Portions of the cover art taken from a panel in the story, Shermlock Shomes in The Hound of the Basketballs.
Contents of Mad #16.
In hieroglyphics.
This cover is reprinted upside down relative to the rest of the issue as a whole.
This story is reprinted upside down relative to the rest of the issue as a whole; because of this it occurs in the overall issue first within the Mad #17 contents here, rather than last as in the stand-alone Mad #17.
This sequence (as with all the contents of Mad #17) is reprinted upside down relative to the issue as a whole.
This sequence (as with all the contents of Mad #17) is reprinted upside down relative to the issue as a whole.
This sequence (as with all the contents of Mad #17) is reprinted upside down relative to the issue as a whole.
This sequence (as with all the contents of Mad #17) is reprinted upside down relative to the issue as a whole.
This sequence (as with all the contents of Mad #17) is printed upside down relative to the issue as a whole.