Cover Thumbnail for Once & Future (2019 series) #25 Cover Thumbnail for Once & Future (2019 series) #25 [Simone Di Meo Cover]
Cover gallery

[no title indexed] (Table of Contents: 1)

credits, title page / 1 page (report information)

Script
?
Pencils
?
Inks
?
Colors
?
Letters
typeset

The Wasteland (Table of Contents: 2)

Once & Future / comic story / 22 pages (report information)

Script
Kieron Gillen (credited)
Pencils
Dan Mora (credited)
Inks
Dan Mora (credited)
Colors
Tamra Bonvillain (credited)
Letters
Ed Dukeshire (credited)
First Line of Dialogue or Text
You three have heads.
Genre
fantasy-supernatural
Reprints

[no title indexed] (Table of Contents: 3)

credits, title page / 1 page (report information)

Letters
typeset

[no title indexed] (Table of Contents: 4)

Once & Future / text article / 3 pages (report information)

Script
Olly MacNamee (credited)
Pencils
Dan Mora
Inks
Dan Mora
Colors
Tamra Bonvillain
Letters
typeset
Genre
fantasy-supernatural
Editing
Issue at my.comics.org
Related Scans
Series Information
Table of Contents
  1. 0. [no title indexed]
    Once & Future
  2. 1. [no title indexed]
  3. 2. The Wasteland
    Once & Future
  4. 3. [no title indexed]
  5. 4. [no title indexed]
    Once & Future
This issue was modified by
  • Adam Knights
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