Colors were previously attributed to Marie Severin, but it is unlikely that Severin had begun coloring at EC when this issue was colored (Cassell 2012, 33–34 and 171).
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Reference:
Cassell, Dewey, with Aaron Sultan. 2012. Marie Severin: The Mirthful Mistress of Comics. Raleigh: TwoMorrows Publishing.
A story similar to Edgar Allan Poe's "The Black Cat" with a few themes from "The Tell-Tale Heart" and "The Cask of Amontillado" mixed in.
Letterer credit per Russ Cochran and added by Craig Delich 2013-12-8. Feldstein reports that Wroten used a K & E Lettering Stylus to do all the lettering with.
Script credit from Tales of Terror: The EC Companion.
Colors were previously attributed to Marie Severin (see Indexer Notes for this issue’s cover, above).
The EC Archives: The Haunt of Fear, Volume 1 (2011) lists the writer as Ivan Klapper.
Klapper also wrote a few early stories in The Vault of Horror and Tales from the Crypt, as well as some of the early one page text features. He later became a consultant for the 1959-1961 ABC-TV paranormal TV drama, "One Step Beyond."
The story appears to have drawn its inspiration from a fraternity initiation anecdote from Bennett Cerf's "Try and Stop Me," also a favorite source of plot inspiration for Bill Gaines.
Kurtzman recounts that it was this story that got him the EX account.
Writer credit revised from Al Feldstein to Ivan Klapper and letterer credit revised from Jim Wroten to Ben Oda by Craig Delich.
Marie Severin’s statement that “[Harvey] Kurtzman colored his own art, especially on covers...” (1995) suggests that Kurtzman colored stories that he drew, albeit perhaps less consistently than he colored his cover art.
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References:
Cassell, Dewey, with Aaron Sultan. 2012. “The Artists of EC Comics” (reprinting Severin 1995). In Marie Severin: The Mirthful Mistress of Comics. 46–47. Raleigh: TwoMorrows Publishing.
Severin, Marie (John Province, transcriber [uncredited]). 1995. “Mostly About Color.” In CFA-APA 36, January.
Adapted in Tales from the Crypt reprints as full 8-page story sequence re-titled as "The Thing from the Grave."
Letterer credit per Russ Cochran and added by Craig Delich 2013-12-8. Feldstein reports that Wroten used a K & E Lettering Stylus to do all the lettering with.
Colors were previously attributed to Marie Severin (see Indexer Notes for this issue’s cover, above).
Splash page and last panel altered to The Old Witch in Vault of Horror reprints, although character was still in green robe like the Vault-Keeper. The Old Witch usually had a red robe.
A Blob-type story.
Letterer credit per Russ Cochran and added by Craig Delich 2013-12-8. Feldstein reports that Wroten used a K & E Lettering Stylus to do all the lettering with.
Colors were previously attributed to Marie Severin (see Indexer Notes for this issue’s cover, above).